Julien Miscischia

Hi fox ! This is my last edit, a short film about freestyle snowboarding. A beautiful day in a marvelous park (La Clusaz) with the two killers Matteo Cuny and Nicolas Palladio. Top of the pop, we finished with a beautiful sunset. So glad and happy to have shot this. Comments are welcome dudes! Some pics of the session can be found here : http://www.switchmag.fr/decouverte/2015/11391-session-park-a-la-clusaz-matteo-cuny-nico-palladio.html

Hi everybody, I've some questions about grading. I've made a little test on my GH3, just to find the right way for expose my shots in order to correct and grade it correctly. First I denoise my shot with Neat Video, the I correct - if needed - with fast Color Correction and finaly I grade with FilmConvert and sharpen a little bit. My question is simple : Is it the right order ? The good way ? Thanks for your feedback The test :

This short edit is a test of how do I need to expose my shots with the GH3. It was also a great opportunity to see how the weather sealed body is impacted or not by the rain. I've used only two lenses : Olympus 45mm 1.8 (with Vari ND) and Canon FD 35-105 f3.5 with RJ Lens Turbo. I've recently shot FMX and I've found that the Canon FD and the Panasonic kit lens (14-42) give some moire on the image. So this test was also made for checking moire with this two lenses. I find that the GH3 need to be expose for highlights, shadows keep enough details and can be recover in post. Be careful with the noise. GH3 tends to be (very) noisy - even at low ISO - when you try to gain the maximum of dynamic range. Although it has just 50mbps MOV codecs, I find it pretty stable and robust for post. Don't try big corrections or grades of course. I've edited it directly in Premiere Pro without encoding. I've used FilmConvert, Neat Video, Fast color correction and some curves for achieving the look. It was a good test for the denoiser and this codec. You can smooth the noise easily but banding start to appear. Some examples in this video. In conclusion, I really like the GH3, despite some drawbacks/missing features, it has an incredible quality. It just need lots of tests to find the right profile or codec for the right scene. It's a good B cam, very interesting in sports. The compression give some big artefacts and bandings. I will try to encode a better one and update it soon. You can download the H.264 file which is better. Comments are welcome ! Beyond the GH3, this is how were our summer months in Annecy (french alps) :-( Shot and edit: Julien Miscischia Premiere Pro CC 2014 After Effect CC 2014 FilmConvert Neat Video Panasonic GH3 MOV 50Mbps IPB 1080p50 PAL Neutral -5, -5, -3, -3 ISO 320 (mostly) Shutter 1/100 Music Kai Engel Raining Calls and Echoes http://past.is/iPuN3

First try shooting FMX, not very easy ... Happy by the way, a nice afternoon in my big friend Julien's backyard. Goog vibes and atomic riding from a passionate guy. Go on dude, you're on the right way ;-) Shot & Edit: Julien Miscischia Camera: Panasonic GH3 Codec: MOV 50mbps IPB 1080@50 PAL Lenses: Olympus 45mm 1.8, Panasonic 14-42mm OIS kit lens, Canon FD 35-105mm 3.5, Helios 135mm 2.8 with Fader ND Profile: Natrual -5,-5, 0, -5 Edit and grade: Premiere Pro CS6, After Effect CS6, FilmConvert Music: Sleepless (Fakear remix) soundcloud.com/fakear/sleepless-fakear-remix soundcloud.com/fakear Comments are welcome

Thanks Inazuma. All the portrait shots (+ nature shots) have been done with the Olympus 45mm. Riders actions (tricks) with the Canon 35-105mm and close-up bike while he go with the 135mm 2.8. Hope it will help you.

Here's what I want to see if it's hacking : Focus peaking High frame rates in ETC NTSC/PAL switching Zebras Magnify while recording Sound adjustments while recording Keep settings after change of mode ALL I full hd @ 50p/60p Higher framerates CineD profile

Hi folks, Here is some footage shot with : Olympus 45mm 1.8 Canon FD 35-105mm 3.5 Helios 135mm 2.8 (m42) I use the RJ Lens Turbo FD to m43 with the 35-105. Pretty happy with this 3 lenses, really good for the price. Just in search of a good wide angle.