Nikkor

Yep, 1000$ = 891€, 40% price increase. This will probably change very fast.

I think this is the radioactive one, just in case you mind.

You compared an Arri to an Red Epic, the sensors are totally different. Take an A7sii and a A7rii, one is 12mp and gives 1:1 4K, take the A7rii in crop mode which is 18mp, the second is much sharper.

but apart from a little better sharpness -which is questionable-, color is not improved by pixel density and noise in generally worse. First you said color was not improved, now it's useless because of 4:2:0 following hmcindie. Noise will not be worse but better, reason? Blue channel noise, the more pixels you have, the less purple crap will be prominent from the blue pixels. Color is better because you are sampling colors more often, this will give a better image, the 4:2:0 losses will make it worse, but that also happes to the not oversampled image, so it will still be better. Sharpness will be also better, just compare a 12mp file to a downsized 36mp, it's obvious. But hey, come up with what you want, I don't get a price or anything for doing this.

You know these senors have bayer filter arrays?

30,65,100mm with 1.8x or 35,70,105mm with 2x stretch would be the perfect for me.

These extra 12mp add a lot to video, sampling from more pixels gives a better image (color, sharpness, noise), the problem is rolling shutter.

oh, never tried the slrm rangefinder, but they were marketing as the solution to remove breathing on photografic lenses... With 4k getting mainstream, cropping isn't that big of a deal anyway. Personally, when I look at all the current cheap and not so cheap solutions, what I think would be cool is a compact, well built, integrated solution. A complete lens you can put into your backpack and use as a normal lens instead of this gigantic piece of almost empty housing hanging in front of a tiny taking lens being held together by a screwmounted clamp.

Hey don't proyect your crap on me , I have a nikon d3 with gigantic lenses oh wait...

I don't feel like opening a new topic for this: Have you seen the price tag on the new G master lenses? The size is also pretty gigantic, when the jap was holding the a7rii with these in front I had to laugh very hard, what's the point? They will have to release an E mount camera with a DSLR formfactor to make that somehow ergonomic. "March 2016 shipment for the 24-70mm FEGM (€2,400) and 85mmFEGM (€2,000)." 2,400€ for a 24-70 2.8, wololoooo

I think that's a great squeeze ratio, but 4:3 recording cameras are rather rare, so you will probably targeting pro market. Regarding 2x vs 1.8x, it's the same. How is the breathing? I think the hawks breath like hell, but the cheapo SLR magic rangefinder module has 0 breathing.

I think it also should give blowjobs, I won't buy a sony until it gives blowjobs.

It has sony colors, I will stick to my eos rebel t1.

In video, he said 4k oversampled from 20mp with 14 stops of DR.

No words on slog and ibis, so...

Yeah probably, the guy said clearly that it was from the whole aps-c area.

Apsc 4k video fullreadout from 24mp , 14 stops DR, slog3, and some super fancy AF. I'll copy the specs later. 1000$

I would say d810, because the motion looks so shitty which is a thing that happens with the nikons. But the A7x is more likely, and the lenses don't look like nikon.

So if the 5dmkiv gets 4k it will also have the crappy mjpg thing?

Well,uncompressed 1080p @ 24 raw is 570 Mbits/s, this makes 5dmkiii raw look good...

I think global shutter is perfect for documentary.

Blackmagic Micro Camera, global shutter

Informed people don't vote, so I think that would create a problem.

Eh? I guess he means the situation looks bad.

Huh? 160$ nice vintage lens, whats wrong?