Sven

Altcine has a free solution for the buttons (if you have a 3-d printer). https://altcinecam.com/product/bmmcc-buttons/ I’ve put some bumper pads on the rec and power-button to locate without looking. I also made a up/down-button on my own that I cut from rubber-material.

I tested a "1/8 Tiffen Black Promist" but still didnt remove the moire. And even though only 1/8 it gives a certain look that I didnt want baked in, rather add blooming in post if I want that. I saw a video on Youtube where someone used a olpf from a Canon 300D, I tried it on both OG Pocket and BMMCC and works great without any colorcast and almost remove any type of moire from what I've seen so far. But the image gets softer, most noticable on wider shots, but can be sharpened in post. Here's a breakdown of installing the filter (one filter can be cut in half and then perfectly fits pocket/micro): (the material used for the "frame" around the filter is adhesive Black-wrap (aluminium tape) https://imgur.com/a/canon-300d-olpf-to-bmmcc-pocket-og-kzz16VX Altcine did olpfs that was cheaper than Rawlite, but I think he said they wont be making another batch: https://altcinecam.com/product/altcine-optical-low-pass-filter/

That's great!

In manual focus mode, do they remember the focus position when turning off/on the camera? (my panasonic lenses don't)

Do you have the IR/UV cut in front or behind the ND Fader? Is there any difference? (how it handles reflections/glares from lightsources etc.)

Yes it's a great camera! I recently did a documentary and the ergonomics are great together with the 12-35 2.8 lens (besides the hard eye-cup...) I used to shoot with natural but switched to try to see if skintones improved, but now with this fix I will go back to natural I think. Try the fix, your skin tones might get even better! :) According to this test, natural and portrait has about the same dynamic range but portrait has more red present. http://gro.solexiv.de/2014/02/panasonic-g6-color-profiles/

Hello! As other has mentioned when recording video there is a colorshift as soon as you press the rec-button on G6. When comparing a photo jpeg to the h264-file the colors differ a lot, its like magenta is replaced with yellow, red tones towards magenta look orange. When trying to match in Final Cut by adding magenta I got a magenta cast in the rest of the image.. In 5d2RGB I tried different settings to transcode the h264-file, found a fix!, When using "ITU-R BT.601" in Decoding Matrix magenta gets back and the image looks almost exactly like the still-jpeg (and correct). Attatched images is exported frames from Premiere Pro CS6, they look the same i Final Cut 7. I was about to give up on the G6, the skin colors looked so weird. (picture profile: Portrait -5-1-1 0)