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Sebastien Farges

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Everything posted by Sebastien Farges

  1. just set on manual mode and focus to infinity... a little scotch tape can block the focus ring if necessary
  2. Thanks Panny, yes the less I do modification in post, the more I feel good And yes I put infinity on the prime lens and focusing with the focus module. The very closed shots are taken with a + 3 diopter.
  3. Always wide open (f2.8 in tele position), because over it's vignetting.
  4. Here is a movie taking during the past month in different places such as : Oléron island (French atlantic coast), Biarritz (French atlantic coast) and Croatia camera : Panasonic DMC-LX100 on tele zoom position 3:2 4K 25p photo mode exported in UHD baby Hypergonar anamorphic 1.75x lens SLR Magic Rangefinder focus system no color correction - slight levels correction -5 personnal color settings - Howa ND 32 filter and sometimes added with low prices 4x and 8x ND filters music : Mark Pritchard - Beautiful People (feat. Thom Yorke) Trumpets of Consciousness - Never Again L'Impératrice — Parfum Thérémine Goran Bare i Majke - Teške boje unplugged Thanks to Céline, Anne, her daugher, and Antun
  5. Yes His Name Is Alive is a great band I never had been the chance to see them live. For the bayonet, press firmly the black plastic circle surrunding the front of the lens and turn it from right to left. This bayonet is done for accessories, such as this automatic front cap
  6. 1ST PART : vimeo.com/158871915 This 2ND PART is taken in the French Pyrenees in Luchon. I'm happy having managed building a system for using my baby anamorphic on a 4K compact camera. I used an accessory tube made for the Canon G7 and managed to screw it on the bayonet system of the LX100. then I screwed another tube on it to allowed the zoom going at it's end of it's range (84mm in 4K, because it's vignetting below), then the Redstan clamp for my baby Hypergonar, and finally the SLR Magic Rangefinder focus system, and here we go ! For me the result is very promising ! What do you think ? camera : Panasonic DMC-LX100 on tele zoom position (84mm) always at it's full aperture (f2.8 in tele position) 3:2 4K 25p photo mode exported in UHD baby Hypergonar anamorphic 1.75x lens SLR Magic Rangefinder focus system no color correction except slight upper whites on 3 clips -5 personnal color settings Howa ND 32 filter music : His Name Is Alive "Man On The Sylver Mountain" Thanks to Céline and Nina as the editing assistant
  7. What do you mean ? If you want the full res of the video stills they are in the flick'r. Don't forget it's a lens for 8mm film and for me the result on a compact is far surprising Îm not sure it will work with a 2x (the baby is 1.75), Îm very closed to vignetting
  8. Some video stills from Flickr's album of the movie https://www.flickr.com/photos/43243778@N04/albums/72157665903659526
  9. This tube is compatible more or less with the bayonet system attachment of the LX100, so I can fix the system on the camera with care, much better than fixing it on the fragile zoom... http://www.ebay.fr/itm/Filter-adapter-tubus-black-metallic-58mm-for-Canon-Powershot-G7-G9-/262291664068?hash=item3d11cd2cc4:g:XesAAOSwWTRWwZsc
  10. I'm happy having managed building a system for using my baby anamorphic on a 4K compact camera. I used an accessory tube made for the Canon G7 and managed to screw it on the bayonet system of the LX100. then I screwed another tube on it to allowed the zoom going at it's end of it's range (84mm in 4K, because it's vignetting below), then the Redstan clamp for my baby Hypergonar, and finally the SLRMagic Rangefinder focus system, and here we go ! For me the result is very promising ! What do you think ? camera : Panasonic DMC-LX100 on tele zoom position (84mm) always at it's full aperture (f2.8 in tele position) 3:2 4K 25p photo mode exported in UHD baby Hypergonar anamorphic 1.75x lens SLR Magic Rangefinder focus system no color correction except slight upper whites on 3 clips -5 personnal color settings Howa ND 32 filter music : The Cure Thanks to the students from Master, Nina, Céline and Charles, Arnaud and Tchie-Kung
  11. FOR SALE diopters close up set, perfect for anamorphic - 3 SLR Magic diopters achromatic close up anamorphic set +0.33 +1.3 +1.8 (77mm thread) - 1 Tokina +0.5 (72mm thread) Normal trace of use, slight cleaning marks, tiny dust and tiny scratch. Will not affect the image at all sold with their original boxes. http://www.ebay.fr/itm/-/111936013737?
  12. Pocket 4K began 2016 in Central Pyrenees Panasonic Lumix LX100 4K compact camera (thanks to Céline) Cokin variable ND filter UHD 24p. Normal color mode. 1/50 shutter speed the tilt and shift shot is in 1080p the last shot is taken with my anamorphic baby Hypergonar shot in and near Gavarnie Circus (French Central Pyrennees) from the 1st to the 2nd of january 2016
  13. Here is the second movie I've just done in Italy with the upcoming SLR Magic Rangefinder. Any comment welcome, thanks for watching. GH3 1080p 24 70mbps SLR Magic Rangefinder on baby Hypergonar anamorphic lens in Redstan clamp on Qioptiq LINOS MeVis-C C-mount 35mm from f1.6 to f8 with ND filters no color correction Music : Polo & Pan"Plage isolée (soleil couchant)" Lilicub "voyage en Italie" Dalida "Love in Portofino" Thanks to : Nina, Céline, Gianmarco and Andrew from SLR Magic The 1st movie is here :
  14. GH4 + LINOS MeVis-C 35mm f1.6 C-mount lens + baby Hypergonar 1.75x + SLR Magic Rangefinder
  15. the taking lens (LINOS MeVis-C 35mm f1.6 C-mount) is good with this combo from f5.6. The video was taken between f1.6 to f8. The baby Hypergonar is not the highest sharpest lens in the world Apparently I'm happy with the Rangefinder, despite the results are a little under with duet diopters.
  16. Hi my anamorphic friend, here is a a new match I've found for my baby Hypergonar, the Pentax Cosmicar 25mm f1.4 C-mount lens, and I like the result, despite the distortion and the slight vignetting. What do you think ? (more information below) Oleron Island (Baby Hypergonar on Pentax Cosmicar C-mount) GH4 UHD photo mode 3:2 25p Cinelike V +0 -5 -5 -2 +2 Highlight +1 Shadow +5 Master Pedestal +11 Pentax Cosmicar 25mm f1.4 C-mount lens Baby Hypergonar 1.75x anamorphic lens Redstan clamp SLR Magic +0.33, +1.3, +1.8 diopters, Narumi +3 diopter SLR Magic ND variable filter Lumetri CC and levels adjustments in Premiere Everything was shot between @f2 / f2.8 (because upper gives more vignetting) or more when exposition needs, except close shost with diopters @f1.4
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