jonpais

Conclusion: colors are way off, excessive shallow depth of field.

Coming soon - Vol. III Best Cinema Lenses for blah blah blah... Camera: Lumix GH5 Lens: Veydra Mini Prime 16mm T2.2 Settings: HLG, ISO 400, ALL-Intra, 400Mbps, T2.2

Colors look way off and even at small magnification, there is ugly, splotchy graininess. What ISO was this supposed to be? Because these images look far 'creamier' to my old eyes.

Flight booked!

I’d like to see your comparisons. Mathieu’s were seriously disappointing.

Somebody who knows what the hell they’re doing.

So @Kisaha likes his Samsung. If two short sentences drive everyone to distraction, maybe you’re too sensitive.

The sample images look like they were shot by a rank amateur. I don’t know how anyone could judge anything by those shots.

I think it's the X-H1 that can record four tracks if I'm not mistaken.

After testing the excellent Veydra Mini Primes 85mm T2.2 and 50mm T2.2, the 25mm T2.2 is rather disappointing. It might just be that I got a bad copy, but the lens is quite soft wide open. I may go to Singapore to try another copy next week. Camera: Lumix GH5 Lens: Veydra Mini Prime 25mm T2.2 Settings: HLG, ISO 400, ALL-Intra, 400Mbps, T2.2

My thoughts exactly. I’m guessing viewers are more sophisticated than some here give them credit for.

HLG looks no less like film than any other profile.

Sony has 2X the image quality of Fuji. ?

I'm rather fond of Panasonic's pumpkin colored skin tones, especially around Thanksgiving.

It also protects the vents from the rain.

Allow - or don't allow?

You can get gorgeous skin tones with either camera. The test is really unflattering. I've never gotten such miserable colors from my X-T2, even without doing any work in post.

Not only can't you use an external monitor when shooting F-log internally, but the record light continues to blink while recording, fooling you into believing the camera is actually recording to the SD card when it's not. Major flaw.

Some screen grabs using Leeming LUT One Beta v602.

Agreed.

New body is $1,400 at B&H

@Mark Romero 2 Paul Leeming has a LUT for converting Sony a7 III HLG to rec709 if you’re interested.

re: Sony 8 bit HLG from Paul Leeming's Leeming LUT One Facebook page: It is not possible to grade HDR content without an HDR monitor.

The heavy digital sharpening artifacts really ruin it for me. i'm afraid I'd take Fuji Acros with any of their modern lenses over the B&W in the above video.

massive game changer? https://www.newsshooter.com/2018/05/07/understanding-prores-raw-is-it-prores-or-is-it-raw/