zerocool22

I have been away from ML from some time, back in the day the 60fps 1080p ML was really a 720p upres kinda thing and was kinda soft. Was this improved in the last 2 years? Man you just cant beat those 5d III RAW colors..

Yeah I love the opening shot. Thanks for the tip, I like small towns like this that are not crowded with tourists. So I may add this to my travel list.

haha I see, the day exteriors were Alexa. I guess it must be the wobbly camera movement, the lights or the shitty story that got me off then ^^

Well I was not impressed with the cinematography of that film either. It looked kinda off from what I am usually seeing (ARRI or RED). Is highlight rolloff all about the sensor or is there processing afterwards that affects this as well? (if terra 4K and GH5S have the same sensor, I am curious between a camera side by side, to see if there is a differene in highlight rolloff)

Well if the camera will not be at least as good as the phantom 4, ill pass.

Meh im not digging the look. anamorphic is all about the desqueeze for me. Flares are easily added in post. The only benefit from this is the anamorphic shaped bokeh.

I gotta say, I never had any issues playing on vimeo on any device(and I have been on Vimeo for 7 years or so). So not sure what the problem is. Youtube encodings sucks, the ads suck, most of the content sucks it seemes more aimed to influencers and vloggers, clickbait titles and thumbnails, youtube is also too strict blocking anything nude or anything copyrighted, I do like youtubes free upload policy but it comes with ads.

Kinda too bad, as youtube kinda sucks and is a total different audience.

Is it me or have a lot of users abandoned vimeo? Could be the summertime as well, but I see less activity(at least on my lousy video's).

Nice is that the 5D III ML RAW?

This topic will be the last place I will be looking for information on the pocket 4K at this point, Its got 130 pages of speculation, requests, wishes, complaints. But no actual user feedback or footage. So I am stunned that people are all of sudden complaining that it got a bit off topic, while John's insight is probably the most valuable information you can find in those 130 pages.

Thanks for your insight! But what is the definition of a setup? Is it when you change location, change one light, change tripod height/angle/placement, change camera settings? As making 35 light setups a day seems brutal and 35 tripod changes seems very doable. + then we even have not discussed the amount of takes that actors require to land a good performance. (or at least in my experience it takes several takes per shot, but I have not worked with any greatly talented actors either, but I do have seen David Fincher grind 35 takes on hollywood actors as well )

- 1.33x Anamorphic Squeeze - green flare meh

Heey, I took the ump and the leica-r summicrons for a testspin. I did make a lot of errors but learned from them, so I can take that with me on the next project. Feedback is welcome. Kind regards,

Yeah hopefully it will not get that cheap so it will turn into a gimmick as we have seen with gymbals, drones, sliders,... as the high price of anamorphics is probably also one of the reasons it looks this good, as you dont see it daily. The first time I saw a drone shot, I was like wow this is amazing, same for gymbals. But after a while I got pretty tired of it as everybody was using it and as a result a lot of videos look the same.

Max prize will be 9K as otherwise they would not advertise 50% off of the cheapest prize and the orion atlas lenses are already 9K each. Wow that is a pretty good deal, this is an amount that I could work in budgets. However it will take a long time I guess before they hit the Belgium market.

Hmm wondering when there will be more news. Like when they will ship.

I never practice, I practice during projects. So I #@{* up some projects now and then because I am trying out some new things. Sometimes it pans out, mostly it does not. You learn from your mistakes. I don't like filming stuff for practice (as in uninteresting subjects with bad lighting) as it would kill my love for shooting.

Haha yeah you are right (however I am one the many consumer exceptions that shoot with a UMP)

Well the words "professional", "consumer", "prosumer" are kinda empty words for me. Words like "High End", "Entry level", "mid market" have more value in my eye. I mean working as a "professional" only means that he is earning money with it, and not the level of quality. There are "professionals" out there shooting with 550D, and professionals shooting with Arri Alexa SXT, where I would state the one is "entry level", and the other "high end". (same for skill level, he has professional skills: could mean he is filming weddings, where for another means he is shooting the next Avatar movie.)

Are you sure? I dont see that in the spec list? http://www.kinefinity.com/terra/?lang=en

No it does not, Kinefinity has KineRaw which Davinci Resolve or Adobe Premiere not supports, you have to transcode before editing which is a slower workflow. As blackmagic is drag and drop :). The higher framerates and OLPF would be nice though but not needed for 90% of the things I do.

Nope, my guess it will look something in between Terra 4K and GH5S, but better codecs then both

Yeah I really liked the Image from the 5D III RAW, but the workflow is something else though and I also missed decent 1080p 60fps. Also the screen of the 5D III is a tad too small to make critical checks(never got it working properlly with a external monitor, which also defeats having a dslr type body). The pocket 4K will def replace my 5D III for video purposes.

Interesting any link, tests, footage of that wide angle adapter? Never heard of it.