Tim Sewell

Cinema camera's what? Jeez. Guy can't even write English.

Time to give up and go home, anyway

Come on. Rolex ad above the header'd look luvverly!

Although it's upscaled to 4K with Superscale, which is only available in the paid version of Resolve. But very nice, nonetheless.

Have you ever considered pro-actively going after non-industry advertisers to pull in some relatively easy cash? You have high page impressions, a large number of regular registered users and an audience mainly composed of solvent men with relatively high disposable incomes - there are a lot of companies who would definitely like to get in front of such a bunch.

Having just acquired a Panasonic S1 (with which I have immediately fallen in love) I'm actually quite happy to hear that the AF isn't so good as it means I don't have any urgent reason to buy any of their very expensive native lenses!

Unfortunately that's not the aim of many content creators in this space. To be honest, if I were a marketing exec at Canikon etc, there's no way I'd send a pre-release camera to Andrew Reid. I'd have a budget for the launch and I wouldn't want to spend a penny of it sending units to people who might post a review video saying 'this is shit'. That, obviously, is because my budget is purposed for maximising sales at launch. It's exactly the same as producing a trailer for a movie and stuffing it with all the best bits from the film - you want to get as many bums on seats for that opening weekend as you possibly can (especially if the film's a duffer - get as much cash in as you can before word of mouth gets out). So there will always be a ready supply of shills, ready to receive pre-launch gear (often in the agreeable climes of some high-end tropical resort) and give a thumbs up, grinning broadly. The opportunity for honest reviews comes later, once the equipment in question is available to rent or buy; but of course those reviews will never get the view counts of the pre-launch encomiums because interest wanes amongst consumers, as opposed to users.

If your aim was to provide honest advice delivered with integrity, that would be the way forward. If that's not your aim, it seems like much harder work than just taking the free stuff, TBH.

The colourist in question was probably referring more to chroma noise, which I think we can all agree is pretty ugly and 'video' looking. I've seen a couple of videos showing how drastically improved even quite clean-looking clips can be once it's removed.

Nice. And really stable - is the IBIS really that good? I plan to use it mainly with my Super Taks and with a couple of EF zooms. Waiting for the postman!

Just picked one up for GBP1025 including VL upgrade, so have read this whole thread. Looking forward to getting my hands on it. Anyone want to buy a FS5 Mk1 with RAW upgrade?

I'm quite a fan of Potato Jet - he's clearly a nice guy and also a working commercial videographer (although he readily admits that his YT activities take up more and more of his time). His really strong kit recommendations tend to be for items he finds useful for his commercial work (and the Arri Alexa thing was fairly jokey - although he still has the beast standing on a tripod in his studio). Similar to him are the guys at Epic Light Media, who intersperse gear videos with lighting tutorials and flights of preposterous fancy. A YouTuber who is much more focused on actual film making is, of course, Rob Ellis, whose videos about lighting, composition and colour are excellent. Personally I find Gerald dry as dust and twice as boring.

Yum

IKR? At first I thought my monitor frequency had been changed or that the camera must have 1950s level stabilisation. But no - it was just really badly (in the context of stabilisation) shot. A shame.

https://lmgtfy.app/?q=which+gopros+have+4k

By far your best bet here would be to keep an eye out on eBay for used GoPros. I recently picked up a Hero 3 for £50 and I've seen various 4s under £100. It might take a little while, but something good will appear in the end and will be much better than any brand new sub-100 model.

You spelled 'to be given lifetime sinecures in the House of Lords' incorrectly.

Well I LOLled at it, which is rare - but each to their own where humour is concerned.

I thought it caught a particularly Hollywood-style boosterism and ignorance rather well.

They very much wouldn't like you to keep using them. They'd like you to get out there and replace them with new stuff, preferably on a monthly basis!

I mean, this looks like a great deal...

You can get a Neewer knock-off battery grip for a shade over GBP30, which solves the battery issue somewhat: https://www.amazon.co.uk/gp/product/B073XLBKKG/ref=ppx_yo_dt_b_asin_title_o04_s00?ie=UTF8&psc=1

I've got one of these. I bought it 'spares'n'repairs' and found that the only reason it wasn't working was that the power winder contacts had corroded. A spot of tinfoil sorted that, but I also picked up a new standard battery grip. Total cost (for what was Canon's flagship)? £100.

Much to my wife's chagrin, the point I make when I compare my expenditure to that of friends who are into boats, motorbikes, vintage cars etc etc is unarguable. If one buys one's equipment in a thoughtful way, favours secondhand and doesn't always chase the very latest thing, cinematography/film-making is by no means an extravagant pastime. Another mate of mine is into breeding rare prawns - I kid you not - where a breeding pair, or whatever they call them, of some species fetch over £500 a pop. When he adds up that ongoing cost (prawns, like humans, are not, sadly, immortal) to his other costs of tanks, filters, electronic gizmos etc he's got an at least Komodo-sized annual habit.