eyepatchfilms

Here is an unfair side-by-side test, but it just goes to show how good of an image the SLR Magic Anamorphot makes. Blackmagic Cinema camera 2.5k raw, SLR Magic 35mm @ t5.6, 4500k, iso 800 Red Epic 5k anamorphic, 4500k, ISO 800, Nipponscope 2x 50mm Anamorphic at t5.6.

As far a Premiere goes, make a custom sequence with a 1.33 aspect ratio and you should be good to go. Two more videos

If you want to see the massive improvement the SLR Magic lens has over the LA7200, just take a look at the difference at 35mm! RAW Chart SLR Anamorphic + 35mm T1.4 @5.6: '> RAW Chart LA7200 + 35mm T1.4 @5.6: '>

Here is a quick comparison of resolution and flaring vs the LA7200

This is a quick introduction into the SLR Magic 1.33x Anamorphic adapter. I go over how to set it up, the basics of focusing and how to use the lens. Also: For those who have a knowledge of anamorphic lenses already, the new SLR Magic Diopters are the best I've ever used.

I had a chance to play with a near final version of the new SLR Magic 1.33x Anamorphic Adapter today with Andrew Chan.     This adapter is a completely new design from other anamorphic adapters I've used. It has unique focusing abilities which give it the strengths of single focus designs like the Panasonic LA7200 with the added capabilities of what you'd find in dual focus anamorphic adapters like those from Bolex or Kowa.    In its normal focus mode, with the SLR Magic 35mm T1.4 CINE II lens, you get a picture that can focus from 2.8m to infinity.   The lens also has a NEAR mode that works as a variable built in diopter. This works by rotating the ring on the anamorphic adapter towards the "near" marker on the adapter barrel when an object is closer than 2m and it moves the rear element of the adapter changing the focus capabilities of the lens. It's easy just to think of it as a macro mode, and something I'll cover more in depth on video when we get a copy of our own.                  You might be wondering, how does this differ from an LA7200? It is a completely different type of adapter.    First, this lens is best pared with the SLR Magic 35mm T1.4 CINE II, which has been beefed up to not have lens slop while the anamorphic adapter is attached to the taking lens. Use the LA7200 enough and it will make even the most robust metal slr lens start to slop from all the weight hanging off the end of the filter threads.   Second, the LA7200 does not work at 35mm, not even close. You can fudge it with diopters, but the edges of the image will be an unfocused mess.    Lastly, this is a brand new lens with a warranty, not something you have to get lucky on an eBay auction. Every lens will work and look the same. If you have a problem, it will be simple enough to get actual support.       Image Quality. I look forward to having more time to shoot with the SLR Magic anamorphic adapter in the upcoming months, but in the few hours I tested it I can give you some of my opinions. First of those being that this adapter is in no way a copy of any anamorphic adapter that has come before it. Testing the lens at infinity gives this away quickly as none of the other adapters can do 35mm without some degree of edge blurring.    When the lens enters it's "NEAR" mode that works as a variable diopter, you can get some fantastically sharp images as well as exaggerated bokeh. The lens appeared to be out resolving my BMCC, which is something my LA7200 could never do, so I'd like to see what it does at even higher resolutions.    The closest new and available 1.33x option that you could compare would be a Hawk V-lite 35mm at somewhere over $40,000. For a fraction of the price I think SLR Magic adapter+SLR Magic 35mm T1.4 CINE II lens will be a steal.        Let me just say that I love the way this lens flares now. I know it might change before the final version ships, but the coloring reminds me of the coating on our Isco 36 and Bolex Anamorphot 8/19. Blue is nice too, but those can be faked with VANTAGE Blue-Vision® Flare Filters.     Finally, I'd like to think this will be a great product that should serve as a new starting point for getting into anamorphic lenses. It should greatly decrease all the unhappiness that comes with spending hours searching and bidding on lenses on ebay just to find out an anamorphic lens is broken or out of alignment. When this releases you can focus your time on learning how to shoot with anamorphic lenses, rather than focusing on the mechanics of just trying to get the lens to work with a bunch of adapters and wasting hours on forums and searching vimeo and youtube for answers.