zerocool22

Exactly. This is how I feel also. A lot of camera's to choose from this year though. I think I am getting an S5 at this point. Which can handle hybrid shoots, or family shoots or travel shoots(especially done with carrying a lot of camera's during travel, going back to 1 camera, 1 lens I think for travel).

Do you think it would be possible it will have a hotshoe for flash photography, or even know if this thing can take pictures? (looking for a hybrid setup, will buy a s5 this weekend I think) and save some money to buy some additional lights.

How long does the battery last on the S5? Im quite jealous of the battery of the A7III,I went to a 8 hour shoot once with a guy, and he didnt even had to change his battery (not continously shooting offcourse).

A bit strange that the S1H has more DR then the S5, not sure if the test was faulty (maybe different lens). Or did panasonic pull out a small cripple hammer.

What EF adapter will you get? I just saw a video claiming the AF for the mhotography side from the s5 is good, only AF in video sucks. Which isnt that big of a deal for me, the only reason AF is needed is because my wife can only use Af, and next time we go out for a trip I want my face not to be blurry (hmm or maybe its not accidental)

Yeah def want to see how good it stacks up with the s1h.

Ah thats interesting.

Yeah with the lens deal, I think this is a too good of a deal to pass up on. The S1H has one stop of ibis more, 4K 60 FPS without crop and the anti aliasing filter, (not interested in external recording) but thats not worth twice the price for me at least.

That footage from Arri is pretty horrible though, some cows in a field vs RED has some pretty good stuff on there.

Yeah its kinda cute though 😄 But yeah I dont see the point of this camera. If it had better specs then the A7III then it would be another story. Looks like A7IV will be quite some time away. Too bad as it would be kinda great to compare to the S5.

Isnt the S5 going to eat a lot of sigma fp customers?

Yeah I guess blackmagic wont go for ibis but prolly gyro data, that they once said to include in the ursa. (but never did)

Yeah this is what the sigma fp has been missing, allthough I wonder if the image will flip when its updside down or not? Also sigma should implement ibis on the fp?

Ah I just saw this on youtube, I came over here to post it, but you already did it. It really looks great! Might get one in a couple of years.

@Andrew Reid could you do a side by side video with the r5 and you s1h? I didnt found any comparison videos between these 2. I wonder how much difference of DR there is in real life and how bad the AF is on the S1h in comparison and stabilization. But also how smooth do the files edit? Does the s1h have an edit codec advantage? Thanks!

Nice! Will this hack also allow 60 fps raw?

Any links to s5 deals (like extra battery, SD or combo deal with EF adapter) in europe?

yeah but in that case, you are grading it before the edit. Or you keep your layers seperated. I just throw all my footage on the timeline no matter the camera, edit a timeline, and in the end start grading. But at that pont all camera's are mixed up all over different layers.

Best way is prolly to just add a new node on the adjustment layer and disable the node itself.

Yeah but then you have to layer the camera model per layer. Just tested hiding the adjustment layer but it then the grade doesnt get applied either, so not that usefull im afraid.

Oh I am not behind my pc atm but does hiding the adjustment layer also not disable all effects on it? If thats the case then its not that usefull. As after a global grade, every clip reacts a bit different and I need to set it right by eye.

Thanks, glad that you brought this up. How do select all footage from one cameta to apply a conversion if you are working with different camera systems. Or do you do this manually, going clip by clip? As my timelines are shuffled between cameras and I have to look up which camera it is at each clip, which is quite a drag. So a select all where filename starts with a000 or something in the edit timeline page.

Hello, Does anybody know how to lock an adjustment layer in resolve in the color tab so you do not accidently change the adjustment layer, as when I am browsing the clips in the color page, it often switches to the adjustment layer without me noticing and I start tweaking the adjustment layer instead of the individual clip. (locking the adjustment layer in the edit tab does not work) Thanks,

Yeah I was thinking the same, but then I started thinking: I might miss good shots due to the fact im afraid to take many shots out of fear of it overheating. So it will prolly be creative limiting your use of the camera.

Lets wait on some test results from some users. Might be interested in the R6, if the overheating is solved. Otherwise I will go for an panasonic S5 I think. R5 is just too pricey, a7S III as well.