mercer

I think this looks really nice. Good composition and use of 60p. Loved the drone footage because it was so controlled. Really nice work. If I were you, with the tools you have, I would consider where I want to go with video... even as a hobby? Perhaps try telling a story for your next video... narrative, documentary, even a music video of music you like. Keep it short but with a similar mood to this video and you will definitely have some good work.

Dave has done some of the nicest pro work I've seen on this site and if you go back and watch his Vimeo history, even his earlier work was a step ahead, so I'm pretty sure he has heard of the GH5, EVA, Ursa, etc... so with the question at hand, which camera makes more sense... the 1DXii or the C200? Now, I wish I could be more helpful as I haven't used either, but being a Canon shooter I have followed both cameras and I think it really comes down to two questions as both seem like excellent tools. 1. With the C200 are you okay with the media space needed, with both recording and storage to shoot and edit Raw? 2. Do you prefer the DSLR form factor over the cinema camera form factor? I, personally, wouldn't spend the money on a 1DXii when the C200 is lingering around for just a little more and shooting 4K Raw up to 60p. But I don't shoot any stills and love Raw. But with that comes extra costs and a bigger footprint. I guess it depends on the type of work you plan on using it for? And I guess the 1DXii is coming down in price a little, so you may catch a steal on the used market. Hmm... tough call. If only Canon would introduce a 1DC Mark ii.

Honestly, when I wrote that I was really searching for a second cam with IBIS and one to use my c-mounts with, so a Panasonic cam without either of those options made no sense to me. Since then I've been using Canon lenses with OIS and frankly, the two I have, their IS works +/- as well as the Panasonic IBIS in the GX85. And I must say I really enjoy not using huge adapters when using my Nikkors or old Nikon mount Tokinas. However, I still think Panasonic missed a specific market with the EVA... the 3-5000 dollar market that would cherish the m4/3 mount and IBIS on a small cine box of a camera. Where is the AF200? And it would probably be a great idea if they offered the EVA with a micro 4/3 mount as well as a special order. The problem is that at that price point, Panasonic wouldn't be getting anything out of doing it except extra engineering and manufacturing costs. Most people buying at that price range won't be using Panasonic lenses anyway, so why incur those costs for a minority of shooters that want to use Minolta, Konica, or FD lenses?

Do you have another feature in the works?

I know this is a frowned upon phrase around here... but... does it have that mojo like the 1DC has?

Aren't you from Canada? ?

That's pretty nice too. I've noticed you have started using some more muted colors with your more recent videos whereas your Fuji videos are very vibrant. I would love to see what your Fuji work would look like with your newer color work. That is always a concern with monopods but you learn to keep a foot on the feet and not leave it unattended. But then again I see the appeal with IBIS. This whole process is a never ending struggle with wants and needs, really. And in the end it doesn't matter... just grab a camera and shoot with it. Tell engaging and/or entertaining stories. That is all.

Nice, I had a cheap one and it not only caused a blue spot, but also a blue veiling flare wide open. And I am a lazy operator, I only shoot wide open with a fader ND.

Yeah IBIS is pretty nice, especially with old, manual lenses, but after getting some Canon OIS glass, I don't really miss it. The IS Canon lenses are pretty damn steady. And when I am using a manual lens, a monopod with feet is usually enough. But yeah I get the appeal of IBIS.

I like it Jon. I think your G85 needs a break and that X-T2 needs a workout.

I also have that lens and love it. It mixes well with the newer AT-X zooms as well. If you can find a good price on one, the 24-40mm f2.8 is one of my favorites. Watch with that Pixco outdoors though... you may get the blue blob flare.

That's a good idea. I like doing a twist on that logo. I guess a separate thread should be made for it, since it's not limited to any specific cameras?

No I don't believe so, but I haven't used it in years. It rotates 360 so if my memory serves me, as long as you hold the button down, it will pan. I had a cheap one... well I found it on clearance, so other variants may have more options.

Man, you're starting to get some color mojo.., I am digging the muted colors. The first few seconds I thought were ProRes but when you started panning, I wasn't so sure. Either way, the color is looking pretty damn good.

Yeah the motorized module looks nice. For panning, look for a mount for security cameras I bought one at WalMart years ago and it work pretty well. I think it even came with a remote control.

OT: is that in camera or ProRes?

Yeah I love that 50mm f2 Nikkor. That's slick as shit. @kidzrevil

That sounds good to me. I like Super 8 Bit And the gorilla pod is a great idea as well. I heard about people doing that years ago and it seems perfect. Thanks. Which gorilla pod do you have? I saw the video SLR model, and it looks promising.

No I'm pretty sure that lens, due to the rear element's design (maybe the macro function) doesn't work with any speedbooster. Btw, I read that you can use a "slim md to ef adapter" with an ef speedbooster and get infinity focus. I still think that lens won't work but other MD lenses might. The Minolta MD 24-35mm and 24-50mm are a set of primes in a zoom. I like the 24-35mm better because it is tiny and faster. I think it was a really old article on Lens Bubbles blog. I tend to doubt it but the guy did have photographic proof.

Also remember to use a strap, keep it taut with your elbows to your side and turn your waist not your arms. It's a good ab workout too.

I have that lens and it's awesome. But I can't use it on my 5D3 and you can't use it on a speedbooster... so unless I go Sony FF, it kind of lies in limbo land. I love Minolta lenses but going forward, I have decided that almost any lens I buy needs to adapt to every camera I own. This also keeps me from buying dozens of new lenses to try. Because... seriously I would.

I haven't bought one yet, but that Tokina/Angenieux lens is on my list. I am so happy with my Tokina 24-40mm and its sister the 35-70mm, I may never end up getting one. However, I do remember I didn't love the 24-40mm on Panasonic cameras. I tested it with the G7 and GX85 and it was meh. On Canons and Nikons, it shines. I am on the lookout for a fast 35-70mm for the 5D3. The Nikkor f/3.5 is probably the way I'll go but I am looking for something entirely different for a one lens solution for an upcoming short.

Pretty good video, thanks. That's pretty much how I expose. Of course he recommends using a light meter, but I'm a little too lazy for that, but with trial and error, I can find how the in camera meter works corresponds with a waveform. I never saw any of this guy's videos, but they seem like a great resource. I think we should probably get Andrew's approval to use EOS HD in the title, so maybe something as simple as Back2Basics Short Film Challenge. But since it was @mat33 's idea, I'll concede that decision to him. Another point up for discussion... do we make it a rule that you can only use one lens? Now if you want more freedom, you can use a zoom, or you can really challenge yourself with a single Prime.

Definitely, but just to be clear, I do actually work on films. I know I'm on here a lot but I've been shooting a film on the 5D3 since April. My problem is I do have GAS and I want more than one camera. So this idea to go old school, as they say, is my way to stop testing every other camera and work on multiple projects... my more "serious" shorts with the 5D3 and some, for lack of better word, impromptu video/shorts with a GH2. My hands are pretty damn shaky after a pack a day and a few cups of coffee, so I think I am going to go with a Monopod and a mini slider. Of course, last winter, I had some pretty good results with my Benro Monopod, collapsed with the feet open and pressed against my chest. So maybe some kind of shoulder/chest stock will work well, but I'd like to keep the footprint as tiny as possible... Any ideas?

Yeah the 50mm f/2 is a special lens. So sharp. Love the look of that 85mm in the first shot.