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Everything posted by andy lee
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you can stack Tiffen NDs with absolutely no issues - they do this on Hollywood films in industy practice . its the only way if you want to shoot outside in daylight like I do at f2.8 wide open - sometimes I need ND 24 + to get the correct exposure , they only way to do it is with ND 16 +ND8 stacked ....it works
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go watch all the Tony Scott Directed films as he shot almost always on the long end of lenses often with x2 extenders , Top Gun , Days of Thunder and my Favourite for long lenses - the Taking Of Pelam 1 2 3 (the remake not the DP Owen Roisman original classic) that gave his films that fast style , long lenses are great for movement shots also watch all the Sergio Leone Dollar Trilogy with Clint Eastwood - (he used and Angenieux 25-250mm f3.8 to shoot the entire movies the odd shot on fast primes at night but 90% on that one Angenieux ) long lens extreme closes ups where Sergio's trade mark he shot 2 perf Techniscope on spherical lenses. I prefer long lenses any day to wides !! long lenses are alot more cinematic looking . harder to use creatively as you need very good sturdy rigs for them, as you cant just hand hold these and expect it to look nice!!
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yes I have done alot that mainly if I'm wanting to reduce glare reflection on glass - car windows , building windows etc I shot some scenes in LA earlier this year where the actor was in car and in bright daylight reflecting off the windscreen , The CPL stopped the glare reflections the NDs kept the exposure correct....be aware the CPL will also act as an ND and reduce the exposure on top of your NDs , so adjust for that if necessary
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Canon EF mount is a useful format to have as it will adapt to other cameras if you need to - micro 4/3 wont really work on anything else
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get the canon mount - Ive never had any issues with adaptors and wide angle lenses ever!!
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newly announced 10.5mm Nokton from Voigtlander Micro 4/3 mount f0.95 nice and wide for GH4 and BMPCC users have a look here at the spec, they have yet to post a photo of the lens http://voigtlaender.com/10%2c5-mm-f-0%2c95-nokton.html Andrew if you get time can you have a look at this at Photokina as its a nice lens for Panny/BMPCC users on this forum. Mathew Duclos of Duclos lenses has this pics of it https://matthewduclos.files.wordpress.com/2014/09/img_7331-0.png?w=700
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it will vignette on a g6 quite badly - Carl Zeiss Tevidon 25mm f1.4 does not vignette superb lens I use quite a bit - anything wider than 25mm will not work on g6
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Your Sigma 30mm f1.4 is always a f1.4 max apperture lens - the speedbooster just lets 1 more stop of light in 'optically' it doesn't open your apperture 'physically ' by one more stop - how can it get inside your lens and make it physically 1 stop open wider..... have a read up on how speedboosters work I too have this Sigma 30mm f1.4 its a great lens and works just fine
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well that does the job doesn't ! very nice I want one
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Tiffen NDs are the best thats all I use , get set of ND2, 4, 8 and 16 and thats all you need for every eventuallity outisde in bright daylight Stack them to get the exposure you need. I shoot at f2.8 outside with Tiffen
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New Panasonic CM1 smartphone shoots 4K video with Leica lens
andy lee replied to Andrew Reid's topic in Cameras
yes please love it ! 1 inch sensor - beat that Apple , Samsung . LG and Sony -
lets be patient it may happen eventually as they need a 4K camera asap for sales
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Big news - Samsung NX1 with 4K, 24p and **H.265 HVEC codec**
andy lee replied to Andrew Reid's topic in Cameras
I'd just be using adapters and all the glass I already have . -
Big news - Samsung NX1 with 4K, 24p and **H.265 HVEC codec**
andy lee replied to Andrew Reid's topic in Cameras
with this camera having a super 35mm / APSC size sensor I personally would not be bothered using a speedbooster at all ever . as I want all my lenses to be used at the super 35 'field of view' so I'm in cinema lens territory . I'm not into approximating full frame field of view with a speed booster . So for me this camera is fine as is. -
Big news - Samsung NX1 with 4K, 24p and **H.265 HVEC codec**
andy lee replied to Andrew Reid's topic in Cameras
another bombshell ! sounds very good..... nice one Samsung - Canon and Nikon take note!!!! , I wonder what else will be announced this week at Photokina - there will be more suprises! -
no one has jumped an made an optically good one thats cheap - the original Canon is still the best one as you said.... or you get the mount changed on your FD lens to EF mount it can be done at a price then you dont need an optical adaptor http://www.thelensdoctor.co.uk/page5.html
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wow this does sound a bit of a winner Andrew - does the fact it stops down to f4 at the long end cause you any problems if you have a wide at f2.8 on a clip then your next clip is long at f4 , I would imagine its not a huge amount darker as its only 1 stop down?? any thoughts on this - Im just a constant apperture geek...
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this new Focus Module looks very interesting if it does work well with a Schneider then Im very interested , as I like Schneider Anamorphics the best , The engineering and finish on this module look very impressive , just wonder what the price is!!
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Canon need to drop something interesting for EOS users ......lets wait and see what they have up their sleeve....
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with an ND 2, 4, 8 and 16 you have every combination needed for shooting outside in bright daylight and keeping an f2.8 wide apperture Today I was shooting a WW2 film with Warbirds and we shot f2.8 all day.... 2 cameras set up the same with N16 and ND8 stacked together on the front of the lens = ND24 ....give me the correct exposure... so dont be frightened to stack heavyily to get your narrow dof wide open exposure . Also I dont ever use vari NDs I use Tiffen single NDs and stack them.
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no it makes no optical differance , a step ring is maybe 4mm deep so no problems.