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Everything posted by Marcio Kabke Pinheiro
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I would put in the list some improvements in focus peaking for video, too. In my GX7, peaking is HUGELY useful, especially with older lenses. And to Olympus: I've bought the GX7 instead of the E-M1 only because of the lacking video mode in the E-M1. Improve it, and I will buy one ASAP. And a guess that a lot of people too.
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First look - Olympus OM-D E-M1 vs Panasonic GH3
Marcio Kabke Pinheiro replied to Andrew Reid's topic in Cameras
Another thing that Olympus could address in a firmware update, besides 24p/25p: enabling focus peaking during the video recording (if I'm not wrong, the peaking dissapears when the record button is pressed). And as I said in a previous post, could be useful a test that stress the codec, like tree leaves in a windy day. Some footage that I've saw from the E-M1 have the same muddy problem that happened in the E-M5, albeit much less pronounced. -
Very curious about your E-M1 review. I was in the USA in the end of the last year, and used the opportunity to get some new gear - here in Brazil none of these cameras are available, and when (and if) they arrive here will be around 3x the USA price. Love my GH2, but I need a new one, for both stills and video. The options were the GX7 and the E-M1. The GX7 ticked a lot of right boxes - windowed focus assist + peaking was a thing that once I thought that would be ideal for my needs, and when I saw it implemented I was overwhelmed. The low profile of the GX7 was a must too - a lot of people don't take it seriously, and are much more relaxed than in front of a 5D. But the E-M1 came, and the stills quality were amazing. The ergonomics looked well too (except the on/off switch). The 5-axis IBIS was a dream for video. But when the video specs came...a low bitrate codec and no 24p. Olympus lost a 100% sure sell. I was even more sad after testing the E-M1 in B&H Photo in NY - the handling was amazing, the responsiveness, the superb EVF, the stabilizer...but because of the codec, 24p and some features, it was the GX7 that came back home with me. (Very good stills - a bit worse than E-M1 - but a VERY good video mode, better than GH2 with the lighter hacks, very good high ISO performance and much less banding). Suggestion for the E-M1 testing, if I can say one: scenes with a lot of moving details, like tree leaves in a windy day; it was the kind of scene that breaks the E-M5 codec, and I saw some footage from the E-M1 before my trip and saw the same problem (albeit much less pronounced than the E-M5). This and no 24p were the deals breakers - but I want to see what you can extract from the E-M1 (you have much more knowledge than me). If Oly updates the video mode with a firmware upgrade, I can bought one - but I don't have hopes about it, looks like that Olympus and Fuji really don't care about video. Regards, Marcio
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I guess that is something related to the simpler IS technology. Olympus never enabled IS for recording in their Pen line too (used an eletronic IS, very awful) until the E-P5 - which have the 5-axis IS too.
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Yeah, I'm getting one in December because I want it for stills too. Only for video, I think that the G6 is a better package.
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I've saw some good samples of it. Looks good, G6 style. http://youtu.be/fn4xsbRe5cU
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Just a guess: I think that Canon could have something under the wraps - always thought that the 70D sensor, with that Dual Pixel AF, makes much more sense in a mirrorless camera than in a DSLR. Maybe the 70D could be kind of a "testing body" - like the RX1 clearly was a step towards the A7/A7r. This new Nikon DF was not spotted by the rumors / leaks, too. Of course, Canon being blind is a very good assumption too. :)
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Andrew, you don't used any kind of rig in the handheld shots? Since the lens is somewhat heavier than the m4/3 lenses, it could not stress the mount? (not when shooting - then you always have one hand in the lens - but when "resting", lens facing down between shoots). And do you think that this lens could be also valuable to Micro Four Thirds cameras?
