Geoff CB

I think your being to restrictive. Especially the "Single photo that summarizes your work" and "Tell us your background" Why not just have a general photography thread? Also for threads like these it's best if you offer your own answers to the questions your asking others. Nikon D800 with Tokina 50-135

​Pardon me, but if you look at the details of that test it was complete GARBAGE. The reviewer used the stock settings on each camera to get his result, no tweaks to contrast or black level. Also he used a different lens on each camera. I agree with Jimmy, if your shooting in this scenario just light him properly and the issue goes away. What is more important in this shot to take note of is the skin tone, which is miles better in the NX1.

​Agree on the Ninja Star and also would love to see a high end LED light kit (Arri 3 light 750w comparable) for under 3 grand.

My Hopes: Adobe announces H265 support for Premiere Firmware update for the NX1 that adds the 1:1 4K crop mode from the NX500. GoPro will announce a video camera outside the action sports arena. KineMINI announces a U.S. Distributor

I don't know what the hell is wrong with nikon. All they would have to do is add a 24 fps mode and I would use the camera with small c-mount lenses for short films. Why they continue to shoot themselves in the foot when as others say they have NO cinema lineup to protect just completely baffles me.

​Don't drop contrast below -5, use black level instead. If you drop the contrast to far it completely kills the colors out of the camera.

Yeah I ran into memory issues with Rocky Mountain which is also based on ffmpeg, it would slow down the rest of my computer to the point I would have difficulty running a web page. That's with me running a 4.6 Ghz quad core with 16gb of memory. Will give 10-bit H264 a go on the same clip and see if I can get similar results, will be great if I do. Photon seems to drop the highlight brightness in ProRes 2, which while I do like for skin, is a problem in outdoor scenes. Will see if 0-235 helps.

I've been using the camera for a bit and as a B-roll on a C100 shoot. Seems like there is about a stop less on the NX1. Perfectly usable. Name of the game really is protect the highlights on the camera, but thankfully it does have very clean highlight rolloff even if you do blow them out. Great thread on DVXuser: http://www.dvxuser.com/V6/showthread.php?334819-Samsung-NX1-Log-Gamma-Dynamic-Range I don't use wondershare, I use Rocky Mountain or Photon. Hopefully we will see what the camera is truly capable of when an editor like Premiere supports it natively.

Those images are from the NX1, Tokina 28-70 with and SLR Magic Anamophot, first image is wide open, second is f4. My personal favorite setup on the camera, really great skin tones with it. What I meant by the D800 comment is that if I can still use old glass on a sensor that detailed, 4K video should never be an issue for you with your favorite glass

​NX1 shooter here. Almost every vintage prime lens can resolve a 4K image. I'm shooting vintage glass (Mr 24n 35mm, Nikon 105mm f2.5, old Tokina 28-70 2.6) on my D800 (over 8K) and stopped down they are razor sharp. You don't really want razor sharp images most of the time, so a little softness is a good thing. Will they be razor sharp on a test sharp with no coma, no they won't. But they will always create a nice pleasing images. Bottom image here has tons of chromatic aberration and is soft, but I still like the look

Loving the colors i'm getting from ProRes Mode 2.. Great work on this.

Great work man. I will be sure to credit and donate when I use a piece!

​ Damn this video is incredible. Love the ingenious adaptation of the long still lens with the rail adaptions.

​Um I think the 11mm from the Tokina 11-20 is plenty wide for every application imaginable.

In that price range for cinema work if you need RAW, KineMINI. You can use cineform when your shooting interviews, and raw for more post intensive projects. Keep in mind you have to rig it out and pay more for 4K and Hi-speed. Don't use Mark 3 Raw on a professional shoot. Creative projects, sure. Never on a set where reliability is a concern. Also, like you said before the KineMINI will make your clients believe they are getting more for their dollar. Also you get in camera backup to SSD with the KineMINI, a godsend if something goes wrong.

​"Moire and aliasing all over NX1 footage! omg!" Yeah that thread title isn't negative toward the NX1 at all. Also again I asked what you are playing it on currently, can't fix the problem without knowing if your playing it on a PC/Mac or on a TV. For PC Pot player is my current favorite to play the original H.265 files on, runs smooth with no scaling issues on my 1080p monitor.

Awesome, will be passing this around. Put up a paypal button for those that wish to thank you

Really hoping NAB brings a gigantic firmware update.

​I think they are waiting for NAB to drop a huge update. Anyone see what the rolling shutter is on the NX500? Crop factor is okay if it fixes the one issue the NX1 has with 4K.

What are you using to play it? Are you running the video on your PC to the moniter? What software? Off a USB stick? Like others above me pointed out, this is a fault of bad scaling, not the camera. I hate negativity about a product created by user incompetence.

Would love to get support for it, 4K anamophic on the NX1.

Might be worth getting for a cheap LUT supported monitor for small cameras. I'm actually hoping for a sub $1000 price due to the lack of touchscreen. We'll see.

Get a shoulder rig man, great shot setups in here but it looks like it was shot with an iphone because of the jitter.

​ Thank you very much!

​Damn I might have to grab that, love the locking HDMI as well.