Nikkor

But it's not a real leica, but a franken-leica.

typical erectile disfunction.

Btw, Virtual reality has a lot of possibilities for narrative films. I don't know if or when it will be something common and not gimmicky, but it certainly opens a lot of new ways of telling things. There is the straight forward thing of putting people in the action, as if they were actually there. But soon filmmakers will notice all the things you can do to transmit mood meanings,etc through perspective,etc... For example, a tele shot in virtual reality will be something epic, because it is a very different way of seeing. You start moving away from conic proyection into a cilindrical proyection, giving you sort of a god like point of view. The typical vertigo compensated zoom on the otherhand, will be totally crazy. But no need to overdo things, lets take the compensated zoom, you can have a scene where someone walks into a place and experiences something stressful, lifechanging,etc... During this scene the center of perspective starts shifting, beginning to be opressive, like people experience in real life (for extreme cases check alice in wonderland sindrome). The only peoblem is that you could stress some people too much and make them puke

I will wait for 8K, the gigantic pixels are really terrible.

Don't use tripods for family videos use some lens with IS (image stabilization), that's it.

What's the price for that thing :)?? (I guess I missed that part in the video)

There is a funny moment where you can clearly see how the chinese guy is super proud of the camera and feels like all has been said If the 5K is the one with 15Stops DR I can't see why someone would get the 6K.

Beating Blackmagic at their own game.

I wonder if it's the same sensor as the Blackmagic production camera 4K

The labels, it looks cheap.Personally I wouldn't mind.

The preview thumbnail shows it.

2:40min remaining for the sony conference.

Here we go...

But if they don't live up to the expectations it will backfire.

Well Bror, I don't think it makes any sense, do you really want me to enumerate all the self evident reasons? If your sensor is aps-c, why use m43 glass on it? Cropping into the sensor because you bought some m43s glass? Having to handle thousands of adapters that are another moving part, make it harder to handle,etc... all because some guy could want to use m43 glass on it? Makes no sense. They have the EF mount there for a good reason. Eventually there will be a common used, short flange mount, that was designed for larger sensors. If there is glass to justify the use of that mount, it will be used. Meanwhile EF mount is the way to go.

Well, I don't think so, adapters are a pain in the ass.

They are using sensors that are larger than m43 and either way, EF is standard in the non-pl world.

Blackmagic should make a deal with you and offer their cameras with build in speedboosters.

Is that optic it has inside a speedbooster?

I can send you a metabones, you sent me a mamiya apo

Those zooms are different, the 28-70 for example, has a built in focus motor, prone to failure but not like the screwdriver Af. The 80-200 still has the bad AF but the lens is better than the newer 70-200 until version VR II. I'm just saying, it's not worth to pay for the AF when you can get manual, better built lenses, with focus rings that work better for manual focusing.

Well, on the ones I have it won't work precisely, and it's noisy as hell (I use them for manual lenses, I'm faster and more precise than the screwdriver), the 135 and 85 have the worst color fringing wide open I've ever seen, older lenses don't have it that pronounced, maybe it's a digital thing... Btw,these lenses are the dark age for nikon.

The autofocus from af-d lenses is useless. I say this because I do have the 135 DC, 85 1.4 D, 60 2.8 D, and 28 1.4 D. And the image quality is better on the ai-s counterparts.

Lol, get your hands off of me you wierdo. You have no clue man, read the topic.

What's your problem?