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Probably they will refine a little bit the details (the rubber (?) around the camera looks rough, just like happened with the pre-production GH3 - just look at the pre-production pics of the GH3), but looks like that the shape (controls, etc) is almost final. I think that the E-M5 is a beautiful camera, but this one is almost hideous - the grip looks like a tumor that had grown from an E-M5. :) Ergonomically, I guess that the camera will be very good, but I think that, if the intention was to make a Pro camera, to use the 4/3 lenses and it users, would be better to go the "DSLR" route instead the retro look. The camera probably will be awesome, at least for photos (I don't have many hopes in the video section, Olympus and Fuji don't give a damn to video), but the looks could hamper somewhat it success. Looks like that Olympus is a little lost in what to do - the E-P5 was launched overpriced, and the GX7 lauch just worsened the situation even more. And they start licensing their most valuable asset (the 5-axis IBIS) to (probably) make money; Casio launched a point&shoot with it, and probably the new NEXs will bring it to - and killing a possible video market for Olympus.
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A video comparison between the GX7 and the GH3, shot simultaneously. Best video demo I've saw so far. http://www.youtube.com/watch?v=MdQ3hVb9qug And I must say that I'm impressed by the GX7 video quality in this comparison (albeit I think that the focus point of the cameras is different in some shots).
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I love the OM-D IBIS system - in fact, I will buy a new camera for photos in December and probably will choose between OM-D, the new GX7 or (if released before December) the new OM-D. If the OM-D had a decent video mode (at least in the G6 league), I would buy instantly. Let's see how the new OM-D comes, but I have no high hopes - Olympus and Fuji really don't care about video. And if Olympus really license their 5-axis system to Sony, they are writing their own sentence of death.
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43 Rumors published more photos of the GX7, and also what appears to be the German press release, with a lot of info: http://www.43rumors.com/ft5-lots-of-new-info-about-the-gx7-coming-tomorrow-august-1-at-6-am-london-time/ Looks like an amazing camera - but totally oriented for photography. For movies...will have to wait the release tomorrow, but the text below have the following phrase: "The Lumix GX7 with Full HD 1920 x 1080/50p is fully abreast of the times. In addition, the cinematic look with 24p recording and image recording rate of 24 Mb / s are available as well as the creative possibilities of the P / A / S / M modes as well as continuous and Tracking AF. " 1080p/24 with 24Mb/s bitrate...my guess that will be exactly the same video specs of the G6. I was expecting that - to protect the GH3 sales. No word about IBIS for movies. Have focus peaking, with two color to choose, blue and orange. Sensor is 16Mp, said to be totally new and developed by Panasonic. Have electronic shutter, at least for photos. Have ETC mode, "up to 4.8x". No word about external mic input. The text below is translated (with Google Translate) from the German "press release" in the 43 Rumors site. ============================================= Panasonic presents challenging and ambitious photographer with the LUMIX DMC-GX7 a new mirror-less Micro Four Thirds system camera with a convenient compact format. The GX7 combines a compact design, photo, technical performance and latest communication technology. Thus, it sets a new standard - not only for Micro Four Thirds cameras. This applies both to the recording quality as well as for the handling and comfort. The Lumix GX7 guarantees a very impressive image quality thanks to their excellent performance in resolution, imaging and color reproduction. It irritates the potential of the new digital live MOS sensor with 16 megapixel resolution with new sensor architecture and coordinated new Venus Engine image processor optimally. It allows exceptionally clean resolution, sharp images even in poor lighting at sensitivities up to ISO 25,600. As the first Lumix G camera, it has optical image stabilization by sensor shift. The highlight of the Lumix GX7 equipment is the new integrated, swiveling by 90 ° upwards Live View Finder (LVF). He holds with a resolution of 2.76 million pixels currently (August 2013) the record for resolution and sharpness. He also facilitated by its flexible swivel option-choice perspective. Alternatively, is the image control and contemplation-up or fold-down 7.5-inch Touch Screen LCD Monitor with 1.04 million pixels available. Thanks to the first are without own image stabilizer with the Lumix GX7 stable images even with lenses with a Lumix G to use upcoming optical image stabilization by sensor-shift possible, except with high-Micro Four