JazzBox

I'll do!! Thank you very much Andy, your advices are always super precious! p.s.: how about 1080p, 50fps slow motion etc.?? is it the same 100mps as the GH4?

Dear Andy, I was thinking to sell my GH4 now that it is still the actual model. Could you please tell me more about the G7 and why it is better? Thanks a lot!!

Thank you!!!

It should be the same as Pocket, 2.88 x

Huge thanks, you're super kind!

Thank you, I saw it, but I call them in the shop for the Video Assist and they haven't really, they are waiting it. The Micro Studio is available but it is way different from Micro Cinema: it is for broadcast and cannot record internally.

Thank you!!!

Andy wich Mattebox and rig is that? It seems super cool! Which ND filter do you use on it? Thank you very much!

Dear all, I shot mostly on my trusty GH4, but I had the Blackmagic Pocket and I regret having sold it (because of lack of 50p, poor battery life and display). I saw this short from Noam Kroll and I really like the look of the new Micro Cinema Camera: http://noamkroll.com/micro-a-short-film-shot-on-the-blackmagic-micro-cinema-camera/ They removed the display, but they added the 60p feature and a better battery. I'm sold! Now I tried to phone to all the italians distributors and shops, but it's impossible to know when Micro Cinema Camera will be shipped and also the Video Assist is impossible to buy here. From what I saw on a famous website, the video assist should be the best option for ProRes 1080 50p Could you suggest me where to buy at least the Video Assist? And maybe the Micro Cinema Camera, if you have some magic power ? Thank you!!

Ed, do you think the EM-5 mkII is better then Panasonic GH4 as color rendition and overall file's quality? To me, from your video, the colors and the look are very organic... Is the body' stabilization good? Thank you very much!

The more I watch it, the more I really love the overall style and color! Great!

Huge thanks Andy!!

Dear Andy, all those informations sound great to me! I use a GH4: do you think G7 is better in some way for filming or may I have the same results with it? I'm building my Contax Zeiss kit (I started with 25 f/2.8, 35 f/2.8 and 50 f/1.7, but right now I find a shop near home with new old stock lenses: I had for a super cheap price the 28 f/2.8 and the 28-70 f/3.5-4.5. They also have the 28-85 f/3.3-4, but I don't know if it worth... it is big and not so brighter then the light 28-70). I use a baionette converter to EOS mount and an adapter EOS-m43... it is not the most stable thing, but it works. Do you think I should buy a Speedbooster EOS-m43 and use the Contax (with the baionette converter) with it? wich Speedbooster do you suggest? Are they better then Contax Zeiss primes? In that case I could have the 80-200 from the same shop and search the 28-70 somewhere Thank you very much and excuse me for all the questions

Thank you very much Ed!! Precious informations! (I just saw Paul was the director that also made "NYC streets frozen in time", another video I loved!)

Beautiful! How did you color it? It's sooooo filmlike!! Great!

In my humble opinion doing that it is not the best way to get a deeper sound: most of the time you have phase cancellations that give you less bass frequencies when you listen it in mono. If adding another track - in order to have a real "double" - it is impossible, I would prefer to reamp it or to eq in some ways.

Thank you! I also have to try those Tiffen ND, now I have a ProND 16 HOYA and I'm happy with that, before I had variable HOYA and had ghost problems.

Thank you very much!!! I definitely have to find it!

Thank you! Thanks!! Thank you guys! I'm searching some lessons to learn how to achieve "cinematic" look without scarifying the skin tones. Things like this shot from Mission Impossible. I ask you, because each and every time I try to make the white wall "teal" also the rest of the shot become bluish, even if I "preserv" the skin tones with masks etc... I tried LUTs, looks... everything... but the only way I can make it work is actually having not white wall

Thank you very much for your kind answers! I'll search them!!

Dear all, could you suggest me some professional lessons to achieve a solid knowledge about cinematic color grading? I'd like to learn it well, so if you have any suggestion (free or paid tutorials) you are welcome! Thank you!

Thank you very much! As always you are a goldmine of precious informations! I'm going to buy the 28 as soon as possible! What about the CY Distagon zooms? Is there any lens in this CY Distagon mount wider then 25mm? Or any way (other then metabones) to go wider? Huge thanks for your patience!!

I'm happy to hear that!! Which are the main differences on both m4/3 and Super35?

Thanks TheReinassanceMen! I'll try it!! Thank you!!

I'll search it! Thank you very much!!! Does it worth to have both 25 and 28? I tried quickly both and I went for the 25 just because I use it with my GH4, but if it worth to have both I can have for a very cheap price. Thank you!!