PannySVHS

How about the 11 ultra? @Andrew Reid It sports a 1/1.2" sensor, so still 16mm territory and worthy of C-mount lenses imho. Waiting for a tutorial of the mod and more raw video to see what the Aquos R6 is capable of.

Haven't seen anything 120p on this forum, not to even speak of 4K glory of every one of these precious frames. I've seen about 12 product shots of phones in this thread. I find it rather elitist to consume our earth and resources to death and to waste our brains for dumb junk filling up our thinking capacities. Phones have allowed to push gazillions of stupidity. That is an elitist approach, to overwhelme by pure marketing brute. Not everyone can be smart all the time, not even you, a man with 30 year long movie career. @Emanuel This thread is proof of that in my eyes. Decisive moment missed because 60p 4k is not enough? Come on. Show yourself your most exiting video frame of the last two years. I imagine Apple has nothing to do with it. If you like the sensation of shooting 4k120, cool. Too bad this thread is not a discussion of Douglas Trumbulls philosophy or beautiful imagery. Two cents, grain of salt, happy you're not upset. But please, feel teased and that plenty so.:) @Emanuel

One inch S16 sensor estate on that phone? That would mean Super16 4K raw for 400 Euro if I got that right. Could the 1" 20MPix sensor be the well tested sensor of the RX10/100 series? I am pretty happy with the colours in photo Raw on my LX15 which also sports that Sony 20Mpix imager. Pretty sweet! Thanks for posting! @Cosimo Is there a more detailed instruction video how to do this mod?

Hardly anyone has posted any involving videos in 120p here, which they have crafted themselves. Why that tristesse would change in 4K is beyond my comprehension. I couldn't feel less inspired to wonder about 120p in 4K than I feel by this thread. Decisive moment, seriously, where is it? Show me! Or maybe much rather not. I really enjoyed @kye 's essay miniseries and screenshots from his journey with the micro cinema cam, travels with a cinematic eye and consciouness through and about the artistic journey. Stuff like that is my fuel to keep coming here. But this thread is 4K of nothing and that in unbearable 120fps slomo hell. Grain of salt and two cents, so don't get too upset.:)

They did it again, no internal NDs.😂

** Reading my least favorite thread and commenting on it, am I a bot**? Am I yawning at my own post? Makes me think. Makes me stop yawning. Makes me leave to the kitchen to cool down my complex thinking with a beer.😴🤔🍺

The DJI 4D camera with its gimbal and lidar system is used on one German TV show I know of. So it has arrived in the pro Broadcast world for number two of the major private TV stations in Germany. A cooperation for a new mft camera does not sound too unreasonable. Their first raw camera module had a mft mount. They even had their own version of the 15mm Pana/Leica mft lens.

Makes me want to give my S1H a run for 120fps HD 10bit at 3x crop 16mm eq heaven! Time to test the ibis for some 90mm Bokina challenge😁

I am always fond of what people are able to achieve with older 8bit pro and consumer tech. I am especially fond of seeing what the original Dslr/m artists are able to achieve. I don't want to get into fanboyism, but your Berlin piece with the GH4 is one of my all time favorite vignettes, pacing, color, light, framing... Btw, great writeup, Andrew!😊

I have way too much stuff. Now, that ebay sucks big time, I wish myself good luck selling stuff. OG pocket will stay with me, that's for sure, Bmmcc maybe. Haven't even tested my 5D2, 5D3 nor Eos M for their magic lantern magic, F3 for some shots of leaves in the wind.😂 But that's besides the point of the topic of this thread.:) F3 external should do it for me in the image department, so do the og pocket and the Bmmcc.

I've seen pro documentary work shot with the A7IV. I was amazed to hear from the DP it was the humble Dslm when I asked, if a FX6 was used. Color grading was pro too though. I was very surprised. It really looked high end. Rolling shutter on paper is pretty awful though. That's a lot of sweeties and old computer stuff you must have enjoyed so much! Right on!:) @Andrew Reid On a side note, youtube and forum wisdom told me S1 and S1H provide a great image. While I am impressed with both, regarding absence of mush, dynamic range and robust codec, I did not fall in love with the color I was able to get out of it. It's perfectly fine but it's not exiting me under natural light conditions. So the different sensor in the A7IV might indeed be worth a look. I also liked the A7SIII when I had to color grade it.

