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Everything posted by jpfilmz
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A reference for anyone looking sharpness and clarity. C100 MKII 4K upscale filmed at 60fps exported to 24fps in davinchi resolve. EOS Standard Profile with the Canon 70-200mm f2.8 II I was quite surprised at how good the footage turned out. Very action cinematic to me. It looks even better when in slowmo.
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A reference for anyone looking. C100 MKII 4K upscale filmed at 60fps exported to 24fps in davinchi resolve. EOS Standard Profile. I was quite surprised at how good the footage turned out. Very action cinematic to me. It looks even better when in slowmo.
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Apple could unknowingly be tipping the scales for filmmakers
jpfilmz replied to Jonesy Jones's topic in Cameras
This sort of already exist for Amazon Prime. You can be on mobile and in every household living room that has a SmartTV or that has xfinity cable service as they have partnered with Amazon Prime. Apple wisely is not allowing an itunes app on samsung TV. -
I agree. I think the C200 is grossly overpriced. Im don't see $4000 of image improvement between the 2 cameras. The C200 should be priced around $3499 and the C100MK down to $1499. Im curious now how the 10bit 4k image from the EOS R compares with the C200 image in raw.
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Has anyone see this? Are the images really this close if you upscale the C100 to 4K? Canon C200 vs C100 Mk II - Internal Slow Motion Recording Modes explained
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on the 5D3 MK3 1080 Raw is stable and doesnt over hear the camera.
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The part about not holding back on features might be believable but.....Magic Lantern RAW.
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I am leaving Vimeo over their scandalous DMCA policy
jpfilmz replied to Andrew Reid's topic in Cameras
The Vimeo facebook page is getting ugly with the comments. People are PISSED about this DMCAgate. Im NOT renewing my Pro account there for 2019. -
I am leaving Vimeo over their scandalous DMCA policy
jpfilmz replied to Andrew Reid's topic in Cameras
Indeed, I received this same message today. I'm migrating everything to YouTube for now until another platform emerges. I'm on my 2nd strike and really received NO warning smh. -
Agreed...This thread has descended into complaining and cry baby whining.
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What about the XC15?
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This is insane. I can edit and playback the 4.6k braw files smoothly on my 2018 macbook pro.
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Fantastic!
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Wow. If they stablize this for 3.5k raw or 4k raw it will be a KILLER coveted image. Im definately watching this closely.
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I like the image i'm seeing from this camera. I'm picking up the Pocket 4k for any film related task and adding this to my Canon camera line (C100MK2, XC10, & 5DMK3) up for event relate task. In mixed lighting the HD is a good match for my C100. Much better than the 5DMK3 sans magic lantern raw. For event work the auto focus for me is just critical. Running and gunning trying to keep subjects in focus using the follow focusing method with your hand sucks. I'm sick and tired of that for events but for film I can still tolerate. I'll probably retire the 5DMK3 to photo only task.
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I agree with this assessment and I'll be most likely adding the EOS R to my camera kit.
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Here is another.
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Not to bad...
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lol wow looks like a clear shot across the bow of the C200.
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Try the auto iris function and toggling quickly to 60fps is a pain.
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All these lack of “mojo” comments are really silly. People will be able to color grade it to match just about any look they want.
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Agreed.
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Is the 18-135 the stm version? when the lighting conditions are good its my favorite handheld run and gun lens for the c100 due its light weight and stabilization. It also can use the face tracking autofocus. see 1min mark below.
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Yes no record timelimits, better codecs, better stabilization features, better viewfinder, better screen, and with a proper metabones speedbooster you’ll be fine with all your canon glass and in low light situations. You’ll need a rode videomic pro though and to get familiar with the menu system. Still less than a C100mk 2 but no built in NDs, XLR, Dual Pixel AF performance. But if you want to structly hover in the $1800 range then the C100 MK 1 is the way to go.