Aussie Ash

I have just been watching "The making of Dunkirk" and here is a pic of the IMAX shoulder rig it only weighs 54 pounds- about 24 kgs. Has anyone seen the film in an IMAX theatre ?

Nikon must have something coming as the last new body was announced eight months ago -D850.There is also the story that their new mirrorless will be released in their 100 th year

Look at how robust ARRI workflow choices are : http://www.arri.com/camera/alexa/workflow/ As far as affordable 4k cameras under Aus $4,000 Canon and Sony are giving us the thinnest codecs they can get away with.

here is Andrew's look at the 24 pixies 80D and Digic 6 ,some of the pixies on the booze. The new bodies like SL2 and 77d use Digic 7

One guy wanted a discount on a new camera if they would disable the video features !

Fujifilm have been making broadcast and cine zooms for over fifty years with an associated customer base for these lenses ,they are not exactly "green" to this field.Perhaps some strange Japanese business practice that the broadcast lens department has little to do with developing video features with their camera designs. I agree that the progress they have made in video features for their cameras in the last two years is commendable . https://www.fujifilm.eu/eu/products/optical-devices/hdtv-lenses/history

It's easy to see how the footage can quickly clock up using multiple cameras to shot each scene,there are also some directors like Fincher and Kubrick that may do fifty or more takes per scene ! http://www.indiewire.com/2013/10/producer-says-david-fincher-is-averaging-50-takes-per-scene-shooting-gone-girl-248969/

Second hand Sony A5100

Here are the budgets,workflows etc https://blog.frame.io/2018/03/05/oscar-2018-workflows/ (This link has a couple of pop ups)

"Ladybird" We shot with the Alexa Mini with old Panavision lenses and, in testing different resolutions, we ended up shooting 2k — ARRI raw 3.6K was too vivid and too sharp. Alexa has native grain, sort of video noise, any sensor emits video noise.

Nearly all ARRI again ,two shot with 35mm film on Panavision cameras.Dunkirk is the only one with 4K or more acquisition. https://www.premiumbeat.com/blog/cameras-2018-oscar-nominated-films/

What is the real estate guys commission on selling a 2 million dollar home !!

Here is some of the gear Red screen productions have been using lately "Ruben Sarian" Ceo of Red screen productions Canon EOS C200,Sigma 18-35 f1.8 etc https://www.sharegrid.com/losangeles/people/ruben-redscreenproductions-com

here is quite a cool "behind the scenes" Red Screen productions put together.

Getty images are a pack of "A-holes" https://choice.community/t/getty-images-bullying/1799 https://torrentfreak.com/1bn-getty-images-public-domain-photograph-dispute-is-over-161125/

Here is another one off "Red Screen Productions" vimeo account Camera test testing out the Slog2 picture profile on the Sony A7RII and a couple new fresnel lights we got. Shot in 4K in all its glory.

https://fstoppers.com/critiques/m50-another-insipid-and-overpriced-camera-canon-225912

Women will buy it. It's small enough to fit in their handbag and very easy to use.

“Our core goal when developing new entry-level interchangeable lens cameras for our consumers is to meld high-quality features and usability together. In listening to our customers, we believe we have achieved this goal with both the EOS M50 and EOS Rebel T7, ” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.

A6500 video shooters seem to give the crapy monitor a miss and use a rubber eyecup

Perhaps you mean the new Tokina 20mm F2 FE AF ? The Tamron media guys are still at the strip club http://www.tokinalens.com/news/press/N0000080/

I understand the chassis is made from recycled baked bean cans.

Great video with high quality sound is a much more immersive experience than looking at a still.

From what Thom Hogan has heard from Japan: Two new Nikon DX mirrorless bodies shipping in May new 24 mp sensor roughly D3400/D5600 price points. So competing against Canon M5/6,Fuji X-A5,Fuji X-T20, Sony A6300.Hopefully some of the D850 video tech will be in them,the D3400/D5600 lines have had virtually no video improvements since the D5300 came out over four years ago-Pull your heads out of the sand Nikon !!!

Fujifilm have always put effort in to skin tones,you seem to be forgetting the Fujifilm S3Pro (2004) that was favoured by wedding photographers for nice skin tones.