Emanuel

A couple of shots here, ISO 6400 and 12800 respectively, the last one is @25p though:

LOL You're not the only one wondering about, I see ; ) This is exactly what I'm talking about. Certain gaps are more important to fill up than everything else, no matter how crucial or critical they are : P

Here's a FX30 in someone's else other sense ; ) But IMO this is not exactly proper of a camera technology forum, to each its own, I believe we need to focus on a specific perspective or focus and not willing to discuss general lapalissade stuff. This is all about the potentiality of a certain tool or its specs in the way they can affect our métier.

My friend, indie shooting means when you're the most independent of external variables like budget, crew, production values, etc.. This tool gives you the most extent of this formula ; ) Will you be able to make it alone by yourself? Of course not, but the most you're able to get an outcome from there without needing extra resources the best : ) In this sense :- )

I've watched it a few hours ago and recognized your name and said to myself, this EOSHD fellow is going to follow the same pieces of street videography gear as I am : D Kudos to your tests, pal, this is indie shooting at its best : ) I guess I won't help myself to end buying a couple of each them: 4K 120fps GoPro 11 and now this FX30 and the lowlight performance of this thing make it priceless for the price of everything, glass you can couple included, my MFT Sirui anamorphics set via adapter and so on :- ) Nice days to be a shooter! - EAG

Love this thing. For the price it is, this is really something. Handheld, available light... Handy with all these feature specs, an automated cinema camera? WOW Give me one. :- )

More than the assets, supply, loading or the kit you're using, i.e. the value, it is the ways the outcome is contained. It's all about that.

Something that really pisses me off is this mania of repeating the same "solution" (?) ad nauseam when something is coming into their empty hands... Before it was the shallow DoF from 35mm adapters and HDSLR introduction... Slowmotion came later and so on. And on and on. Now it is the 10-bit banding-free skies from people who look like to have found for first time the acronym DR, the word latitude or whatever they call it cinematic. Oh well. Please do not repeat it or no new resource will produce anything. First definition of cinematic. Zoom out. Forget the story, sound design and talent of the shooter's sample. The camera. Also. Because to be cinematic is much beyond that. More than resources, the way they're managed. EAG :- )

Already posted earlier by @Django My bad I hadn't checked this thread before, nice work guys, looks like a little gem, love the colour SOOC BTW and fairly improved this time (where's that SONY look? : D) IMO :- )

Seems an irresistible tool easy to fall in love, well, I can't wait to put my hands on these small handy beasts when street photography comes like that:

Elon Musk promises to revolutionize Twitter. Your bet?

(I thought I had added) Still no glitches on 180Mbps at all? No lock up for every recording modes? 240 Mbps?

Linear mode is-really-the deal :- )

Yes, but sponsored by the brand...

So far so good, 2 pages match so let's help the OP and... our good old chap too : D

Love the " thousands of twenty-something women " description... : D Here's why the digital revolution had to happen ! LOL ; ) Incredible times... Oh well ...except for that crazy cold wind at East... : (

No way, cats and flowers! : P

Seems the plot is over now -- interesting discussion out there too:

Is AI the future or the present already and now? Who's using this in the still photography realm? https://www.imagen-ai.com

What exactly M1 Pro MacBook Pro specs? :- )

You're welcome : ) Nice findings and report to know. Incredible stuff indeed... Seems embedded feature is not included yet from your account privileges, I guess.

As simple as let it go outside the mobile version up there: Amazing outcome, go figure for a 200 bucks device BTW... :- )

Not exactly 120fps but anything faster than 100fps, when there's no genlock devices, does the trick... : ) Once synched can be conformed to 25fps @post. GoPro's small form factor coupled to 10-bit offers the remainder part of the quotient :- )

What interval minimum? Seconds too? I am willing to buy a couple of units for 3D production, so 4K 120fps will be the normal shooting... : ) I am wondering about, that is, I'd love for some testing as viable as possible :- )

No idea who's creepier to Doc... Freddy or Homer? : D Love those miniatures, that's true film love, pal : ) Nice zoomshoot BTW (let's not confound with zoom shoot ; )