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zerocool22

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Everything posted by zerocool22

  1. Hopefully somebody can test the AF with EF lenses.
  2. If a miracle happens and the R5 overheating gets fixed, looks like the R5 is the way to go.
  3. Was just expecting way more. This is just competing with the S1H that is already released a year ago, you would think they would crush the S1H. People are still wondering now if they should get an A7S III or an S1H, then its a sad release for me. Hopefully some good news will follow soon. Looks like the ump 12K is by far the most interesting camera this year (not talking about the resolution).
  4. A7S III is hugely underwhelming for me as well. Only good improvement I see is the XLR addon that you can buy. But waiting on some other footage, as the footage from b&h looks like 720p, so can't derive any IQ from that.
  5. Actually large files (uncompressed) are a lot easier to edit. Its the compressed codecs with smaller files that are hard to edit as your computer needs to decompress them each time.
  6. Good that the menu has somewhat improved. Don't see any anamorphic mode on this either, or its buried in the menu's somewhere. I hope the A7S iii has better IQ then the pocket 6K, cause the S1H did not, the R5 no idea yet.
  7. Yeah but I am afraid I Am not rich enough for Arri stuff 🙂
  8. Well its not the same light, but the skintones on the image on the left do look way better. Ha so confused with the camera options out right now, atleast of of those guys should have a r5, s1h, pocket 6k, f6 to do some side by sides...
  9. This overheating is worse then I expected if you shoot photo's for an hour, you cant shoot any video anymore. Whut. In that case the camera is only for personal clips I guess, lets see how the tilta cooling performs. Anyhows we know the overheating problem is there and it sucks, but can we look into the other features of the camera. Like DR, highlight rolloff, rolling shutting, the ibis wobble. Strange that nobody did some comparison shots yet with other camera's like the S1H, pocket 6K(yes I know not full frame), F6, kinefinity mavo lf, c500 II.
  10. Well another solution is to buy 2 :). As A-cam and B-cam.
  11. I only shoot short clips, 10 second clips. B-roll for corporate video's mainly and social media branding video's. But def want to use it on personal projects as well, and I can also see myself using it for narrative stuff as well like short films. For the last year I have shot nothing else then braw, as its as easy to edit as prores but impossible to miss whitebalance.
  12. well at 12:1 compression not sure how much more data we are talking here vs the pocket 6K's braw.
  13. If this turns out to be true, im ordering one!
  14. Wow if this would come true, this would be the best news this year.
  15. Well we need some side by side videos shot at the same time with the current new cameras so we can compare more efficiently, you really cant compare cameras between different videos.
  16. Maybe drilling some holes in it will resolve the issue. Allthough it wont be weatherproof anymore.
  17. Low light is indeed very good. But not sure if there is a huge market for party/concert videographers. I would be fine with a clean 100- 3200. Mostly sit around 800 anyway, any higher the dynamic range begins to fall off fast. Im gonna invest in more lights this year and 1 hybrid camera (r5, s1h, a7siii waiting on some side by side footage, as I dont have any shoots planned for the time beeing)
  18. But why would you get it over the a7 iii which is already quite old and a lot cheaper.
  19. Wondering if they will cut the price a bit soon due to tje bad press. Allthough the clog3 and more compression options are very welcome and at this point needed before I buy one.
  20. Will it have an anamorphic mode? Seems like canon and sony are really forgetting about that one, shouldnt that be that hard to implement. And is quite big of a deal for music video, film and commercial shooters. (And bm is delevering that in 1k cameras)
  21. Well its news media, they could shoot it with an iphone, it would make no difference to me. If universal studios would have an exclusive deal to only use sony cameras for example , that would have been huge. Allthough I am digging the sony venice.
  22. IQ needs work though, if you even compare the pocket 4k and a a7 iii, there is already a huge difference in IQ in favor of the pocket 4k. (+ it has amazing codecs, I guess we cant expect that from sony as it would eat up their higher end lines, but IQ should not be forgotten even if it has limited recording times like the R5) And also a + on the stills side would be great. Allthough I use EF glass so I will probably be more tempted with the R5 anyways. As autofocus from EF to e mount is slooooooow.
  23. Dont forget to get the sylvester stalone biceps accessoire. But seems like an reasonable result, i have done a ump rig on a dji ronin with extended arms. But was quite the drag setting it up and also the weight of the rig itself, good for a couple of shots. But for a 4 hour shoot, you def need an easyrig.
  24. Sure but I dont think there are many of us who want to deal with external recorders anymore. Kinda dedeats the purpose of shooting with dslr/mirrorless type cameras. Woah, if you got too many of those 5-60k projects, lmk. ^^
  25. Thats not good enough for a pro workflow though. There is no time for converting footage on a workday. Only if you can start the batch it when you leave the office and the edit is not due the same or next day. But for a lot of projects this a problem though. Then its a whole lot better buying a camera with decent codecs pocket 4k, 6k, c300 iii, c500 ii. Even when they are a lot more expensive it will pay itself back in no time. But for personal use the r5 does look like a camera that does it all for me(waiting on some decent reviews though)
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