PannySVHS

@Amazeballs I would prefer a GH6 with similar image as the Lumix S series, also means absent digital sharpening. With a S16 crop, anamorphic S16, bummer! Take that above any other DSLM except my S1:) Would be a great addition. If it has internal NDs, no contest. With SDI out, it´s a must purchase for me. You can get the Laowa 7.5 f2, no AF though but stellar optical performance, perfect for moviemakers with the love for extrem wide view.

@Dogtown Thanks. Thats what I was doing and what I meant. :) My question was, if that is still the same SLOG as there was before in all regards, Ben and Renaissance have been talking about two different Slog settings for the same Gamma of Slog alias Slog1. Slog does not show up on working screen, just "PP" with whatever number, fi "PP8" and likes. Also, I cannot choose a monitor Lut. It´s greyed out in the menu.

Guys, thanks for giving your info. Why does it show pp7 for chosen pp7 but not S-Log, which I have chosen as Gamma. Before reset it did show S-Log on the screen, once chosen. I have the 444 update. Just couldnt find a way to regain S-Log after reset. Found it in the Gamma settings. So thats it? Slog 420 on the F3 is doing amazingly well. I had test files on my the card when I bought it. Amazing files, color response felt like 10bit HD on the GH5 to me, artefact hell was amazingly absent. In sunlight, as yesterday for my gig, Fs700 had to do it and I am happy with the results i got with Slog2. Hopefully that Slog is still THE Slog, TheRenaissanceMan or Ben Ericson have been talking about, if I remember right, as the were exchanging about two different settings in this thread.

I would say the latter, looking at Andrews samples. If the A73 has the same 100bmit codec as the A7s2, then it is rather underwhelming. Andrews examples look very solid.

Darn, you dudes are busy. Well, I found a way to set the Gamma to SLOG, but I cannot choose Preview Lut, which is greyed out. Also, before reset, info on my screen was S-Log, when chosen. Now it´s pp7 or whatever profile I am using Slog as gamma for. Still weird. Anyway, used my Fs700, second time and for a paid gig. So thats a moneymaker in 420 HD right there. 🙂 It´s lighter and image looks sufficient enough, colours are nice but not great. Still a nice change compared to a GH5, softer (not talking resolution but sharpness), somehow less video. GH5 graded well can look epic though. Codec is a monster. So still no F3 love yet for me to this point. 😕 It´s all in weight and the rigging and battery life, which worked well for my FS700.

If they include NDs and SDI plus punch in focussing during recording and keep the good battery life, I would love to buy this camera.

Holy cow, fellaritas and fellas! I need your HELP @IronFilm @BenEricson@TheRenaissanceMan@Geoff CB! Sorry for calling out loud. But I have a small gig tomorrow and was gonna use my F3. I have one with the RGB update plus a Blackmagic Videoassist. I will have to record internally tomorrow for convinience and onemanband. For bright sunlight I want to use SLOG. For a lot of situations the internal 8bit 420 is pretty nice. So, problem is. Me dummy did a reset of settings and deleted all picture profiles. SLOG gone! Bummer! How do I get this beauty of a profile back? This sucks onion juice, I´m tellin ya. Thanks for helping! cheers

@IronFilm well, that's what "sound speed" is about a lot of times, recording people talk. 🙂

Click bait youtube and ticotoxic have devastating effects as papparazzi. I wish both were just dancin, singin or educational content, which they are, although burried under tons of toxic content. The burrying is done by a super aggressive push mechanism, working and interconnecting across media, showing toxic content in all its camouflages, on all kinds of media and channels and occasions.

Lovely! Keep it up, Parker! Now, I wish Andrew would post more again. Back then his videos where my hightlights of the day coming home from work in the evening.

@QuickHitRecord Looking at your great looking Teaser makes me want to buy the original BMPCC or BMMCC. Plus it made me check out your vimeo channel as well. 🙂

Please keep in mind, this was shot without a clamp! The Isco was held by hand infront of the taking lens. So don´t expect any anamorphic greatness here. 🙂 The flaring goodness comes from the Angenieux. That little guy is a flaring champion!

More Angenieux 75mm goodness with Isco 16mm 2x anamorphic. Shot on S35 anamorphic crop with my Lumix S1. This lens covers open gate m43 and Super35 in 16 to 9 and s35-ish in 4to3, which is less width but more heigth than Super35 16 to 9 on the S1. Wish the S1 offered all of the full frame sensor heigth for 4to3 ratio plus full width of s35 crop in anamorphic 4to3. Anyway, I combined this lil beauty with the Isco, without clamp, held by hand. So here goes y first anamorphic "test":) https://vimeo.com/549191623

I would love a 10bit update for the GX series, with the awesome Super 16 crop mode. Starting to discover, what the system is really about, perfect size of body and lens, plus IBIS. Love the GX85 form factor. Give me the perfect HD, 10bit codecs and Super 16 mode of the GH5, swivel screen, minus the All Intra if you like. Put a price tag of 699 on it and skip the GH5II.

