sanveer

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Wouldn't anyone notice scenes with varying f-stops? Wouldn't the varying depth of field make continuity or sequence shots seem strange? Or its not really noticeable.

2x, 1.5x and No Crop means nothing. There are different zooms and prime to cover every focal length. I remember not too long ago, I used to watch TLC hedonistically, and hog on meat and drink like a camel and tiger mix, thereby turning into a fat pig. Many of the shows were presumably shot on the Canon 5D, and many of them were out of focus, or the depth of field was quite shallow, and thus most things appeared to be out of focus. Very Interesting. A slightly faster lens, at a shorter focal length may theoretically remove the depth of field advantage of Full Frame, whereas it would be a lot more difficult for FF to get the wider depth of field of smaller sensors.

Aaah ,very interesting. I thought it may be too small for attaching it. Maybe larger node sizes help with keeping costs low as well as helping with working with them outside of automated factories

I've always wondered whether Mobile SoCs can replace Rasberry Pi kindda computing units. The only issues I can think of is size, price (perhaps more applicable for the 8 Series Flagships) and easy availability. A Qualcomm Snapdragon 7+ Gen 2 could be a great processor for something like a RAW shooting self made cinema camera. Though the SoC may be tiny and may not be as easily available over the counter, like in the case of Rasberry Pi kindda computing units. Qualcomm Snapdragon 7+ Gen 2 may have less issues with heat as well as superb connectivity for uploading and sharing. I am just wondering. I have no idea about any of this.

Improved in Every Way, from a much larger sensor, twice as fast readout, twice as large lcd, log recording, semi articulating screen etc. Hope they keep the price the same or similar. This could do pretty well.

Its looking pretty exciting. Hope the sensor has been tuned like their drones. Also things like a hires photo mode, variable video bitrate option, and a few other goodies should make it a runaway hit. I wonder what the size of the new rotating screen is. Hope they have lens attachment options for ultrawide and anamorphic. This could be a killer pocket 3, if they get a few things right. This could be good enough to shoot the next $70 Million Feature on 😉

Pics?

Interesting, never thought of it like that. Then what about the Panasonic BGH1? Would a director have put a word for using that for a project too. I wonder how popular it was or is.

I was meaning the Netflix list. Actually even the FX3 only made it to the Netflix approved list, After the firmware update, removing SLog 2, maybe increasing bitrate(?), addition of Cine EI workflows, custom LUTs, and timecode sync. Maybe they're miasing on the FX30. And there may be an approval fee, which Sony doesn't wanna pay.

Or were you referring to the Netflix approved list?

Maybe because they both (FX30 and FX3), have almost identical height, weight n depth.

They probably got like 30 cameras with lenses and accessories from Sony for the publicity. Maybe a few millions too, and studio help from Sony (CGI included?).

Sir you have very Gaddafi, er I mean Saadawi vibes 😉

I have to humbly Disagree with the idea that All M43 Cameras must be Tiny or Pocketable. That's Lucrous. Apple has the distinction of making smartphones that make claims that they can shoot Arri Video Quality or Prosumer or Professional Photo Quality, at a fraction of the price, but there isn't really much truth to that. Regardless of what Hollywood director, whose film has been sponsored by Apple, tells that to you. While almost everyone ALSO wants a GM5 sized Panasonic (especially since Fuji and Ricoh make some superb point and shoot cameras), all Panasonic need not be tiny. They would have issues with overheating, and other issues and look rather amatuer on a Professional shoot. I am comparing the GM5 to the Netflix Approved Sony FX3, the A7Siii, and the Fuji X100v. Panasonic needs the GH, the G and the GM lineups (hopefully something with the GX85's IBIS, but much smaller, probably with 10 minutes recording times).

I know the Single Biggest thing that would make the G9ii sell in the truckloads. ... A Netflix Certification 😎

https://petapixel.com/2023/09/05/canon-has-nearly-50-of-camara-market-share-nearly-double-sony/ "As reported by Digital Camera Info and Digital Camera World, an annual Inspection World Share data report from Nikkei Shimbun — a Japanese business publication — shows that Canon, far and away, dominates the camera market with 46.5% of all units sold in 2023. The data, provided by Techno System Research, found that Canon sold over 3.348 million camera units in the same period that Sony sold around 1.879 million units. The report does not make a distinction between mirrorless cameras and DSLRs. Nikon holds 11.7% of the market in a distant third, with Fujifilm and Panasonic following with 5.8% and 4.2% market share each. These top five companies account for 94.3% of the entire camera digital camera market share. Comparing this with a 2022 sales report published by Digital Camera Life, it’s likely that Canon continues to rely heavily on its DSLR sales, at least in terms of volume. Canon’s mirrorless market share is still higher than Sony’s, but the race is much closer: 1.54 million units versus 1.25 million units. Further, Sony is actually ahead of Canon when it comes to the value of those sold cameras. Canon’s higher number of camera bodies sold equated to 506.7 billion yen, while Sony sold fewer units for a sales value of 565 billion yen. Canon seems to be excelling when it comes to selling more affordable cameras, while the opposite is true for Sony. All of this said, the breakdown of the market share leaders isn’t that different than in previous years, as Canon’s lead has only increased by 0.7%. Sony’s fell by a scant 0.9%. Nikon’s rose by 0.4%. There is not a lot of movement from any company on the top five list."

