Thank you for the reply. I prefer to prevent it at the shooting stage and not try removing in post. Tried to shoot with Cine 2 / 4 but it still there in the ungraded material.
Thank you for the link. From what I see (regarding the test with Premiere CC which is more relevant today), in 1080p and a lot of effects, GPU helped until certain point only and the CPU / Chipset made a big difference. In 4K staff, GPU was much more important.
Regarding CPU power, newer Intel models has "Quick Sync Video" that does help rendering faster indeed, but Premiere does not support it: http://www.intel.com/content/www/us/en/architecture-and-technology/quick-sync-video/quick-sync-video-general.html
Hello Andrew, In the end of A7SII review part 1, you were talking about this topic (A7SII or A7RII). from what I understood, All together, you were leaning towards the A7RII as a whole solution. Am I correct?
Thank you. I must say, that after viewing large number of A7SII S-Log3 "Luted" files, the colors are always artificial for the bad, trying to be too "artistic". Maybe we need to see more results.
Saw some tests, the A7RII in S35 4K mode seems sharper than A7SII in FF. Besides, many A7SII has orange tint versus more natural color of the A7RII, am I right?
Regarding the saying that they didn't mention this is a Jewish owned store, Aljazeera do that it in a much smarter way, they just put a front photo with a Jew standing there. Bang, target accomplished.
I don't understand people who ask about 4K in crop mode. Look at the total number of pixels in this sensor and tell yourself the answer, its a simple math.