zerocool22
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Everything posted by zerocool22
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did you get the source files? Or regraded the web version, as there is a lot of noise and macro blocking going on.
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Shouldnt Kinefinity drive prices down now there is a much cheaper alternative for their mavo and mavo lf when the F6 and F8 hits the market in october. Its basicly 50% cheaper. So I guess a lot of users will get that instead, so if kinefinity wants to win customers over, now is a good time to do so, before the F6 and F8 hit the market.
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Canon is losing a lot of sales to other manufacturers, so at some point they will be forced to do something as more and more users are searching for hybrid cameras as video importance has increased massively over the years. My only hope now is that Magic lantern hacks the eos R or 5D IV. So I can buy into canon video again. (still own a 6D just for stills)
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Yeah was hoping on at least a7S iii, canon dslr 10bit/prores raw or 4K ff.. or c200 with new codecs.
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NAB'19 -- where's RED or where's still RED ONE when NAB'19 is out there?
zerocool22 replied to Emanuel's topic in Cameras
The pocket wasnt that bad in low light when you compare it to most cinema camera's which used to top out at iso 800. Sure if you compare it to A7S II and such sure. But if you light your stuff you prob never have the need to go above 800. So sure you could use a cheap camera, but lighting aint cheap either if you want to light massive sets, or use a lot of diffusion. (especially if you are shooting in daylight) -
Nice hope to see some reviews/release dates soon.
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oh really.... that sucks....
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No new lav's or updated smic-2?
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yeah extra stop with a speedbooster is always a plus with slowmotion
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Well with prores raw or braw that no longer is the case, its tiny sizes right now. So maybe the next thing is that Canon/sony/panasonic will offer raw but not compressed raw. (which is useless for 90% of the time)
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The ability to change white balance, extra stop of dr, no extra processing like sharpening etc is a major benefit. Also I have never seen anything better colorwise then canon 14bit raw (5diii ml). But you def dont need it for every project. As most client projects dont even care its 8bit and dont even care what camera it is shot on, most customers are happy someone was just there to shoot what needed to be shot. When is the Canon boot giving a speech /demo / news release?
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https://nofilmschool.com/2019/04/meet-chronos-21-hd-low-cost-high-speed-1000fps-camera?fbclid=IwAR2YHcAulfocv086ia2YYGcNn68ZmypxgbMbvnPPjxpnsP0i9OyGe-X-f7g Interesting, not yet close to phantom flex. But the gap is somewhat closing.
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Z-CAM quietly announce 8k and 6k FULL FRAME cameras - no joke!
zerocool22 replied to Oliver Daniel's topic in Cameras
dunnow, but all z6 footage I have seen so far looks low dr. -
Z-CAM quietly announce 8k and 6k FULL FRAME cameras - no joke!
zerocool22 replied to Oliver Daniel's topic in Cameras
I wonder how battletested these Zcam camera's are though. I will take some time before users start to trust their products(warranty/support/reliable) as they are still the new kids on the block, even kinefinity still struggles with that. Buy maybe they have great engineers who knows, time will tell. -
I was hoping on more then 20% light increase though for daylight situations. Yeah but hive is a lot more expensive no? Im in need for a an cheap 5-10k led light (or thungsten/HMI)
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Z-CAM quietly announce 8k and 6k FULL FRAME cameras - no joke!
zerocool22 replied to Oliver Daniel's topic in Cameras
Dynamic range and image for one. -
This might be the cleanest camera I have ever seen. I would love to see a test with some vintage lenses(and maybe some diffusion) and some film grain thrown on it.
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I think this camera is more set for event/corporate work then actual fiction work. Yeah def, but its kinda a hassle to change your lens set every time you buy a new body. I always end up buying a new lens set with a new body m43/S35/FF, which is kind of a hassle. As I like sharp lenses on a 5D III, but I dont like sharp lenses on a blackmagic camera.
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Thats pretty late. I thought this Nab was already late for the a7s iii. I prob bought one or 2 different bodies by then. They better come swinging with big guns..
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Yeah I agree with Kisaha and im not even a professional, but this is also one of the reasons holding me back to become a professional video/filmmaker. (only official sidejob for me, but I often see low priced budget projects coming along, and I just deny them as Geoff stated I do ask to be properly compensated when I'm working for others. . I do value my time and experience, and don't want to undercut others or myself. )
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Would be cool to implement this on the dji ronin s. So you can hit record without fiddling.
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Too sharp and detailed for my taste. The image is very clean though.
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I hope it is not 100% the same as the animation feature film allthough it was great.
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Yeah as a regular job 500$ a week is not bad at all. There is a big difference between this and working as a freelancer. I would not bother becoming a freelancer if you could not make 5-6K a month, its just not worth the hassle.