DVX1 still the queen of the bunch regarding body design and imager. Sorry, I have to say so.:) I once had filmed with a DVX100 before, a black or grey one. I really wanted it to be a DVX1:) Thank you very much! @Andrew Reid I wished this thing was progressive 720x576. So does 720 x 576i translate to 720 x 288p resolution, giving half the resolution of the y-axis?

In my eyes this and the skating video show the most convincing image quality of any DSLM. These and some Z8 and Z9 stuff. And that by far. Kinda looks like a 6K/4K version of the image coming from a BMMCC or og BMPCC. I'm impressed!

This is THE legendary DV camera of 90ies Germany imo. It had the nick name "queen of the night", not in English though but in German, of course. To me one of the most attractive and fun camera designs. No progressive mode but 3CCD color magic and beautiful color palette, no fire wire unfortunately. Using a dv player or another camera is a workaround. Congrats to your purchase, Andrew. A friend of mine is still owning one. Some of the footage in this video, mostly leaves and flares were shot with it. I had posted this video before:)

Lovely last set and compositions! @kyeWouldn't mind to have these framed on my walls. Did you film prores or raw? Looking fabulous! Somehow I feel that I like the image from my og pocket even better than with my m2k. I filmed with the micro last week and it felt not quiet as beautiful as the footage i got with the p2k a couple weeks ago. That's related to daylight scenes though. Darn, it seems I belong to that group of 0.1% of people who see that difference. Welcome to this forum as @BTM_Pix would say!:) My M2K has the rawlite oplf/ir cut, whereas my pocket doesn't. It didn't bother me as I didn't have to film finest patterns or akward shirts. An og pocket with good battery, no overheating 1080p 50p would be my favorite personal camera. Go, BM Design!:)

Will be using mine tomorrow, not my p2k but the micro again. It has been a year or so since the last time. I'm charging batteries and cleaning lenses right now, a bit late to the party, silly me.😊 Exited to see more from you and to read about your adventures! @kye What lens did you use at the tea museum, the 12-35? I am wondering if @mercer has rebought a m2k again. Does @TomTheDPplay around with one or is the Alexa his only dual gain baby? What I absolutely love about the og pocket and the micro are textures, motion and highlight rolloff. Just sayin.😊

Laowa 7.5mm for even wider if you have your camera has a mft mount, of course.

Colors and textures smoke the S line cameras imho under ambient and natural light. Great stills! @kye So cool and really worth it that you brought your little cinema camera with you! I bet you are having tons of fun with your footage. I still got 4 hours of Bmpcc clips from this summer to go through. It's an honest low light camera, giving you what the eye can see btw.

It's a pity they never made a 3CCD camcorder in the DVX/HPX body with true full HD resolution. The Pixel Shift tech on the Hpx170/150 and HVX200 gives an impression of some texture related oddities as far as i can tell from the footage, which is available online. DVX100 Andromeda sports some beautiful 720p on the other hand. Would be so cool if the two masterminds behind it would make the tech transparent, so people could pimp their DVX diy into andromeda prowess.

It seems I was wrong and Inland Empire was not shot with a DVX100 but with a PD150. @Al Dolega I've been thinking about the HPX170 as a valid alternative for the mysterious and ultra rare DVX100 Andromeda. With 3 CCDs, 720p, 8bit 422, 100mbit to P2 cards, what's not to like. But first I gotta get rid of some of my stuff, cupboards clearout. 🙂

I love the look of my LX10 in 4k at f2.8 and a 2/3" gate, giving an equivalent Dof of F8 in S35. Welcome to the camp:)

True beauty, just like its older sister, the queen of the night, the NV DX1. @BTM_Pix The latter didnt have a progressive mode yet nor optional 16 to 9 letterbox. Still gotta watch "Inland Empire". Gonna have blast.

GX85 or LX10, also GH5 would show mush whereas the M2K produces a believeable low light image. Nice shots. Thanks for posting. Enjoy your trip. We will enjoy your findings and footage you might share.:) @kye

I can relate to that. My best videos have been with less. I´ve seen people on the web shoot better stuff with an EX1 than with a Sony A7S3 on youtube (Phil Bloom fi:)

A 1080 Ti is already giving 25% performance increase standing only 10% below a 2080. Having 11GB Ram doesn't hurt neither, which are 3GB well above the recommended 8GB minimum for 4K video. So either a 1080Ti on the very cheap, a much newer 3070 or a huge boost with a RTX3080 or 4070 would be my recommendations.