Some Angenieux 75mm glory, c-mount for S16 format. covers full m43 sensor with some light vignetting. Another gem to support the yearning for a GH6 with prores, oplf, sdi out, internal nds, super16 glory, 10bit HD up to 240fps, etc. 🙂 Lens has a glorious glow wide open at f2.5, which is like a light source of its own. I love everything about it. Hopefully it will become more thant just a magical item but for pratical use in a short film or wait, why not shoot a paid gig with it for some talking heads footage! Photo taken with the beautyful GX85. Hope that body gets the GH5 sensor and codecs some time. Now that would make m43 my format of love again. I saw a Nikon 35mm f2, a lens from the 60ies vignette pretty strongly on a S1H in 16to9 video mode. So this little lens is doing pretty okay in that regard I think. And it´s my first and only Angenieux lens.:)

@newfoundmass would also love the goodies of a GH5 in a GX85 body. That would be a standout move. Also, like Andrew stated, cut 90 percent of the other cams and focus on the GX, GH and Lumix S cameras. The Panny lineup has been plastered with too many and redundant releases. The GH5II leaked specs list is awful to read. So the standout feature would be 4k60p 10bit 420. Well, I got that in my S1 with a larger sensor area. @MrSMW what makes your S1H so much more exiting than your S5? Hopefully your comment won´t make me want to update to a S1H.:) Anyway, GH5ii with same image sensor should have full sensor opengate 10bit 24p to 60p 422, 444 HD up to 60p, Prores options, perfect HD for up to 240p, 10bit 422 of course. SDI, XLR, internal NDs, full VLog- and Gamut. 2000 USD. Then it would be a tasty treat. GH6 would be allowed to top that. Other than that a GH5II would be a rather uninspiring affair. And better keep the S16 mode!

@IronFilmC70 should do well though in regards to reliability I would assume. I would love to see some BMMCC or BMPCC with glorious character C-mount lenses shot by our forum friends. I know some of you are piling up beautiful footage on your hard drives, such as @TheRenaissanceMan has proven in the Sony PMW F3 thread, old gold from one of his shoots. So please start hunting for your own gems, friends. 🙂

@OttoVGet a Blackmagic Video Assist HD 5inch. I went that road. It was recommended in this thread either by Ironfilm or Ben Ericson. You would want the F3 with the 444 update as that gives you to opportunity to recorde 10bit 422 up to 60p to a BMVA 5inch.

Darn this thread it tasty as the other other EOS M RAW thread. Both threads are some of the greatest browsing pleasures for nerds like us. 🙂 Anyone shooting narrative shorts with this beauty? How does it hold up against a BMPCC? Anyway our friend @ZEEK has provided us with beautiful pieces like this one.

On another forum someone was dreaming of a speedbooster for this to push it up to super 16 sensor size. Maybe time to rethink the classy classic EOS-M rather then waiting for a speedbooster for this little kitten.:)

Beautiful looking camera and rig @mercer I am hunting for a good package, but they are rare and rising in prices. If import taxes to Europe would be cheaper the I could surf the US bay for good offers. I love to browse vimeo for the latest videos. Camera is really tempting, when in a neat package.

@OttoV Awesome, another F3 owner. You can match the F3 to the 5D. The ooc colour palette via Slog to rec709 and of the other profiles is different. But with Hue vs hue anything hue vs sat in Davinci Resolve anything is possible. I think a Sony A6000 would be much cheaper but then 5D3 is a great cam itself. You have to pay for the update. Mine had it already installed and the RGB 444. The latter one making it possible to record 50p 10bit 422 via one single sdi cable to a cheapo Black Magic Videoassist. The image from this camera is "true cinema". For me it is like a BMCC from blackmagic but with 10bit 50p, beautiful lowlight, internal NDs, great battery life. I recommend it though I have not used mine yet. But I am hyper exited to put it through its paces once my other weird shortfilms are done with editing. 🙂 I have a FS700 too, but it is the F3 which really exites me. I think there is a pleasing amount of info on the net about this camera. Check out the dvxuser threads, which have been mentioned in this thread before. The Cinealta lenses come in two flavours, the first one is plastic fantastic, the follow up lenses are sturdier. The are some nice reads on these lenses in the web.As for 18mm Zeiss, I think a Zeiss ZE or ZF could be another and cheaper option. Keep us posted. We need to make this the most exiting thread on this forum!:) cheers The image quality is really something. Check this one out. Even in 720p stream it looks awesome, motion colours, textures, "weight to the image", beautiful. This camera is rising in prices now, so better get yours with the 444 update for 24 to 50p 10bit glory to an external recorder or even 444 24p to an Odyssey or Videopix. Also adapter to NIkon or EF would be nice. Mine came with PL and Nikon adapter. The here is the video, I just mentioned. cheers

S5 would look the same, same sensor, same digital pipeline, same codecs. That open gate 6K from the S1 will be something I will love to check out though. Full height for my lenses, awesome!

Thank you, my friend! This coming from you means a lot to me! I am always exited to see your stuff. This is what this forum is about for me. Exitement, inspiration and great friends!

Will push the AF capabilities of my S1 into new spheres. 🙂 Exiting product!