JBraddock

I do like single-column layout articles. But, Andrew, I think you should consider putting a max-width value for the article text. If one is reading an article in full-width of their screen resolution as I do then the article layout gets way too wide that it breaks the layout typographically as it increases word per line quite a bit and slows down the reader and makes it difficult to go to the next line. You can wrap featured image in a separate div so that it still covers the whole size of the screen while wrapping the main text in a separate div, centre it and put a max-width value to it.

How do I play 10bit files on Retina, 15-inch, Mid 2014 without any issues. VLC Player is glitchy and sluggish. Any solution or time to upgrade?

They are here.

I don't remember the last time I have felt disappointed by an Apple announcement. If I was to purchase a 15" Macbook Pro that is similarly configured to my current mid-2014 one, I would have to pay £2,276.40 with %14 student discount applied. That's almost £600 more than what I'd paid for two years ago. I know Brexit is partly responsible for the price increase but seriously, this is way too much for this laptop. And I don't seriously understand the obsession with thinness and lightness. This is not a phone. I am not going to carry it in my pocket. Why do we have to keep sacrificing performance and be content with less feature sets so that the laptop can get thinner and lighter and Apple can brag about it?. All these make sense for Macbook or Macbook Air but not for Macbook Pro. How much difference is the appeal of longer battery life and thinness going to make if I am going to use this laptop to edit on Final Cut Pro X? The whole appeal of lightness and thinness goes away as soon as you realise that you have to bring a bunch of adapters and power banks with you so that you can utilise the USB-C to its fullest. On top of that, they got rid of MacSafe. Seriously? I don't remember how many times it saved my laptop. I used a Hackintosh (HP) laptop for three years and it was more stable than OS X Lion on the 2012 rMBP, which was my first Mac. Because I knew in and out of the HP laptop, I was able to modify the drivers and DSDT files and chose the best combination of drivers. I've had more kernel panics on my genuine Mac than I did on the Hackintosh. If something happens to my current Mac, I don't think I will afford to pay over £2000 to get a new one. I'll probably build a desktop Hackintosh.

I've made a similar setup for a friend and the result is really good. In my case, I have a Tascam DR 100 Mark II and want to fully utilise it. Otherwise, it is a good combination.

I believe mine is a higher end model. That mic seems like a good option but here in the UK it costs as much as the Audio-Technica ATR3350. I'll have look at this mic as well. Thanks for the suggestion.

Hi guys, I am in the market for a lavalier microphone for interviews and vblogging. I have a Tascam DR100 Mark II recorder and as far as I know 3.5mm input in this recorder does not work with microphones without built-in power. So I am looking for something with XLR connection to fully utilise the recorder. So far I have come across Audio-Technica PRO70, which appears to have good reviews and is a cardioid microphone which can come handy in noisy environments. I also noticed that Audio-Technica ATR3350 has a built-in battery and I was wondering if I can use this with Tascam DR100 Mark II? My plan is to purchase a wireless kit in the near future and that's why I don't want to spend too much at the moment. My budget is around £100. Thanks,

Fuji's stills is the main reason for why I've become interested in this camera and what makes me more interested is the fact that Fuji does not abondon its cameras in two months after their release. I am sure that we will see important enhancements for videographers via firmware and perhaps a new "x-videographer/filmaker" scheme.

It seems that the total cost of reaching the full potential of the camera is much higher than how it initally has appeared. So we have to bear the cost of the battery grip and an external recorder, which takes the camera to ~£2000 territory, which, in my case, defeats the purpose of having a small all around camera. I am not sure how reasonable is that. I hope Fuji does something about it, as I've waited this camera for so long. Perhaps a non-log flat picture profile is still possible?

I have one (Kowa 8Z) for sale. PM me if you are interested.

I also have a 50mm f/1.7 (MMJ), which I quite like. Have you considered the f1.4 version of this lens as I hear that it has a much better built quality than its little brother?

Hi, I've decided to let go of my Kowa 8Z, which has not seen much use. It comes with redstand rear clamp. The lens is in perfect if not in mint condition. I am asking £450 for it, which includes first class shipping to the UK. If you are outside the UK, feel free to pm for the shipping cost. Paypal only.

Applied IWLTBAP 8700 and tweaked it in ColorFinale.

​Then they better speed up the bloody Compressor. I want to export a project and keep working on another project in FCPX. But you can't do that because when you keep using the FCPX, it stops background tasks! I understand it is not supposed to be a transcoding app but seriously, it seems flawed this way.

Could it be something related to QuickSync feature mentioned here? https://www.divergentmedia.com/blog/editreadyperformance/

​Thank you. Just one more question then Any. I hear that this lens is par focal if it is properly adjusted. Does it maintain that feature with the focal reducer?

Is anyone using a Canon FD 35-105mm f3.5 on focal reducer and with the focal reducer added, do you think that m4/3 mount is strong enough to hold these two without any extra support? BTW, Canon FD 35-105mm is around 600gr.

Good idea. This was my initial thought as well though my lens was almost brand new when I got it so not sure if it'd been serviced before. But I will try to test another EF mount lens to make sure that it is indeed the focal reducer that creates the problem.

​Not sure which focal reducer you have but, the RJ has an infinity focus adjustment. I also have GX7 and Contax Zeiss 50mm f/1.7 with the same problem you have. RJ sent me this picture so that I can fix it. But I just didn't have time to do it. Just be careful though; mark the current position and rotate it in small increments until you are satisfied. In my case, I can focus to infinity but I just have to dial it back a bit. This is to fix it so that when the focus in at infinity sign, it is actually focused to infinity. Hope this helps.

Cool :) Do you know how much value is subject to import taxes? What's the name of the seller if you don't mind me asking?

Andy, I think the difference between the RJ and Mitakon pretty much depends on lenses in question as I have seen examples suggesting otherwise. I have now adapted my Planar 50mm f1.7 MMJ with Leitax EF mount and it is rock solid with zero play and more importantly becomes a very well balanced lens on my GX7. This is a frame from a clip of a friend that I've shot during a train journey. It was handheld so the focus may not be perfect. F-stop was f4 I believe. To me, the sharpness is perfect as I don't like too sharp images. In fact, next time, I might dial down the sharpness in camera to make it slightly soft on faces. The only problem I have with the lens is that it flares so you definitely need a lens hood. In this particular clip, the flare turned out to be filmic and I quite liked it but it may not always be the case. @Inazuma, how much did you pay for the import taxes on that lens?

I'm glad it helped :)

I have a RJ lens turbo and it shifts my infinity focus a bit. I have to dial back to 10m instead of infinity sign to be able to focus on infinity. However, that adapter has focus adjustment. Look here. I haven't changed it yet as I wanted to try other lenses first.

As far as I know, there are some sample variations of 28mm AIS. One example is here.

I was planing to buy the f1.4 version but then ended up buying the f1.7 MM version with a late 8xxxxx serial number, which is supposedly optically improved, in a mint condition as some say that wide open it is sharper than its super fast brother. Another thing that I like about this lens is that you can use half stops on the aperture scale. You don't have to jump from f1.7 to 2.8. RJ lens turbo will arrive tomorrow. I can't wait to test it :)