zerocool22

Well I do not agree with all of the above. It depends on what you are trying to do. I agree that shooting with a dslr is more fun, when shooting on vacation, or exploring new sites, event videos or weddings. But whenever your are shooting on a set, the lights are set, the grip is set, its all about getting that last 10% increase in quality for me, or trying to achieve it at least. The creativity for me atleast is what I do upfront the shoot (location,moodboard, storyboard, lighting,testing, as on a shootday...) I often quit watching some video's because they do not have that high end look to it (color,DR,bad grading, bad editing,...), and yet I know guys like Kendy are really great at what they do. But If you compare the quality between the t2I and a Alexa, its nowhere even close. I feel like its already outdated image quality wise. Would I go backpacking with a Alexa, No not really. Would I rather shoot a narrative with a dslr, no not really.

They used 6 ursa mini 4.6k's for shooting "American Gods".

Well look at this for example BM 4.6k sensor.

Yeah I would not have guessed this. Canon actually made a decent affordable camera. I already went with the ursa mini pro. Which still has an edge over this camera in lot of ways. But I can see this camera will sell like hotcakes, as this camera can be used in a lot of situations(low light). So for wedding and event shooters this camera is a dream come true.

Hope for Panasonic that is not the case. Why on earth would you get this over a UMP.

Hmm yeah not exited about this. Not sure who would want this besides people who use it as a toy or maybe a cheap crashcam.

Ursa mini pro for me, I dont see anything else coming close to it.

Hello, I was wondering if anybody got some good luts to share for the ursa mini pro? (I already got the Noam Kroll Alexa one, and franks instant cinema). But I feel like they are doing to much, lifting exposure, Adding too much blue. I know I can fix this in post. But I am looking for a LUT that I can use in camera that looks kind of natural. The comet color one looks nice. But the pricetag is a bit much at this point. Thanks!

Why would you go for vegas if you can use resolve which is 10X more powerfull. (vegas is really easy to start out with though, I give it that). I started with vegas back in the day, then moved up to Premiere, (also tried final cut) and now I am using resolve.

Oooh I would really like one of these. Hopefully they sell like hotcakes, so I can atleast rent one. And hopefully buy one used someday. Sending a mail to my gear rental of choice, to see if they are buying this set.

Hello, Is there anybody here selling a ursa mini vmount adapter by any chance in Europe? thanks!

Well yeah, I think I am settled with the ursa mini pro for a while

Yeah I just got me a ursa mini pro as well. Kinefinity did not respond timely on any emails, so if anything is broken you would be in for a hard time.

I wonder why they made it so small. If they made it 77mm backthread it would be so much better. (Yeah costs prob)

Yeah threadsize, sharpness(i would love a sharp 1.4 anamophot) is my question as well. Also if it has the same blue look like the other slr magic adapters have.

Hey, I just saw a video from NAB where there is a new slr magic anamorphot. It seems small. I dont have any info, maybe somebody else?

Hello, Does anybody know any fast and cheap cfast 2.0 drives for ursa mini pro in Europe? Links are appreciated! Cheers,

Hello, Does anybody know any fast and cheap cfast 2.0 drives for ursa mini pro in Europe? Links are appreciated! Cheers,

Well yeah sure, but I value my gear at its resale value as I renew my gear often. My second dongle is only a month old ffs.

Hey, This update(audio, plugins and stabilizer improvement) is great and all. But I am really bummed out about the price drop from $999 to $299 for Resolve Studio version. I mean the resale value just dropped massively. I own 2 davinci dongles, and this hurts my wallet big time! This business is hardcore. 70% price drop over one night, I feel kinda f##**d by BM at this point.

Im not hoping on any new camera's, there is a lot of good choice already atm. But I hope somebody finally releases some decent budget single focus anamorphic lenses. At a sub 2K pricepoint per lens or something.

yeah you can delete the original MOV when it is transcoded.

Transcoding to prores or DNxHR might solve your problem

What about if you convert to prores or dnxhr, is it then smooth?

What codec are you editing with prores, dnxhr or H264? That might be the issue. (and I am sure you are using SSD's?)