You can't be less than just 100% right ; ) One of my instructors at film school was used to say the same since my early days at film school 2 decades ago...
Like button on twice mode :-)
You'll unlikely find no lights setup in a shot into a blockbuster production, as for instance. An events shooter living from his/her craft is as much professional as an acclaimed Academy award filmmaker. Different levels, obviously.
Sure, "level" in my post also includes that.
Without mention sun, moon, low light from whatever source is light. Exposure is light.
There's no shooting without a lens aperture. And shutter to couple with, of course, where light is always exposed to the sensor in the digital realm.
(if we should express it in this way)
For sure. But, as same as happens with plots or subplots within an inner theme, so we're talking about cameras -- our POV into this topic, not yachts, jets, jetpack, trips to Mars, right? ; )
E :-)
I concur, except on the HDR part... : )
http://www.trustedreviews.com/opinions/hdr-tv-high-dynamic-television-explained
https://www.avforums.com/article/what-is-hdr.11039
:-)
No idea on all from yours. I find the Chinese offer pretty appealing anyways:
https://www.avforums.com/review/hisense-H65m5500-M5500-uhd-4k-hdr-tv-review.12991
Here's an interesting article on topic:
http://interactive.satellitetoday.com/via/april-2016/pay-tv-operators-evolve-to-survive/
4K HDR TV sets, as for instance, are a curious 4K 2.0, not exactly at sea level, IMO.
(PS:) ...and also why your point is pretty accurate, as matter of fact.