PannySVHS

Easy, easy on us, it wasn't us who did this test.😊 Alexa with Prores HQ instead of the FX and that 10bit codec will shine with that gorgeous image. But yeah, the whole image pipeline is to be accounted.

Kay would be able to come up with a funny reply I imagine.:) BBC rocks and so did the Kay era on DigitalRev. Anything after him was like Teletubbies following after a Studio Ghibli film. 😊

Quiet appealing thumbi this time and tasty writeup, dear Emanuel. Love it. But will I click it?😂 @Emanuel I still won't click the first one, even though this are the times of fugly thumbnails. Especially because of these times I won't click it.😂 Actially, I find the new Dji compelling to play with. I imagine smaller rentals having them in their lineup. Would be fun to try one out.

You have read several compelling accounts about NRaw here in this thread. Slashcam tested it on several occasions with best in class latitude, bettering S1H internal which is bettering R8 Canon Raw. Color fidelity is impressive. Andrews article shows a different perspective iirc, about difficulties to work it in post for best effect iirc. Give us your summary of it, if you find time. It's been written very early after that brandnew format came out. @Jedi Master

Seriously, they got the mount. Pannyboy gets the Braw.😊

Now that! It was super enjoyable to watch Kay on DigitalRev, always quirky, fun, exiting, even whimsical, great locations and occasions, colabs, just the whole thing. To delete that treasure is not only dumb but in a way crudest cultural vandalism the way they did it.

What about a 50mm 1.8 bargain lens on the S1? @Beritar That should be much smaller. The Sigma 45mm 2.8 is pretty small but is a relevant amount narrower regarding fov than a 40mm. No real equivalent to the nice 20mm 1.7 in the FF world other than the Voigtlaender 40mm F2 in M-mount or a Konica with a long flange and adapter. I love the fov coming from a 40mm lens on a FF camera. A native 40mm 2.8 pancake would be sweet, with Af and a clutch for hard stops when in manual focus. The G9 II in S5II body is dwarfed by the gigantic S1.😂 Oly 35RC has a 42.5mm F2.8 lens btw. I loved that lens and focal length and that camera.:)

Three Z8 and that new Nikon Vintage Kid. Weight estate unaltered.😊 If a S2H comes around the corner with internal BRaw, 6K60p and Dweual Gain monster sensor, then what!😂 I find that on/off switch on the S1H nor super reassuring and a bit flimsy. On the S1 it is way more solid and really clunky, like its stainless steal mounted heavy duty tilt screen. And it is positioned on a way better spot. On the S1H it's located too close to being switched off accidently when holding for handheld filming imo.

I liked the results I got from the GH5 in HLG, the few times I was using it instead of VLog, same for the S1. I will revise that footage some time soon. Don't recall, if I did a cst to VLog or directly to 709. Btw, what's the difference between idt and cst? cheers

I have not been aware of red box yet. Is it a red frame around the image? Was not aware of that feature. I was able to lock the shutter button during video recording. Found it in Panasonics official pdf manual, on page 8. Firmware 2.0 is needed. One remark on ergos, I would like the on/off button to be located away from the shutter button in a next S1H or any Lumix camera. That is one major dislike for me so far when doing stripped down handheld filming.

Internal Braw for the next Lumix cameras, please.:)

If I am allowed to chim in, I would love a powersaving solution like the m1 tech in a windows laptop. What would be an equivalent to a M1 Max Macbook, with lowish powerdraw and same performance in Resolve for editing, grading and rendering?

Pro equipment for earning pro money doing pro jobs in pro sports. 😊 @gt3rs I am always impressed by stuff like yours. I enjoy the achievement itself and am always a bit in disbelief about it. There was a member posting here, who was filming sports with a FS5, football and baseball iirc. Was that you as well? Some impressive footage.

Looking great! @kyeGh5 is indeed a great performer. Btw I haf mentioned a bug before about its performance in Vlog, big pink uniform blotches on skin while using the 10bit Long Gop. I found one example again and it is not funny revising it. Have you encountered that artefact?

