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Bozzie

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Everything posted by Bozzie

  1. Bozzie
    Thanks, Man! Shot @ T2.8 which is the widest I could go. No stopping down.
  2. Bozzie
    Hahahahaaa, love it! This is my kind of humour Thank you, @webrunner5. The pocket's such a finicky camera and certainly not a dream to work with in LOG / RAW modes! There's been plenty of times I've been left scratching my head. But with a bit of TLC and patience, it's started to shine a little more each time I've personally used it. More so with the LUT. All the best - B.
  3. Bozzie
    Before and After video shot with a BMPCC, Zeiss 25mm + Century Optics Anamorphic Lens Adapter. Graded with just my BozBMDFilm to Rec709 LUT (No other adjustments). For anyone interested, you can download the LUT, which is suitable for the BMPCC, BMCC, BMMCC and Blackmagic Ursa (with minor adjustments) cameras recording in Film LOG & RAW for a small donation. Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/
  4. Bozzie
    A Short Character Profile - Shot on a BMPCC, Zeiss 24mm & Century Optics Anamorphic Lens Adapter. 800iso. Graded with my own LUT. Forgot to hit record on the external mic so all sound is internal! The Century may not have the typical "Anamorphic" aesthetics most people are used to, but it certainly puts a smile of my face
  5. Bozzie
    Cheers
  6. Bozzie
    Sounds great, mate. Would love to see it once your done ?
  7. Bozzie
    Not to be confused with a ‘Stylized Look LUT’ – I created the BozBMDFilm_to_Rec709 Utility LUT out of a need to make my own color grading life easier when dealing with the Blackmagic BMCC / BMPCC Cinema Camera Film LOG and RAW files.. Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/ [Original RAW video by John Brawley DP]
  8. Bozzie
    Appreciate the kind words. Thank you.
  9. Bozzie
    From my experience, BMD CineDNG files always default at Rec709 color and gamma space. Not sure how you'd do it in Adobe (maybe Camera RAW?), but in Davinci Resolve you can decode your footage by using the 'clip' option under the camera tab, then selecting Blackmagic Design Film. Everything will be back to how you saw it in camera and ready for grading. This is how I see your original recording:
  10. Bozzie
    Hey, no probs man. We're all here to learn and improve! The slow motion was an after thought. Settings wise, I shot at 24p with 180º shutter. Software wise, I used Optical Flow in Adobe Premiere to slow the footage down by around 60%. It can be really good under certain conditions. Ideally I'd have shot at 30fps with a 45º shutter if there was enough light. Hope that helps. Anytime ?
  11. Bozzie
    Thanks! Thank you. Appreciate it. Nikon 28mm Ais. Thanks, Man. Appreciate it. Nikon 28mm Ais. Cheers. Apologies for the late responses. I haven't been getting any notifications for comments! Cheers.
  12. Bozzie
    @Dustin Straight out the card and graded. No de-noising applied. Likewise, Man, love the look ?
  13. Bozzie
    Slow motion test. All scenes shot at 1600iso.
  14. Bozzie
    A broken promise between Archangel Michael and Lucifer threatens the birth of Man.
  15. Bozzie
    Man, that looked like so much fun! Really enjoyed the playful and well worked choreography. Great work, guys
  16. Bozzie
    ​Thanks Santiago. Fun is exactly what it was meant to be
  17. Bozzie
    ​Wasn't intended as a full blown narrative. Just a short and fun action scene. Cheers.
  18. Bozzie
    ​Thanks Man.
  19. Bozzie
  20. Bozzie
    @TSV​ Thank you.
  21. Bozzie
    Hey @cris. You cut out the first few frames of the edit just before impact. Here's some great tips (with video): http://vashivisuals.com/3-low-budget-editing-tips-action-movies/
  22. Bozzie
    ​Thanks premini. Fun was exactly what we were going for
  23. Bozzie
    ​Got it. The image quality out of this adapter is the best I've personally seen for a 1.33x. It benefits from a built in diopter wheel that allows for near and far sharp focus even at around F2.0. That's pretty impressive considering most anamorphic adapters struggle in the F4.0-5.6 range. Look at it this way, in the UK a used LA7200 goes for around $1k (Plus cost of diopters). It's a bargain in comparison! Hope that helps.
  24. Bozzie
    ​Sorry Ken, not sure I understand your question? Could you please clarify. Thanks.
  25. Bozzie
    ​Thanks, man. Hopefully more to come . SLR Magic Anamorphot 1.33x adapter attached to a Nikon 28mm prime lens.
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