PannySVHS

Awesome movie, I have not watched yet!:) Great camera work and choreography.

Hey, thank you. I read about cmount lenses being modified to mounts like Nikon F in a rather dedicated effort.:) Cmount wouldnt adapt well to EF, because of its much shorter flange distance, afaik. Hallo, is there one? Could you post a linke please? That would really be cool. I only found their native Fuji Xmount extenders for their Xpro and XT DSLM cameras. cheers Hey, I dont have a GH5, so no additional 1.4 crop possible with my cams, only 2.4 via Extele or 2x with Digizoom with my Lumix cams. Extension by factor 1.4 would be perfect giving me the desired S16 for my S16 lens. So search still going on.:) cheers

Hey guys, would want an 1.4 extender for mft to mft mount and then put a cmount adapter on top of it, giving me optically s16 image circle on mft sensor for cmount lenses. So far there are only olympus and panasonic producing extenders for only one or two of their lenses.

Or the other way around, killed their passion with their dayjob:)

I would like to find a nice doubler for cmount as well. Afai read, cmount doublers give bad results and might not even avoid vignetting. Is it true that the 1.4 and 2x extenders for mft or FT only work for one or two lenses? Would love a 1.4 extender for mft to mft and then put a cmount adapter on top of it. So, Matt, did you find a way to mount your 12.5 Fuji properly?

@mercermaybe you could chim in, you´ve been an advocat for that lens, so I´ve bought one too a couple months ago. But still would need to know what would be the best cmount adapter for it?

1. 70ies style. Robert Redford at the docks:) 2. 80ies. NYPD 3. 90ies. Of course:)

Hey, so what´s the deal with the crop as mentioned before, 4K in 2.4 crop compared to 36x24 FF? If full APSC sensor and good codec, this would be very interesting, another IF battery life and heat work in favor. No 25 or 30p then? Kinda exited to see more canon colors with good 4KtoHD resolution:) You guys are suckers! Making people want to buy stuff:)

Such awesome thread and posts. Shows how much of a great community this often is. Discussing with eachother instead of one against another. Some awesome inspiration I had been getting from post like these. I searched the Eoshd treasure chests for gems like these. This is a great archive. Found some more musicvideso from Oliver Daniel. That kid has been putting out stuff for years now. Just like Mattias doing his awesome camera and lens video essays.

@kidzrevil you better!

@EthanAlexander my favorite: Let's kick some ice:) Great to see the variety of concept. @mercer Your shots look great. What don´t you like about the 50mm, did you have chroma and UV haze with it? I think FDs are awesome on S35 digital format, but they go bonkers in midday sun.

@kidzrevil Shreeks, the video is not available. Hurry, hurry, hurry, we want to see it. Please don´t hurry, just take your time, stress sucks. Sorry for pushing:)

Hey, cool write up! Thanks. You must have been a follower for a while now, poiniting out Andy Lees movie with a Panny cam He made a lot of people buy these little cameras. I got a G6 and GX85 myself and not using an additional G7, because I am happy with the HD from the G6 and the 4K and stabilization from the GX85. That´s an awesome story, the most famous GX85 in the world! Yeah, please post some footage. cheers, Marty @mercer Hey Glenn, so is it about Minolta lenses or just the 35mm hitting the glass of the focal reducer with its rear element?

Canon 550D with ML high bitrate.

edit:)

what a pretty outfit, Mattias! Is the sensor about as good as from Olys compact cameras like XZ2? I like what I can get out of an XZ10 and its raw files. Video is nice? They should come out with a 2400x1200 sensor for HD raw video and give us the ultimate digital pocket 8mm cam, recording in perfect cdng.

To me, my G6 and GX85 are that: filmcameras. So shooting with film would be great, 8mm accessible, 16mm desireable, 35mm out of reach.

Thanks for pointing out 28 days later. Watched the London solitary sequence. Beautiful. Amazing what people do with just one character an empty city, natural light, suberb blocking and editing and fantastic framing.

I like Fujis ooc colors from their latest cams. Unfortunately (much too strong word) I have not had the opportunity to shoot a XT2 or the likes. From the footage I have seen on the web, beautiful ooc color science for skin and anything else!! What I didnt like was sharp edges around shapes. It´s the same with ooc footage on Lumix cams with electronically connected native lenses. I can grade that video like sharpness of my G6 and GX85 away with curves and wheels. So far I have seen awesome colors but no footage from Fuji shooters without these sharp edges. Not enough people shooting and uploading Fuji shortfilms with older lenses and efforts in post. So Mattias is right, in the end, we need to test ourselves. For instance, I can get all the colors out of my Lumix photo cams I desire to, within the technical limits of 8bit compressed, of course. Other than that, any look is possible. Would love to see more people sharing their footage and BTS break downs. Now that would be really worthy of a camera forum. Andrew Reid used to do this beautifully in his articles. I have only posted a very few times footage of mine. So, let´s do something about that!

Hey, thanks for letting know. F2.8 lookin good for distant shots, centre wise and in the edges, regarding chroma and contrast?

wow, seems like bitrate is too low for All I. IPB might be better. XF looks awesome besides the blacks.

@CharlieHey Charlie, now you can get your camera rollin again. If you are happy with S35 format, which is still the most used one for Hollywood movies, you can just use an ordinary cheap adapter for 15eu that you can buy on Ebay.co.uk or Ebay.de to avoid taxes. I would then recommend getting the 28mm Canon FD for the moderately wider look. It´s my favorite focal length on S35. The Canon 28 FD is the best bargain lens I can recommend. Awesome performance if you don´t mind flares in backlight situations. In harsh sunlight it needs to be graded though, due to chroma. If you get one for 30usd/eu or less, don´t think twice. It can be shot wide open and is still razor sharp. I got the newFD version.

Which focal lenths did you use? How are they different from the ZF and ZE versions regarding optical quality?

THE Juan Melara? Awesome!

@Mattias Burling, out of likes for today. Your lengendary house of moire. We have one here in Berlin as well. It makes almost every camera look bad. It is used by the German docu films association. A great and fun watch Like Iron and me have pointed out, the firmware update gives the A6000 50mbit XAVC. I have graded a friends A7 shots and A6000. A7 looks much worse. From images on the net I take as much info about quality like I did from your house of moire. A7 does not look like a good choice image wise. My suggestion would have been G70 with much better HD than A7, it is not even a contest, lowlight too, once 4K comes into play. But for FF lovers, Charlie did a good choice, since he has the focal reducer option plus 50mbit codec with the firmware update. Swivel screen, no, 24MP and photo quality, yes..