GH5 III = GH5 II + punsh-in during recording + Pdaf + timecode, for 1099. @IronFilm😊

Here is a comparison between a FX9 and a Red Scarlet by my favorite camera user and tester of the Sony Cinealta F3, who switched to the FS7 and then upgraded to a FX9. He still holds the colour of the F3 in high regard but for client work he needs 4K. He is from Sweden. Not the only cool camera loving Swede doing great presentations on youtube.:) He makes some interesting points, regarding reliability and usuability and gives a sneak peak into image character and besides, I just love the fellow. 😊

If it looks as valid on a GF3 it will certainly kick ass on a GX85. I would prefer to use a camera from GX85 and G7 on due to their solid 4K image and codec and for HD at least a GH3 with its 50mbit Long Gop in HD. GX has some nice bw profiles with adjustment of color hues. G7 I could check but a bit too lazy now.:) S line would be unfair but compelling to try out. All 709 profiles of course.:) Filming in vlog and turn down saturation after 709 conversion and sofore without possible colour manipulation could be a fair handicap for simulating a bw log profile. Of course no colour work permitted before 709 conversion.😊

From what I read on this forum, Clog flavours on their hybrids lag behind their counterparts C300 II and Mark III even moreso. R5 in Raw does perform same latitude as S1H in its h264 codec in test by German test site slashcam, but less in dynamic range according to Cined tests. NRaw has been a bit of a riddle in post to some youtubers due to akward Nlog curve. But an Aces or other adequate workflow should solve that. It has almost the same but even a tiny bit better latitude than a S1H and the same as C70 Raw according to slashcam, bettering also a R5 in that same test. Colour fidelity is supposely astonishing. Nikon has put out convincing 8bit video hybrids with the Z6/7. Even their HD Dslrs D750 and 850 have been 8bit video marvels, such as their Apsc D5300, 5500, 7500. So they are no newbies regarding convincing image quality in video. @ghostwind That is only talking about image quality, not even mentioning full Hdmi, sturdiness, internal Prores besides Nraw. Nikon had a few aces in their sleeve during their law case with Red. You could find all about that in the insightful Eoshd thread about that topic. @Jedi Master

Slashcam have also assigned impressive latitude to the GH6, better than a FX30 and R7. @92FIf only the processing for noise and textures for the GH6 and G9 II would borrow from the GH5 II, than both would be a something like a rigged out 4K60p Bmmcc, perfect nerds and image tinkerers dream.

Z8 would be an exiting choice indeed, also for me as a nerd as it would allow so much to witness as an audience, Raw magic and all of the above thrilling options which BTM_Pix has mentioned. This thread is stuffed with great insights. I still feel free to smile a bit about the amount of options shown here.:)

BW challenge. Let's do it! Cinema verité. Bring your internal stabs, your gimbals, your Sony A7CII to overcook and move and shake with some camera apparatus style moves or lock it on you 20kilo monster tripod. Do it cool, do it fun. Have fun! Be brave but behave! This could be a filming challenge again, after the last one in 2019! Internal BW. Who is with it?

Whatupp wizzat tumbnail above and video! Gimme some insight why u should click that most terrible of fugly thumbnails above!😂 @Emanuel

I am stunned by the awkwardness of this thread, because arguments and suggestions go in a repetition cycle. But nevertheless amusing and interesting. A bit of a nervewracking reading pleasure though.😂 I find a certain kind of cheekyness and joy for ridicule in our replies in the way how specific and overly well written they become, since og poster only wants to pay thousands of dollars on expensive equipment. In this thread we show an urge to please much more than regarding many other requests before. My suggestion: buy a Red Komodo, because I want to see landscapes and cityscapes filmed with it, because it has dynamic range like a S1H or C70 and because it has internal Redraw, AF and a mirrorless mount, because it's worthwhile to reflect on the results from tech perspective. Or get a C70 and film Raw. Buy it for the same reasons I gave you for the Komodo. Now, go and buy, but don't listen to me, it's your money.😂

It is that what i dislike to accept. I want an honest though still highly resolved image like from the GH5 II. I second that, a GH5 III with the goodies of Mark II, which are 10 bit for 4K 60p and the cinematic resolution with smooth and creamy edges just like an Alexa. Hey, I say it again, textures just like an Alexa Pre 35. The 35 has many texture options, so I won't comment on stuff I have no experience with. I am not sure if even the S1H has that creamy but fully resolved 4K image of the GH5II. They never introduced a -1 setting for sharpness in VLog, did they? It has a -1 setting for noise reduction, so that's a cool thing. Btw GH5s has an Oplf filter iirc. So GH5 III, a GH5 II with GH6 colorscience and Pdaf for 999. I second that! Also, a GX5:) with GH5 insides in a GX7 body. 😊 But both might cannibalize the G9II. Btw, no dynamic range and latitude tests yet on Cine D. They are boosting too many ads instead of their own editorial stuff. It's become more lately.

That seems very off. 20 MBps, eq to 160Mbit per second seems off for 6K "Raw" file. That's smaller than the 6K 200mbit h265 10bit 420 from the S cameras. It's also a third of the lowest of Blackmagics official numbers, which range from 500 to 1300 Mbit. @seanzzxx But all cool with me, wonders of the world.:) Good dynamic range and great color response and grading potential seem a no brainer for lovers of the full frame image. It's a S16, S35 and FF camera in one. Pretty neat.