Grimor

Poor man / DIY from Grimor industries 🤣🤣 It's a gardener Stilh Harness (with 90° aluminum tube) and a cheap rope ratchet with upgraded cord. I buy all the parts for under 100 euros and you can adjust rope length with just one hand. Never use the real easyrig thing, but I think the main difference is mine has no suspension mechanism.

A little BTS of the short film:

The drone images appear because we actually had them from previous days (taken for security reasons) and we decided to give them a use. And slow motion is a narrative decision. First we oredered the voice over with several situations to represent. Then we realized that the dog was unable to stay still for even a single second. All the time playing and jumping. So it was easier to extract expressions if everything is slow. In total it took 5 hours, 180Gb in fast cards and 2 packages of sausages!

Hello to all EOShd members. I haven't been here much this year, but I consider this forum to be my second home. This year has been hard personally (divorce with young children) but we must continue in life with good spirits. So like every year (and it's been 6 now) I link you to my police Christmas greeting: In the tech side it is Sony FX6 in UHD mode at 100fps (S&Q) and S-log, Hi Base Iso. Rokinon lenses. I hope you like it and I send you a hug. Adiós Amigos!!

I recently found a second-hand bargain of 4 betso transceivers for just 150 euros. We usually shoot with 2 jvc GY-hc 500, 1 Sony FX6 and 2 GH5S, plus the SD mixpre 3 II. In this way, although none of them keep time precisely, I can have everything in sync wirelessly, thanks to the transmitters. Surely it is not the most modern or most appropriate, but it works for me.

I´m learning in the hard way! I should have used the "safety channel" mode where a channel is recorded 6 decibels lower than the other. We were not brocasting live. Just recording for post-editing. TC boxes from Denecke or TCS are difficult to find here in Spain. Is easy to find Atomos (ultrasync One/Blue) and Deity. Thank you very much

Well, I agree with everything. At my last rock concert, we used 6 cameras, and only 2 shared the same time code. The sound mixer during rehearsals tested all three of my usb drives and none were recognized by the console (mackie), so no mp3 for me. At least I take my portable recorder (Marantz pmd 661) and adjust the level, since I couldn't keep an eye on it, I put it recording in auto gain mode. Big mistake, because at the start of the concert they turned up the volume and since they didn't have limiter it clipped for almost the entire track. I only had good sound from the rf feed that I took with the G2 and in post production, the synchronization was a nightmare because the clipping prevents the synchronization by wave.

Hi everybody. In my work I normally use multicamera in interviews with 1 Sony and 2 JVC with time code over BNC cable. But I know that it is risky to have the cameras physically linked, because of the risk that someone crosses and throws a piece of equipment when tripping. Also in live events or on stages and performances this connection is unfeasible. So what would be the recommended price-quality version of wireless TC for 3 simultaneous cameras? Deity TC-1 Kit or 3 units of tentacle E? Then another question would be that I have found it really useful to have an RF line feed from the mixing desk of the pavilion or the concert directly to the main camera, where there is no press splitter for wiring. Currently I do it with a sennheiser G2 lavalier transmitter , but the different line and mic gains and the different amplifications make it complicated. So, is there a more profesional way to send Line RF feed, to the camera, for at least 30-40 meters away?? @BTM_Pix @IronFilm@Kisaha @Anaconda_

Another year, I return with my traditional police Christmas video. This year a short film of a thief who climbs the walls dressed as Santa Claus, to camouflage himself as the popular Christmas decoration. Remember that it is a video that we make in which each roll is interpreted by policemen, not actors, and that the technical section this time is made up of some more members of the squad, where only 2 of us have audiovisual knowledge. I hope it makes you laugh at least a small part of what we have laughed shooting it. A greeting to all, and especially to Andrew.

I shoot this with Hollyland Lark 150 dual wireless mics. For the money, I think is good enough.

I was only joking here with the character behind that project, in the same way that he did. I apologize if I have offended you. I have never developed a camera. I don't even dedicate myself full time to filmmaking. Sorry

My vote is for Cinemartin 🤪

I'm so sorry to read such bad news, Andrew. You have the full support of the filmmaker community.

And don't forget those used "GH5S" now on the sub-1000 land

I like the YT channel "This guy edits" https://youtube.com/c/ThisGuyEdits