Thirds lenses, lenses from other manufacturers or third-party lenses via an adapter, do not own the image stabilizer. With a fastest shutter speed of 1/8000s only the GX7 now expanding the photographic leeway especially when using very large-aperture lenses. In addition, the focus peaking display function makes precise control of the focus. The quality of the video recording is also benefiting from the improvements of the new Digital Live MOS sensor. The Lumix GX7 with Full HD 1920 x 1080/50p is fully abreast of the times. In addition, the cinematic look with 24p recording and image recording rate of 24 Mb / s are available as well as the creative possibilities of the P / A / S / M modes as well as continuous and Tracking AF. Is recorded in the AVCHD Progressive or MP4 format. The contrast AF system of LUMIX GX7 characterized by increased speed and precision thanks to a high-speed digital signal exchange between camera and lens corresponding to 240 B / s With features such as low-light AF, Pin-Point AF, multi-field, or Spot AF, the AF system is the most diverse motives justice. The growing importance of mobile communication but the GX7 with Wi-Fi and NFC (Near Field Communication) technology meet. Users can use the camera on their smartphone or tablet simply connect via a short contact of the device, and not just in order to transfer images. Rather, it is possible to use a smartphone or tablet as a remote shutter release and multifunction monitor. The Instant Transfer feature allows you to send photos immediately after shooting automatically directly to a smartphone / tablet. In addition, the transfer of photos and video over a wireless home network (router) directly for backup and archiving on a connected computer is possible. Digital Live MOS sensor with 16 Mpx and new architecture Panasonic has developed a Digital Live MOS sensor with 16-megapixel resolution from the ground up for the Lumix GX7. It combines practice-oriented resolving power with high sensitivity and minimal noise. This progress is achieved by enlarged photo diodes, as they are made possible by the latest technology in semiconductor manufacturing. On top of an optimized design of the microlenses on the individual pixels of the sensor. As color saturation and sensitivity can be increased by 10 percent. The signal / noise ratio is improved by 10 percent compared to the GX1 both in the pixel circuit and by a special circuit directly from the signal read by 25 percent and detail reproduction. The advanced multi-process noise reduction system of the Venus Engine image processor eliminates image noise even more effective by capturing larger areas for noise detection. This is especially popular with night shots for significantly improved images. The multi-process noise reduction also ensures in two separate steps for even finer control of the noise level. The structure of the noise is independent of its size improved with this active control - for example, human skin, even with high ISO values ​​very naturally played back. For improved detail rendering a new, optimized filtering process increases the resolution limit by up to 3 percent, and the contrast in the medium to high range by up to 5 percent. In addition, the "Intelligent D-Range Control" provides a greater dynamic range with uniform gradation. So are all the details from dark to light given granularity and without an accumulated shadows or lights faded. Together the Digital Live MOS sensor and the Venus Engine image processor speeds allow up to a maximum ISO 25,600. Superior AF performance and speed of response All Lumix G cameras use a sensor contrast AF system for determining the optimum sharpness. This ensures greater accuracy of the distance setting in comparison to the classical phase detection system. This is especially true when shooting with fast lenses with large f-denöffnung. The lightning-fast contrast autofocus on the Lumix GX7 is also fast-moving subjects justice. In accuracy and speed, it surpasses even high-end DSLRs with phase detection system. To the AF response times to minimize, replace their digital camera and lens signals from up to 240 times per second. This allows the Lumix GX7 the high-speed image series with 5 frames / sec at full 16-megapixel resolution. AF tracking of fast auto-focus series of exposures GX7 allows up to 4.3 frames / sec (In 1-area AF with Focus Tracking Modus9 ter move objects. Maximum 40 frames / sec are possible with electronic shutter. The already known from Lumix G6 and GF6 low-light AF mode also improves AF performance in low light conditions without auxiliary light. It allows automatic focusing in up to -4 EV darker areas, which corresponds to the brightness of a landscape under a clear starry sky, without light source. ie functionality of Pin-Point AF is further improved with the GX7. Thus, the magnification on the monitor by 3x to 10x can be varied in 1/10-Stufen. Picture-in-picture is possible with 3x to 6x magnification, the frame size can be achieved continuously