Nikkor

And remember that if someone comes out with a speedbooster for the A7s you will be able to get close to that look for just a few Thousands.

Personally I think that most bad looking a7s videos are due to user errors or LUTs orgies. If one had to choose a camera for video exclusively the A7s is the obvious answer.

vertically its the same as fullframe stills, horizontally it will be 54/36 which is 1.5 But compared to super 35 its something like 2x.

Oh digital 65mm by arri, film is dead. I wonder what this will do to professional anamorphics, you dont get the same look but the shallow dof shure is better with this.

You know, the d750 is also moiree free and fullframe and has a swivel screen, but nobody cares.

What I have noticed with early (pre-ai,ai) 50mm nikkors with the isco ultra star ,sankor,and the single focus b&h is that the aberrations from the nikkors get exagerated by the anamorphics, and these aberrations are not beautiful to begin with (with natural light, artifical low light make them shine like with most vintage glass). I hope you found my info helpful, I can post samples with the sankor or the b&h as I don't have the golden isco here right now.

How laggy is the EVF image compared to other cameras? Any words about silent pics, and intervalometer? I couldn't find these in the specs.

Am I saying otherwise? Remember that the white powder is dangerous.

Haven't you seen the promotion video? they are going to marketing it that way, On Spanish forums people ask about the 70D all the time because of the AF, it's stupid specially when there are better options.

As I said, expensive fullframe glass plus the "servo" autofocus". They are going to sell a lot of these, you will see.

What's the difference between shooting stills with this and a normal 7D?

The video is full of blown highlights, animals in the shadow and bright background.

I can see people buying this for the Super duper dual pixel autofocus, while using some gigantic expensive fullframe zoom on an aps-c body. While on my trip last week I saw at least 5 70Ds,many smaller canon eos XXX. a few small old nikons (d3000,d5000,etc...), tons of bridge cameras ,a few 5D mkiii (young japanese metrosexuals), and a few m43s olympus and fuji used by old fellas. No wonder why Canon doesn't see a reason to do better.

Wolf33 was complaining about the weight issues with his 5d in Rome and I rescued a recent experience with a similar sized camera where I went the old prime lens way instead of the heavy expensive zoom way. And even for 4k Id rather take some casual shots with my note than using some m43 zoom lens and leaving the fullframe at home. Anyway this might change soon as I have found a way to use 70% of an 6x7 lens image circle on an m43 sensor, thats like a 2.5x speed booster.

Oh look thats the d750/7dmkii, but samsung had to do it.

I didn't take any videos :P Anyway, the moiree on the d800 isn't the worst out there, it's actually the only lineskipping image that works out so so, but you have to use custom picture styles because the ones that come with the camera are all off. Not that I'm saying it's great, but the thing I really dislike about the d800 is the videosih cadence, moire is only an issue when filming distant trees or calm waters (unlike the d600 which is really bad, or the old canons)

The 7D had a big status among video shooters. I've been a few days to another european capital myself, I took my d800 and only manual glass, worked out wonderfully, 3 old nikkor primes weight less than a modern zoom and I prefer the look. I prefer having to change the lens and maybe miss some shot, than just miss all the shots because I left the giant at home. And no, I'm not going to use some m43 with some crappy zoom, I rather use my phone.

to me it looks like this one My parents gave me this as a present and I took millions of shitty pictures with it ^^.

That kodak was shit anyway.

And could that hump be filed down?

Ask them if they could make a lens line that's not so unnecessarily gigantic, just take a look at leica r. Oh and please a modern 24-70 2.8, and please make it smaller.

has anyone tried to put a BMPCC or BMCC speedbooster on a om-d em-1?

This could have been the camera, I do't get it, this camera makes no sense.

NEXT!!!

Ehem, so much about ridiculous rumor sites :p