zerocool22

Yeah I am interested in the following light. https://www.ac-et.com/film-tv/products/quasar_science/lighting/colour_tunable_sources_1325/quasar-science-q-line-x-crossfade-led-lamps.asp QUQ50W2060XG Quasar Science 2000-6000K Crossfade 25w Grounded Single End Power Connect 4ft LED Tube € 412.50 (excluding 20% VAT and 25€ shipping) But when you buy a full box (20 pieces) you get 30% discount. (if 19 other people are interested )

Yeah maybe without the squeeze effect of anamorphic it maybe does not make any sense.

What is the widest lens you can use with this adapter? (I like the 35mm-50mm on full frame)

The F35 is indeed a great image (but for me way too bulky + every camera I can find is a PL mount and I have zero PL lenses)

You can order one without the fishing line(no flares, but thats not what im after). I wanted to try one of these cinemorph filters, but you might save me 50$ to test it out, as I did not like the Vid-atlentic clamps.

Cool can you make a test video?

I thought so too. But I did a side by side from my 5D III RAW and my bmcc 2.5K and I found that the 5D III preserved more data in its highlights. (the BMCC probably more in its blacks). But after some tests I decided to keep my 5D and sell off the BMCC. Cause I just liked the look more then the look from my bmcc. But thats is just my opinion.

5d III RAW

Hey, I will be spending some time in Germany, what are good dslr forums in Germany that have a marketplace where I can sell and buy some used gear on? Any recommendations (German language is ok)? Thanks!

hehe yeah ive tried this technique in the past, I love your travel video's man! What picture style are you using on the A7s? As for slog2 I dont think this technique will be sufficient.

I dropped my GH3 once, and the plastic hinge from the LCD was broken. And Panasonic repaired it for free(Belgium). So in my experience it was the best customer service ever.

I just came across this. So 1000$ pricedrop on the canon 1DC, 3999$. http://www.canonrumors.com/deal-canon-eos-1d-c-body-3999-reg-4999/

Thanks, then I shall be looking at 4K monitors.

If i buy a 32" 1080p, can I unfold more layout then on my 1080p 24"? Or would it be exactly the same(but stretched out)?

Hey, I own 2 24" monitors right now. But when opening Resolve/Premiere the layout does not really fold open really that great and the view is somewhat limited. So I am thinking about buying a 32" monitor. But here is my noob question should I go for 1080p or 4K. At this point I dont really care about the quality difference when viewing 4k video. But should the 4K screen not bring more resolution to the same size screen? And I could unfold more Premiere/Resolve Layout? Or is my thinking here wrong? Thanks!

So I did a lot of tests, and this is what worked best for me for vimeo. - Render/upscale as 4K Prores HQ (3840 x 2160). (bitrates always at least same bitrate as the one I recorded A7S ii 60fps 50mbit) - If prores acts up and makes strange artifacts, remove "render as best quality". - GorillaGrain 10%

Well we still got a 4K RAW 1.74x camera. Which is not full frame but aint that bad either.

Oh yes, I didnt think off continious recording of 10bit on higher resolutions, but that could be indeed great.

I would get the GH5, I own a A7s ii and still thinking about getting a gh5. Do you ever need to shoot anything above iso 1600 anyways? I sure dont.

Well if the 5D IV gets RAW it will certainly be the best image in that pricerange and probably 3k above. I am using a A7S ii right now, but the step up to the next league is so big. (C300 II, Kinefinity Terra, RED Dragon/even MX), and I have pretty much used about every camera beneath the Scarlet x including the C300 I. And I have to say the 5D III was still the best image so far, and the 5D IV improved its specs allround (resolution,DR, lowlight), . So the 5D IV RAW would fill quite a large gap in camera's, and I would certainly upgrade to it. So the ML hack for the 5D IV is for me atleast the only affordable camera that I would love to upgrade too.

Hey, Not sure if this allowed but I would like to draw attention to the development of magic lantern for the 5D IV. The developers dont have access to a 5D IV and dont got much time for it. So I would like to get as many people to raise funds for the developers(buy 5D IV, buying time) so they can hopefully crack the 5D IV. As they long prolonged the life of my canon 550D and my 5D III, and I got a lot of pleasure of the camera's thanks to the ML team. Here is a link to their bitcoin donation page. Anything helps! http://www.magiclantern.fm/donate.html

Hey, I just exported a clip in premiere to prores 4444. But when it is rendered it is showing me these weird artifects, and in Premiere itself it looks fine. What is going on and how to fix it? Thanks!

Yeah the dvx-200 was a failure on panasonics part, I think they know that aswell. 8bit, integrated lens, its more a ENG camera then a cinema camera.

Yeah panasonic has the varicam line. Which is great but also expensive. But nothing serious in between(at least not for me). And look at Sony, they released a FS7 II, and you need to pay 2300€ more then a FS7 I and it has like none interesting improvements(atleast not for me). But Im not hoping on panasonic or sony to get a cheap cinema camera.

Because of the fs5 and fs7, they will only put 10bit in a consumer camera when we will see a signifcant upgrade in the fs5 and fs7.