Sage

DCPs are *intraframe Jpeg 2000, typically around 150GB
Cinema-City-tehnicheski_iziskvania.pdf

DCPs are *intraframe Jpeg 2000, typically around 150GB
Cinema-City-tehnicheski_iziskvania.pdf

Jon, great video, and that is a great feature. Knowing what you've shot has never been so easy.

The announcement of the firmware update seems a relevant moment (incidentally my birthday), to give a little update on the GH5 project I alluded to here and on Bmcuser.
I had expected in July that it would be ready to deliver before the end of August, but alas it continues to lay waste to timelines. Bringing it into reality has proven exceptionally complicated and challenging, 7 months in.
I will release as soon as possible, which may be awhile yet. I suspect it will be of enormous value to anyone interested in the GH5. More soon

The announcement of the firmware update seems a relevant moment (incidentally my birthday), to give a little update on the GH5 project I alluded to here and on Bmcuser.
I had expected in July that it would be ready to deliver before the end of August, but alas it continues to lay waste to timelines. Bringing it into reality has proven exceptionally complicated and challenging, 7 months in.
I will release as soon as possible, which may be awhile yet. I suspect it will be of enormous value to anyone interested in the GH5. More soon

I'm dying to share! Asap
I will say - the project has occupied the greater part of my attention for the last four months, and is the result of a considerable amount of research, time, and investment

I'm dying to share! Asap
I will say - the project has occupied the greater part of my attention for the last four months, and is the result of a considerable amount of research, time, and investment

I've got something special coming for the GH5.
You may feel differently soon

Thank you for taking the time to share this workflow.
It really makes the files workable

Just got the camera, and found there is a little wrinkle in the workflow. The MXFs are being marked with a .9375 pixel aspect ratio in the re-wrapping of C4K files (4096x2160); this results in a slightly squeezed frame, into a 16:9 ratio. It should be a 1.896 ratio (1.0 pixel aspect ratio), and at the moment I am correcting it with 'interpret footage' in Premiere at the outset.

Updated pdf. Although I don't know what the reference to ffprobe.exe is about. 
GH5 10 bit fix.pdf

Yes, the rewrap approach is probably the best way to go (I don't have the camera yet)
The information above, and the little discovery by Justin is of particular interest to me as I am working on a little project involving V-log mapping at the moment
That compressed luminance recording of v-log and v-log L is even beyond the 64-940 (0-100%) IRE envelope. I.E. exposure bottom* is intended to map at 128. And that is with the 64-940 envelope

This was hilarious Andrew, thank you