fuzzynormal

I'm available.

That's how it works. Who you know... The creative world is not meritocracy. And Cannes plays the celebrity game probably better than all other film fests I can think of. BTW, Angelina Jolie is a director too.

Yeah, the Oly has some special mojo for me too. I'm shooting the GH5 right now, but it's because I need 4K 60p for a specific client. Nice camera. Does things in a practical way. No nonsense, but also no big whoop. Doesn't excite me when it's in my hands. --Looking forward to Olys next EM5. whenever that happens I'll be back and I'm pretty sure that will be my personal documentary rig (and photo cam) for a good long time.

Presets are fine. You can also make your own C3 set to compensate against some of the funkier typical indoor lighting "spike" situations in SE Asia..if not a horribly purple fluorescent, it seems like it's a cheap green LED...

Better, I think, to turn to a set collection of "kelvins" to use. 3200, 5600, something a little cooler, something a little warmer. AWB will drift and adjust as a shot changes.

I'm using latest firmware on everything. The lens that's problematic is the 10-24. As far as I'm concerned, that lens is way too expensive to have this serious a flaw.

Really. What could possibly be happening? So weird.

Check this nonsense out: https://www.dropbox.com/s/avskgunn4ieqrdy/DSCF1303.MOV?dl=0

Yeah, this is disappointing. The wide I have not only shifts exposure, but I got some seriously weird shit happening on the edge of frame. I'll upload an example. It's brutal. Fuji has wonderful color, but the inequality of the image... I can't abide.

Media100?

It would be. But I'm not saying that he doesn't have authentic Twitter followers. Maybe some in Russia too.

Ask Donald Trump about this. Aren't a lot of his "followers" just Twit bots?

I subscribe to the theory that if you do good work, you get noticed. Now, you can work it the other way, and many do, but how genuine and authentic is the result? You have to decide. (Of course, not many people know who I am, and might never know) Now... that's for self promotion. As for FILM promotion, social media is a good tool. Targeting info to like minded people that are inclined to enjoy and buy your creative efforts is a lot smarter than advertising to random folks who wouldn't care.

A little strip of gaff tape on the adapter...

Don't know. I'm not shooting anything wherein I change focal length DURING the shot.

It comes and goes intermittently. Not a flash. https://www.dropbox.com/s/9u0oao2xdj6d2ib/DSCF0844.MOV?dl=0 I'm shooting manual. If a switch to auto fixes the problem, fine. I won't like it, but as long as it works for now. This exposure "bump" is ruining some of my shots and I'm on a paid gig at the moment. 10-24mm

Any confirmation that the 'Lens Modulation Optimization' setting was the culprit?

Well, I'm shooting full manual, that's for sure. I did wonder if it's "Lens Modulation Optimizer" since that's the only setting (I could find) that would be actively attempting to process the image while filming. Yup.

Actually just the default settings; haven't changing anything after the new firmware install. The color profile is 'Standard.' The camera is a year old. And, yeah, only happens with moves like a pan that change the amount of light in the frame. As such, I'm guessing there's some sort of processing/compensation the camera is doing. The footage. I'll upload a clip...

X-Pro2 Intermittent problem; can't isolate it or reproduce it with consistency. I'm seeing it on moves like a pan or tilt. It will either drop or raise exposure by what looks like a half stop. New firmware has been on the camera for a few weeks. Just started noticing the problem today. Not sure what's going on...or if it's lens-specific. Wanted to see if anyone else has a similar issue?

What viewer, besides people like us, re-analyze a video moment for more than 5 seconds? Yes, DJI video isn't perfect, but take it from a guy that actually was brave (stupid?) enough to use Phantom 3 footage in a paid production...Pixel peeping doesn't happen much in the real world.

I suppose 20fps would work good for a high energy action sequence. Fight, chase, etc.

https://www.youtube.com/watch?v=I6ZJWPi_CBc This was posted here in EOS HD a few months back. Even if you don't follow the example, it'll prime you for the effective concepts if'n you wanna go the cheaper DIY direction. Of course, depending how patient you are with your editing, you can bypass all the $$ spending and just use proxies instead.

I got the same issues on a native pany lens. The 100-300. I'll mess around and see if I can figure out the problem as well. Lets not assume it's an adapter causing the trouble however.

Is 14 gonna be on Linux too?