Emanuel

Next purchase to come... Can't wait! :- )

Thank you mate for the suggestion... Who knows we'll see it there from your tip now? ; ) I love anything Ireland related! < 3

Me too! Hope to hear something yet on topic this week! Grazie! :- )

Don't ask this because you'll be shocked with the real number... LOL Well, we're used to make miracles at times... ; ) Kenjo's next one I've already been literally invited to participate as Executive Producer if not more I guess I will ; ) it will be in a different tone on such darker side (INFINITE BLUE is the working title) as every single piece of him BTW. INFINITE BLUE has been designed as a low-budget, psycho-sexual art-house-horror: A bored housewife discovers a mysterious portal that leads to her joining an underground cult and unlocking her potential. YAMOME (2018) -- The Widow, in English, is something he did from a 30-year old young director and, well, it's simply a way beyond only a middle age man like my age could even imagine to shoot... 'cause it's simply amazing his insight as outcome there in one of the best portraits of a middle age woman I've ever seen on screen... Ozu would be proud! As much as Mizoguchi or Naruse, I am pretty sure. Kenjo knows very well my enthusiasm when I privately told him exactly such words... Kenjo follows their tradition and legacy for his cinema. It's an old award-winning film critic who addresses to you now this line. I am suspicious as his producer but you can mark my words. I am with him since AUTOMATION (2017) and MAKE-BELIEVERS is the result of an intense labour since TRAMSMISSION (2019), also producer there, based on 'The Statement of Randolph Carter' by H.P. Lovecraft to celebrate one century of his work. No film grain simulations were used. Just raw and pure post-production work with many hours (in Philippines) of delicate grading obviously well cared to carefully fit the story and the characters. Inspired both on Kenjo's emotional side and mine with both fathers of us. BTW my own father is Executive Producer for some reason ;- ) Thanks for your kind remarks, - EAG

Yes, Pocket 6K. These vintage manual Nikkor AI lenses: 20mm F2.8 24mm F2 28mm F2.8 35mm F1.4 50mm F1.2 85mm F1.4 135mm F2 In order to match Kenjo's vision for this movie. Soft dreamy look especially for certain scenes. Great director, by the way! He is much above the average to say the least. IMO one of the most promising directors I've worked with and even seen as movie lover today.

LOL It's just a scene but yeah, sounds inspired from but on that one, you need to ask it directly to Kenjo, my partner in crime, he is half Irish by father side, you know? I'd dare to say melancholy is not absent from there either... Even though, much something more added there as well, I believe and see : ) Thanks for your care ! :- ) Here's a new (official) trailer which I guess unveils a bit more of it:

Yeah, in fact : ) A Japanese feature film. There's a specific thread open now here:

It's a Premiere this time in the region (north of country) where I was born and raised... Y'all Invited! https://www.avanca.com/ https://filmfreeway.com/avancaff Shot on Blackmagic Pocket 6K camera series (G1). Proudly Co-Produced in Japan by this EOSHD fellow of yours, - EAG

They are incredible camera series... Here's one produced by me shot on P6K G1:

Did you buy a new camera, Danilo? What about your aSIII? Un caro saluto, - EAG

In 3 characters... WOW

Where have you extracted this from? :- )

Just bookmarked : ) Thanks to both @Attila Bakos and particularly to @Andrew Reid who doesn't mind and put the art in front, reason why made EOSHD the most important worldwide corner of web : P Happy past camper... BTW ;- ) - EAG

Yeah, his thousand panties collection... LOL But seems from his own experiences collection too ; ) I know next presidential elections is a tragic comedy of horrors between crap to double but let's have faith one day things will change, worst is not an easy achievement :- (

Sure, my friend : ) Well described BTW from someone who shows well to know both ; ) I am just much attached to that one also from my emotional involvement with the town... where I studied, have worked and lived. A year later we had the chance to receive Ted Schilowitz and organise the RED event in Casa del Cinema di Roma (in one of my fav locations on earth too: Villa Borghese) and where we succeeded to have full house (literally more than 5% of people who attended were brought by my hands).

Shot on RED by Franco Zeffirelli with Andrea Bocelli & Monica Bellucci [ IMDb LINK ]

Naples is nice but I'm going a little bit up there... Rome ;- )

PS: Márcio, for sure it is "me enrolar" and not "me embolar" but it is funny anyway how a language can be so enriched by many different speakers... Long life to Brazil! :- *

@Marcio Kabke Pinheiro Nada bate a MPB... chamem-lhe brega ou o que quiserem, venha quem for ao Planalto, os cães ladram e a caravana passa... Viva o Brasil! EAG :- ) Moça Me espere amanhã Levo meu coração Pronto pra te entregar Moça Moça eu te prometo Eu me viro do avesso Só pra te abraçar Moça Sei que já não és pura Teu passado é tão forte Pode até machucar Moça Dobre as mangas do tempo Jogue teu sentimento Todo em minhas mãos Eu quero me embolar nos teus cabelos Abraçar teu corpo inteiro Morrer de amor de amor me perder Eu quero, eu quero Eu quero me embolar nos teu cabelos Abraçar teu corpo inteiro Morrer de amor, de amor me perder

Much eclectic here, no room for taking sides other than serving (lovely) pictures as much as possible and wherever they coexist in this world :- )

Don't tell me so buddy... guess what? Nothing against on aged stuff, just my ASUS 7 Pro has joined my OnePlus 9 Pro (what do they have in common, humm? ; ) and more recently my couple of GoPro 10 Hero units so, go imagine what drone will match it... LOL ;- )

Speaking of resources, I love this one here:

*Pocket (Pochet might work very well as name for that camera series too BTW... LOL ; )

I am Co-Producer of two feature films I am trying to place them on the film festivals circuit in Europe right now. One of them (shot on Pochet 6K) was selected (for official competition) this week. I won't write here what cameras were used for the other one... but one thing I can assure you: there have been feature films shot on ARRI and RED cameras beaten by our precious Pocket series footage FYI :- )

Hey don't dare you man, you're truly missed! : ) Everyone here has thought the same as our good fellow wrote up there, they always intend to seem legit but they are just a pain in the ass : ( On the rest of the quote, you're in good shape as always ;- )