from 1/80 to 1 / 24th The One-Shot AF mode allows you to activate the auto focus in MF mode quickly by pressing the AF lock button to make a quick pre-focus and then manually focus fine. Exceptionally responsive is the Lumix GX7 with its turn-of just 0.5 seconds (With H FS1442A zoom according to CIPA standard) when using UHS-I (Ultra High Speed ​​I) SDXC / SDHC are the files themselves in RAW mode quickly stored. Tiltable viewfinder and touchscreen monitor The Lumix GX7 is equipped with an integrated, 90 ° upward folding LVF (Live View Finder) in 16:9 format. He has an unusually high resolution of 2.7648 million pixels and almost covers the entire Adobe RGB color space. The visually pleasant viewfinder magnification of effective 0.7x (equivalent to a 35mm) and approximately 17.5 mm exit pupil allow a more relaxed view of the 100% image. The tiltable LVF allows insight from above for unobtrusive recordings from breast perspective. An eye sensor provides automatic switching between viewfinder and monitor image. When looking through the viewfinder, the autofocus is automatically enabled for the GX7 is ready to shoot. The sensitivity of the eye sensor is adjustable in two stages. The inadvertent switching operation in the camera using the touch screen to avoid the, the sensor can also be switched off. The 7.5 cm wide, electrostatic touch screen LCD Monitor with 1.04 million pixels is about 100 percent of the subject and is up to 80 degrees upward and 45 degrees downward folding. Its front wheel is direct, without a layer of air between them, mounted on the new LCD panel with integrated touch sensors. This significantly reduces reflections. Together with the increased resolution by about 13 percent and 20 percent improved color reproduction, the LCD monitor provides the GX7 a better-he kennbares image than older generations Monitor. An improved backlight provides a magnified view and a 25 percent year-ringeren energy consumption. When auto focus by touch screen can easily be enlarged with a Fingerbewe supply for a more precise focusing of the target point for focusing. The sensitivity of the touch pad AF was increased in the GX7 so that it reacts even faster. Detail improvements-optical image stabilizer in the camera body The Lumix GX7 is the first Lumix G with integrated image stabilization in the housing. He protects while shooting with lenses without image stabilization own safe from blurred images. This works not only with Micro Four Thirds lenses without image stabilization, but also with lenses from other manufacturers, irrespective of, whether these are connected via adapters come with a Micro Four Thirds or bayonet. Become Lumix G lenses with O.I.S. used at the GX7, the specific objective image stabilization is prioritized. Shortest Shutter Speed ​​1/8000 sec The Lumix GX7 now offers 1/8000 s as the fastest shutter speed. It allows the "freezing" fast moving object, but also allows more leeway in Aperture priority with bright lenses, about to take pictures even in bright conditions with shallow depth of field at full aperture. Focus Peaking Display - The sharpness in view For precise control of the focus, the focus peaking display the Lumix GX7 is very handy. It works in both the AF-MF as in MF mode and shows the edges of the subject, where the focus is, of color. The display can be controlled in two steps, stop and vary in color between blue or orange, so that it always remains clearly visible from different backgrounds. Mute To enable silent recording on special occasions, this setting changes to a button from the mechanical to the electronic trip turns all device sounds (AF operation) and suppresses the flash and AF assist light. Full HD video at 50p and fast action autofocus The Lumix GX7 filming Full HD video with 1920 x 1080 pixels and 50p in AVCHD Progressive mode (MPEG-4 / H.264). It also supports images in the cinematic look with 1.080/24p in AVCHD format. In addition, videographers can make individual settings as required in P / A / S / M. For direct viewing on a PC or other portable electronic devices, the GX7 Full HD video - without file conversion - also record in MP4 format. Thanks to an optimized utilization of the pixels mix and video recordings benefit from the improvements of the sensor in terms of sensitivity, sharpness and clarity of the image. In addition to the continuous AF allows the Touch AF function, the specific focus shifting from one design to another detail, as we know from movies. All it takes is a tap of the target subject on the monitor, so that the AF itself then follows the detail with the edge when it moves anschlies-send. For good stereo sound to the video GX7 Dolby Digital sound recording provides. A windscreen suppresses spurious noise. The Extra Tele-converter function extends the zoom range up to 4.8x, and thanks to the lower video resolution with no degradation of image quality, the timelapse feature starts the recording of photo sequences automatically as soon as the start