TSV

With all the information you have now, there is two line of actions 1. Soft : Contact the consumer protection org of your country and start to talk to them. 2. Hard : Depending where you are located from : Class action. I am sure that as soon as the "Legal" heat start to turn on Canon things will move. I was supposed to get that camera and was expected Canon to screw us somewhere but did not expect this at all.

4K 60p crop (S35 pixel by Pixel) => NOPE, 10Bit => Yep, 4,2,0 = NOPE Same AF => NOPE. Looking for the GH6.

Just realized that, if by mistake you leave your camera bag in your trunk (car) for just an hour in summer... you would not even be able to shoot in HQ or 8K... Well done Canon! In Japan now it is over 29c everyday and we are still in the rainy season... Can’t imagine shooting with that in a few weeks

Business idea! R5 and R6 re-housing for Cinema/Video makers ;-). I am sure that some smart and gifted people can "unleash" the R5 and R6 video power with a new housing.

Nice software but why spending money on that when FCPx does the same when importing clips? (@tomsemiterrific explains that he use FCPx, no need to waste money)

two solutions 1. Wait for Apple to release an update of FCPx 2. Do like most people do (and what I am actually doing with my GH5) transcode when importing to ProRes.

Thanks.

Any verifiable sources on this?

For me the Steadicams will always outperform a Gimbal... the movements you can get from a steadicam are just amazing... Still I own a Gimbal and not a Steadicam and this simply because I am bad at operating a Steadicam...

I don't get the point of shooting in 4K when the whole video is at best soft as hell or badly out of focus. What did you try to achieve here? Is this some kind of artistic modern art approach that the average joe like myself won't get?

Just saw that this afternoon on AV Watch Japan http://stkb.co.jp/info/?p=4356 That really cool... I wish Metabones could do something similar for M43.

Thank you for this topic as I wanted to create one asking about this camera. Sor far DJI has always fell on me and I m tired of their XXX = Bought a Ronin that barely worked, OSMO with X3 : Crappy Camera, Osmo Mobile : 4K problems and can't access video files if you do not have the Osmo mobile turned ON! (Each time I returned what I purchased after a week. BUT... the Osmo was a really good Gimbal, the X3 Camera was crap. So I am really looking to get some nice feedback on the X5 before doing anything. The Osmo with a X5 is a nice combo, better and easier to carry around than my GH4 or GX7MKII and a Came TV Single for example.

I am personally really fan of Olympus lenses. The color you get from these lenses are really good, at least on my 7-14mm. Otherwise I like the 12-35, 35-100 and 12mm F1.4.

So the question is, will it take descent videos in 4K 30p? As I am reading everywhere that only the 24p mode was acceptable...

These kind of videos are... useless. A nice fellow, but he just rehash what we read on the net and did not even bother going to Photokina (not that expensive), as a real journalist should do, and talk to the people from Panasonic there to get all the details and bring something that was not yet said or confirmed. Waist of time, just click bait. He could even had taken his own videos and photos of the beast instead of relying on other's work... Sorry if I sound rude, but I have (now sold) ran a modest tech website in English and French from Japan on Japanese tech and being on the go to cover press event or show like these where our first priority to get something that others were too lazy to get.