Emanuel

Have you used anyone? Can you add details on your statement please?

is shipping: IMHO, with 3D Robotics Solo (+ Olympus 15mm f/8 body cap lens, as for instance) would offer the best lightweight combo.

I had already seen that thread before, I just didn't have time for posting here. A last note for future, though: when we have some doubts the best is to trace the historic of the poster; some other videos on Roman Lah's YouTube don't let much margin for third doubts, the guy seemed legit. The footage seems promising :-)

I don't think so or they would invest in local reps and they actually cut any expense instead. PR is addressed globally à la Apple's yearly announcements of a new iPhone, such as the recent Canon Expo in New York, not in any BRICS country : D Next round only in five years. Internet times. They are more focused to find a way to respond to both sides of market range: - the inglorious battle against the recent mobile phone market with obvious cuts in their low range is likely to allocate a renewal of interest where professionals may come up; some rather focus on sensors for third manufacturers, as for instance, only testifies the commitment of some brands* to touch both ends as much as possible in a way or another. * Sony has found their policy to lauch their aggressive product line with announcements practically in a row. Impossible to predict it (such democratization of their offer) 15 years ago. F900 was 100,000. Even when Trinitron age had ended then and they came down the hill. As long their price range. Solution raised, not the problem. I've recently invested in two large format printers (Canon) for a third of the regular price and the cost of the ink cartridges.

Please stop this continuous nonsense (E :-)

Welcome Anthony! Nice to see you here around : ) Funny to see some of you from dvxuser in this corner so many times underestimated there... Makes me proud to be one of the first dvxuser members to recognise the merit of Andrew to build up an unbiased community made by filmmakers really not committed with any brand or agenda in particular in any other than as indie filmmaking. Emanuel :-) PS: I've read some criticism in both sides of the coin. Disappointing to see people are unable to feed up a friendly vibe instead. Both are terrific locations to make friends and stay. Glad to defend both homes.

It can be because actually, the Mark II is a mere update to the older sister, based on the goodies brought from a7RII (such as more power processing, in any case, still overheating according to the early reports from manufacturer), except sensor design, including the same sensor, contrast detection AF, etc...

Things require time to be made, correct? The problem with these forums is the fact people from so different origin come to post and say anything as it is the most consensual truth. As matter of fact, experience speaks on our behalf. We can't put some worker with one, two or more decades of experience in the same basket of some young fellow anxious to see the bird out of the cage. I'm sorry but that's what it is. Our actions speak by itself. To infer some manufacturer has some trouble because didn't post any sample footage in half dozen of days, only pops up as evidence of it. Instead.

Man, but that's the point! To me, it is a mere exercise of show off and marketing (in a market flooded by thousands of other digital shooters trying identical luck in the same film festivals) certain experiences as Tangerine (shot on iPhone 5s) where lots of movement and high sensitivity requirements would require better acquistion tools, available and affordable out there. Bloom is always trying the best outcome from the tool he uses (even in the last one made with the new iPhone 6s, he ends it stuck with stationary shots and the weakest link of the chain is exactly the beginning when movement shows how fragile these tools can be), that's the spot; the same for the test of Mattias. The question is you need to know very well what we can do with the tools you have. This is the good news* after all: (and this higher bitrate you don't have it by default straight out the box from the manufacturer, it is the combo, in this case, with the resolution provided, the factor which counts and equals professional tools, so ready to be used as insert shots, as for instance) *from Mattias' test

http://wccftech.com/4k-documentary-shot-iphone-6s-video/

Yes, I meant the 4K studio sensor per se.

Coupled to 1.33x anamorphics, it is a 1:2.35 6K camera...

Ebrahim is the one to tell you the right value of the sensor of this camera.

I give you an example... Yesterday, I spoke with some core early adopters of every single RED camera till today. My wondering about Weapon. Answer: "No way, price doesn't justify a new purchase, we've already invested a lot of money in RED cameras". I guess RED must listen or we all RED lovers won't have reasons to praise RED for much longer... The early spirit of RED is necessary for this industry, we are today what RED made yesterday. Emanuel :-) https://en.wikipedia.org/wiki/Red_Digital_Cinema_Camera_Company#History

To me, 4K/60fps is already a good shot. Twixtor a must help. Raven, a promising 120fps, except for that RED policy already mentioned. It simply is a buster.

: D Indeed, impossible to not agree with both.

Well, you still have URSA 120fps/4K or URSA Mini 60fps/4K + Twixtor...

The beef of them with RED is the fact the company has a policy of overpriced accessories when the initial idea was to disrupt the industry. Jarred still uses the line. At a certain point, companies like Sony or Panasonic became more client friendly than the one used to make the rules of the business change. They succeeded to launch a camera that placed the offer for a fraction of the supply then. The infamous 103,000.00 F900 rate reduced to the promising $17,500 for identical formatting of a digital cinema camera body! Almost ten years later, the market model is not the same anymore. Panasonic offers professional recording 10-bit 4:2:2 option for free in their consumer line (hence YAGH, not AF200 as proof of it), Sony has resisted but outputs 4:2:2 even though still* 8-bit and sells a cine zoom lens under $2,500. A good part thanks to RED, true. Actually, sad to see now the same company playing the same role usually performed by the giants of this sector before. Who've wisely gotten the lesson much earlier than that one to still keep trying to preserve the current mainstream instead. Bizarre. Innovation was replaced by hold the line attitude. That's what HFR 8K is, at an unfriendly indie rate. 4K4all tag (by RED) accordingly. It is a pity. BMD is the only winner over here. And their clientele, of course. I know some RED early adopters who work and live for buying the yearly updates. Where's the obsolescence obsolete concept? Only in the marketing. All these tricks have annoyed serious non'sheep people as for instance Ed who has been a voice against it. Along the years, I've seen a few others to follow the track. Some of them I personally brought to RED. Hence my inner POV and, sorry who can dislike it, also educated from inside. E :-) * Unfortunately, RED is out of the game where BMD can help to make FFC's dream even more real than today.

Nathan, Ebrahim is perhaps the most valuable poster among us, his silences also speak on his behalf... LOL Need to read between the lines, maybe you'll find out more similarities with your thinking than apparently seems to you at first glance ;-) He loves filmmaking after all and filmmakers speak through signs, figurative speech and so on... At times, it happens to write it upside down!

This post is delicious... Ebrahim! ;-) LOL No self destruction, but guts, a much different perspective... ;-) Normally, I say it the same, trying to use the best words to say what is necessary to say anyway. We are not a crowd but we can be as good as them : D http://www.reduser.net/forum/showthread.php?136117-4K4ALL&p=1546364&viewfull=1#post1546364

As far as possible to understand, yes. The heat comes from the processing for 4K recording and the compact design, not the sensor.

Some guy here: https://www.youtube.com/all_comments?v=igcxMfaqoCo Says: "the a7rii is overheating because many people don't use right sd cards, if you use san disk class 10 sdxc u3 extreme pro it won't overheat." I doubt, but anyone has tested it?