PannySVHS

Lumix GH5s, told you guys:) Both Screengrabs have a resolution of 3328 x 1248 pixels. Let´s assume Luk didnt crop them in order to confuse us:), I´d say, it´s a 2K+ sensor, 1.78 aspect ration (16:9). Luk had a 1.5 anamorph on the cam. 3328pixels width : 1.5 anamorph = 2218.666.. px width. Pixel width of 2218,66.. devided by aspect ratio 16:9 gives us... 1248 pixels height, just like the screengrab:) So, it could really possibly be a 16:9 sensor with a resolution of 2218 by 1248 pixels, codec and stuff would be the same as the GH5. Its like a BMC for low light and super low rolling shutter. Mount seems to be very strong, as Luks video didnt show any lens support for that 5 pound beast of a lens. No IBIS my guess with that extra strong mount. Price I´d say 2599 dollars, for 2218x1248 16:9 sensor, super low light camera like the A7S. Sensor size S35, like EVA1 with 24.60mm x 12.97mm.

Good review and impressions of place and people. Some really nice people you filmed. I think you told us before that people are more relaxed about cameras if approached nicely in your neighborhood. I´d do it where I live, I´d be in trouble. But if I go to the more tourist areas, it will be just fine and well received. A 16mm Veydra T2, okay, I see..:) Would love to see more of that bad sister, but in the beautiful verité style you did the Fuji BW video with. Though it is not so easy to film that cinematically just like that all the time. Not even Phil Bloom did that, but shot video rather photgraphically from tripods, though beautifully done of course.

So you have been using the 422 mostly and being satisfied with it?

Johnny (it better) b goode, @jonpais Your 16mill review I mean. Downloading it in beasty 2K resolution to see your review despite my slow(-you guys love the- ish -suffix:) internet connection. By the way, anonimito, be you good too, cat!:) How is manual focussing. Guess it´s in your review. Okay, no need to conversate then:)

I once asked, if Richard Gale was still doing the A6000 mods, which Andrew was giving information about. Sometimes some cameras click better than others, let´s put it this way. Well, IBIS and UI are advantages to the Lumix offerings, not the other way around:)

Yeah, there are a lot of awesome older threads on this forum, which sparkle an enthusiasm towards filmmaking that is totally motiviating to create and to film. What do you mean with your question, you mean a dolly in/out with digital zoom out/in?:)

Like the buch of newer DSLMs the LS300 is another very capable camera without shortfilms on the web, besides its launch effort. Well, found this instead. It has the guts of what I consider inspiring filmmaking, rough around the edges but using the medium, even if not perfectly but with effective and well executed filmmaking tools. I think lotta talent shown in this quirky effort, despite its imperfections being visible.

that´s a rough assumption about someones state of mind. u guys are familiar with eachother? he seems to be very sane to me.

Andy, you better get your tush back here and inspire our spirits with your passion and knowledge! @andy lee Awesome post always need awesome contributors like you!

How do the 10bit 444 after upgrade and 422 without upgrade compare quality wise? How do the 10bit 444 after upgrade and 422 without upgrade compare quality wise?

Would love to see a shortfilm done with this camera, which is crafted and created with the same love and energy as the best GH1, GH2 and 5DII films were done. Not many impressive shortfilm efforts on the web, which were done with a Lumix G7 or A6300/6500 and the likes. Have seen one nice LS300 piece in a basement, dark sewers kind of enviroment shot in JLog, which looked fine. That´s it. Are there more around? Would have been cool to have EVA1 codec specs in a follow up for 4000 USD.

Ah, legendary thread, though pretty recent. Happy to have found it again. These are the inspirational threads I always love Andrews forum for. I don´t know, if I make sense to others, if I say this thread has the classic EOSHD flavor and promise and joy. @IronFilm, would you like to post your Sony F3 film again. These creative small films are really what inspires me to shoot. Not many shortfilms in the shooting section unfortunately. And, discussion there is absent, even more unfortunate.

Hey Jon, always thought it was a A7RII I think video shows a nice example of muted color. It´s from Richard Gale himself. I remember when it was posted here the first time. So it´s an A7s then. Some people know how to treat that camera indeed:)

@Laurier, I like the grade and colors. But when it comes to less muted palettes Sonys 8bit cameras have not so pleasing colors. But good job on your video.

What are the advantages to a GX800 or GX85 other than price difference? 60mbps is low for h264 UHD. I don´t know why I find this cubic form factor appealing, just like the blackmagic micro cinema and micro studio cameras.

@Laurier I think, that GH5 could well be the champ of DSLMs. For 1500 -1700 it is a heck of a deal. Video below was shot in REC709 mode and regular 8bit HD, 800 ISO with F-stop at 2.8 for light gathering and F4 for dof.

@kidzrevil Hey, we want motion Anyway, you´re getting some nice ooc results with these lenses.

"The Middle Path" A ***** **** Short", I count five starts followed by four stars. Making a five letter and four letter term? "A Lumix GH5S Short" then? GH5S, what could that be?:)

At least person didn´t express the appreciation adequately.

Hallo, question is, if BM Assist offers 444. Odyssey 7 or 7+ might offer that. Not sure about the BM. cheers

You are anonim and stepping out of the shadow. I don´t believe your assumption about color. You mean the exact opposite. You are indeed impressed. The structure of your last three posts does not lie.

Thank you very much, Jon! It´s the same basement as my Lumix G6 concept short. I think G6 held up pretty nicely for web delivery.

Here is a trailer for my shortfilm I shot end of summer. It´s shot with the GH5 in 8bit 100mbps with natural profile. So should be similar to what a G85 can deliver if using its UHD mode. It´s a pity that not many people are sharing their shortfilm efforts on the web or not shooting any. I remember the GH4 launch and along with all the slomo, flowers, walking backs of heads, there was a variety of interesting and inspiring fictional shortfilms, pieces of fictional filmmaking. Little sidenote, my G6 video I posted above was kind of a concept quickshot for the shortfilm this trailer is from. I must say I am still very fond of the G6. But color rendition of the newer bunch of Lumix cams is impressive, when graded. So even more a pity, that the newer Lumix cams don´t seem to inspire to shoot shorts as much as they are used to film documentaries, webcontent, fashion ads, imagefilms, and stuff like that. Some wedding films with the GH5 are super impressive. Would love to see that in the fiction shortfilm area.

The polaroid in this ad looks so much better than the ad itself. That´s the highly suggestive power of exellent colorwork. Polaroids can indeed provide some exellent color. I have a few large format ones, really looking awesome. Great find and compliment. Thank you!

I feel you Jon. What I did, was starting to listen to Scorcese, Linklater and the likes, Edward Murch, Tony Zhous essays and so on. DSLRGuide is a super cool kid, who is one of the current Youtube kids providing really awesome content on a regular basis. I think he is one of the best and fantastic in his own right. https://www.youtube.com/user/DSLRguide/videos