Emanuel

That can not even be called a problem at all... : ) It will just charge more time from you @ post going along the Pocket series route taking from you the caution enough by framing if your glass won't meet your distortion standards :- )

Yes, there are tools for motion picture much more affordable today :- )

Great post as usual, man, yeah I'd call P4K old school where more effort you have to put to overcome the lack of modern tools, a bit as much as happens with AF as for instance you've surpassed with your incredible tool all Pocket series owners must have (EAG :- )

Modern digital photography usually provides the option of lens correction by software, not available going with a typical cinema camera such as Pocket series is :- ) https://www.canon-europe.com/pro/infobank/in-camera-lens-corrections/ https://www.cambridgeincolour.com/tutorials/lens-corrections.htm - EAG

Good advices, mate : ) Incrediblly funny how old LX100 is, isn't it? ; ) Seven years in the digital camera industry is a whole eternity... and my 4x G7s, one year younger as for instance, are still unbeatable in price, weight and form factor vs the IQ they STILL and will always offer! EAG :- )

Thanks man, your news and focus are really appreciated over here, lad : ) Same size and dimensions then? From third parties offer I hope too! Seems they know what they're doing and very likely a couple of units coming from US subscription where there's no VAT, 20% better foreign exchange without mention a much lower price in fact ;- )

Just arrived finally to be an alternative to the RAVPower's Filehub? https://www.indiegogo.com/projects/lambogo-rugged-high-speed-wireless-ssd-storage/x/4309913#/ Well, 320MB/s against 12MB/s-18MB/s, roughly 20x faster seems too irresistible and a dream come true... a new age coming? Imagine to backup your 128GB SD footage in... 7 minutes ; ) I wonder how consistent the speed be going with 8TB, figure it full of data loading there... Interesting price range anyway. Affordable to say it in one word. Feel tempted to test it :- )

Looks like incredible, man, kudos to both of you (EAG :- )

It was a rhetorical question anyway : ) we are all limited to weight of the bird in one or another way... :- )

Well seen but as written up there, I think because RED is going towards a different target this time : ) that is, not exactly as not expected at least :- )

What about the regulations...?

Interesting input, no matter if criticism when worthy. As said, I believe Jarred and his team are following up all that, I hope : ) Those fab specs and the brand deserve any single and every improvements to be progressively implemented :- )

Fanboys fanfare is surely not the best one to put a brand develop : ) Unbiased customer reviews instead, yes, make the product better. I believe Jarred (hats off to his effort to make a whole decade and an half of continuous labor and results to keep going Jim's endeavour) and his team will follow up this thread as well fair concerns such as those you've just posted. Even though, I guess this product is also targeted to the one-man-show, nowadays crews are gradually made of :- )

"Down" : D up to 600fps... Impressive : ) Who would imagine it only a few years ago? Seems clear to me that we're living future straight from now today :- )

ah funny, do you live in Kiev? are you Ukrainian too? I lived there along 2021-2013 : ) Do you work in the Ukrainian film industry? I believe there's not easy to find stock of Soviet glass there anymore or am I wrong to assume that? ; ) These small devices are completely proper of a very different realm I found a decade ago, people do photo shoots with iPhones now, not exactly in Kiev but a bit everywhere else...

I fully understand you : ) DJI has the best range on small form factor end, based on their gimbal bet. Everyone coming from film realm follows the reason why I am used to never end keep saying it :- ) PS What a dream!! : ) Loved it! Is she your relative, model, actress?

Yeah, 250g is the way to go because of the regulations... :- )

And this is to those who miss (the) 4K resolution *cough cough* ; ) well, it can be useful over VR to take a glance on this, anyway:

Still wondering on 4K 120fps realm...?

(posted on GoPro thread but deserves its right to be here... amazing outcome BTW, I've never seen such tiny acquisition device to produce so lovely results so far, I can only invite any single reader here to order and have promised fun with : )

BTW last weekend's tests had to be postponed to next one. A nightmare to deal with the incompatibility of wireless coupled to 2x Go2 apparentely solved a few hours later (I hope!*) to succeed the necessary learning curve led us there. *Lesson #1: Deselect the auto mode (forget it!) on wireless and set up your connection manually (very simple: just add the password supplied by default); *Lesson #2: Deselect the View App on Insta360 app coming from camera mode back to album mode (no need to leave the app) or sooner or later you'll be in trouble and it's not a faulty unit in hands ;- )

It's not possible to get the GoPro7 frame-locked like the earlier GoPro. With 60fps i didn't really have any problems with time difference between the cameras, but I have mostly used it for next to static shots. From 100fps on, you're safe... : )

Yeah, we know, the lightest, most affordable and HFR is a crucial replace for the 3D rig and the need of sync capture devices.

My bet is David Newman, the man beyond Danny Boyle's choice on digital over film (EAG :- )