odie

I just started shooting with Kodak about a year ago...for commercials and stills...I THINK IT WILL SURVIVE...GREAT GREAT IMAGE AND IF YOU'RE DOING SOMETHING FOR BROADCAST CHEAPER!   (almost no post required)

it's all in the post

waiting to test pocket cam before buying lenses

I'm wondering about the 5dm2 too?

FILMMAKING IS A STRUGGLE...FOR SPIELBERG OR A GRADUATING FILM SCHOOL STUDENT(I SHOULD KNOW)..THIS IS JUST HOW IT IS

i want one

unless someone hacks the c100...and at this point I wouldn't be surprised

looks like the red one

I have the 5dm2..5dm3..red epic..super 16mm...(the 5dm3 now is my b camera but it looks like the 50d could also do the job) nice!

is the 5d2 as good as the 5d3..?

it would be nice if this worked on the 1dx

so would say the 50d is better than the 5d mark ll for video?

after all this can you imagine the anticipation for the 5d mark 4?

release raw on the c line..these cameras would be beasts...no reason to protect c500 anymore..never seen one a set

Which hack was used for the Gh2? thanks 

f35 very nice

if this camera could shoot 6k raw I would want that too

my 5dmlll is working..but what about the 5dmll..any updates??thanks

How do you work around the moire and aliasing with the bmc footage..?  Is this something you can spot while shooting on the monitor or you have to wait till you download the footage to your computer??   Could you you make adjustments on the set or only in post production?  How difficult is it to fix in post?

Since I own the 5dmlll ...there is no reason to purchase any of the black magic cameras??

I have a 5dmll and a 5dmlll...testing now...are people finding moire on both cameras or only on the 5dmll??