time, interval, and number of images are selected . The stop-motion animation feature allows the production of animated videos by automatically joining the sequentially recorded single movement or photos with different stages of an object. Maximum recording time with AVCHD 29 minutes 59 seconds Maximum recording time with MP4 29 minutes 59 seconds or up to 4 GB Ease of use / Extensive standard equipment including WLAN / NFC The cast iron housing, the DMC-GX7 of a magnesium alloy is very stable and designed for uncompromising practicality and reliability. The intuitive operation of the ve GX7 Lumix Panasonic is the result of years of experience. Two dials on the front and rear camera is used for rapid and safe-tion setting - such as speed and aperture in manual code. The Live View function allows control of highlights and shadows before the receiving, if necessary, to make an exposure adjustment separately for light and dark areas can. For this, the GX7 offers three presets, three more individual user settings are automatically saved to the. In addition, a new Fn (Function) tab is integrated in the menu can be called from a total of 40 possible options quickly with the total selected functions 9 (4 by 5 key in the register and). Easy link to image transmission and remote control via Wi-Fi/NFC The GX7 is equipped with Wi-Fi Module (IEEE 802.11b/g/n) and NFC (Near Field Communication) technology. This results in new opportunities for recording and playback. To use this photo, viewing and sharing capabilities with the Lumix GX7, only the Panasonic Panasonic own application software "Image must be installed app for iOS or Android smartphones or tablets to the respective mobile device. Users can connect to a smartphone or tablet PC, the camera simply by bringing together close to the equipment. Then after a few seconds the devices communicate without cumbersome manual procedure or connection authorization. With a smartphone or tablet PC, the camera remote control and image control display of the device is possible with photo and video. (For video recording, remote control of Aufnahme-Start/-Stopp via smartphone / tablet is possible) Thus, the adjustment of aperture, shutter speed, focus, exposure, zoom lens (LUMIX G With power zoom lenses.) And other requirements by smartphone / tablet to be made. With the instant transfer feature, the camera can transmit the image data after the click for selected electronic devices. In playback mode, tapping an image stored in the camera image is enough to show on the display of this smartphone / tablet. In addition, it is possible the location information from the GPS (Global Positioning System) protocol of a smartphone / tablet associate the photos with an installed app. The GX7 also simplifies the archiving of images, by transmitting the image data over a wireless router to a PC or other compatible electronic devices. Lumix photographers can also take advantage of cloud storage space in the exclusive services of the Panasonic "Lumix Club". In this cloud service they receive a personal folder where they can upload their image data to save. From there, these files can also be transferred to services like Facebook, Flickr, Picasa, Twitter or YouTube. Also a Wi-Fi Direct feature allows the playback picture on appropriately equipped and DLNA (Digital Living Network Alliance) compliant fours HDTV devices. Digital effects and photo styles expand the possibilities of image composition When scene auto selection in the Intelligent Auto mode is added as ne-Untes the food-recognition motif. The Creative Control mode is expanded in the GX7 to 22 filter options. Brand new are monochrome, monochrome monochrome rough and silky. They complement the known effects of ex-depressants, Retro, High Key, Sepia, High Dynamic, Soft Focus (still images only), Monochrome dynamic, impressionally, SW with a color, cross process, low key, Toy Camera, star filter (photos only) Miniature Effect, Ancient (Old Days), Sunshine (photos only), Bleach Bypass, Toy Camera and Pop imagination. The individual effects are also still variier bar. The Creative Panorama function creates horizontal or vertical panorama measures up to 360 ° angle of view with a camera pan. In this panoramic images of the 18 filter effects of the Creative Control mode can be applied are the. The photo styles are still added to the monochrome color filters (yellow, orange, red, green) for sophisticated black and white shots with the Lumix GX7.
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No source, just rumours published in a lot of sites. It is already surprising that Panasonic offers a body with sensor stabilization, since their path was always OIS. And since they already have a video-focused flagship (the GH3), I guess that the emphasis in this one will be fotography. It will probably have 1080p in 60, 30 and 24 fps, but I guess that in bitrates very close to the G6. And attractive package, but that will not surpass GH3 in video. As I said, all personal guesses.