Are polls still there? Maybe this topic requires a poll? With suggestions for the options, before the polls are opened. Mine would be 'too slow to adopt PDAF', and 'abandoning small cameras like the GM/GX lineup'. Their supply chaim and marketing are also disappointing.

"The company has not released any new product for the price range below 50,000 yen ($370 at current rates) or so since 2019 and has no plans to develop a low-priced model going forward. "We've halted developing any new models that can be replaced by a smartphone," a spokesperson said. ... These companies are following in rivals' footsteps. Fujifilm has discontinued production of its FinePix compact cameras and will develop only the X100V series and other pricier models." Canon has not released any new Ixy cameras since 2017. But the company acknowledges that "entry-level models continue to enjoy persistent support, so we'll continue development and production as long as there is demand." Sony Group has not offered any new compact models under its Cyber-shot brand since 2019, although a spokesperson said that "it's not that we'll stop developing new products." Casio Computer halted production of Exilim cameras in 2018. Camera makers had long competed with one another by increasing the number of pixels and by shrinking the size of their devices. But then smartphones came along, offering apps for editing pictures and allowing photos to be easily shared with family and friends. This changed the way people took photos. Smartphone makers are racing to offer advanced photography features in their devices. "It'd be a challenge for camera makers to be successful with keeping their compact digital camera businesses," said analyst Ichiro Michikoshi of research firm BCN. Compact digital models accounted for 36% of global digital camera shipments in 2021, according to CIPA. The broader camera market will likely shrink even faster with Japanese companies, many of them big players, scaling back operations in compact digital models. The bright spot is the mirrorless segment, with global shipments jumping 31% on the year to 324.5 billion yen in 2021. Mirrorless single-lens models offer fat margins, and users replacing lenses and other parts will keep contributing to the manufacturers' bottom lines. Retailers are focusing on this segment as well. "These days we recommend mirrorless cameras even to novice photographers," said a salesperson at electronics and appliance retailer Joshin Denki." I am guessing the reference is to point and shoot cameras, with fixed lenses, including the LX100 family. If Panasonic feels the GX and GM do indeed have a market, and they can profit from them (maybe with price increases), they may add some to that group. Strangely the Japanese are not really good at very quick turnarounds, and making products at lower manufacturing costs. Two reasons why they aren't the top players in the smartphone industry. It's therefore a strange conundrum. They don't wanna integrate absolute smartphone features likes 4G and 5G chips for uploading data on ILCs. And Sony has been slowing its development of ILC replacing smartphones, by not pushing 1inch and larger sensors (they have a massively cropped 1inch sensors). Sony is arguably one of the hurdles for both Smartphones replacing ILCs, and in some ways possibly causing sensor development (like not giving PDAF to Panasonic) slowdown in Pro and Prosumer Cameras. I wanna write more, but I have to rush.

Which has strange design choices, including 1 card slot that is "(UHS-I) Micro SD". I had to read that Many Times to believe it.

I saw in the video, he says it's a Global Shutter, has 16 stops of dynamic range and 5k video, with a lot of frame rates. What more could one ask for? It's probably better than Full Frame, if the quality is anywhere close to advertised. If that's the case, Panasonic needs to pick up one of these sensors for itself too.

"Richard Wong tested better lowlight capabilities than R7 and XH2." It better than some/many APS-C cameras apparently, as mentioned in the video and above. The original G7 had slightly better photo and video quality than the GH5. I suspect the G9ii does better than the GH6 too. Plus the substantially lowering and auto triggering of dynamic range boost seems like a good step. Okus the streaking has been fixed. So now looking forward to some dynamic range tests 😁

Agreed. $1499 would be perfect.

This comparison is slightly unfair in my opinion, solely based on the fact that the Sony had a lot more depth. Plus its an overheats. Like many Sony cameras 😁 Though I completely agree, that Panasonic absolutely NEEDS to make Another GX Camera or even GM Series camera, with this sensor (I wonder if dual gain sensors are more battery hungry?).

IMHO, if Blackmagic gets PDAF and IBIS (and,better ergonomics, better battery and ease of use) they will pose serious competition to everyone else. Also, true cinematography cameras will trickle down to a much larger crowd. Something that should have happened after the original pocket cinema camera. Which has superb image quality. But was s nuisance to use 🤣🤣🤣