kaylee

if cuda is installed there should be an option for it in system preferences and u can install an update from there, dunno what the latest update is, im usin opencl with yosemite lol

lol agree. but despite that theres a huge difference in color in the example i posted as well as in several other spots of comparison in shanes video. not pixel peeping here, just making a general point about how different the color science is i know its the c500, which is similar in terms of color to the c300ii, vs the alexa, which looks totally different; again, just making an abstract point about how these cameras see color relative to each other, arri vs canon. ive watched that footage many times

if either of you guys want to trade for an rx10ii let me know it comes with questionable batteries and memory cards and i will bake u cookies

whatsup with this the cool side of this model's face clearly looks profoundly different camera to camera. more here what do you guys think about this? my first reaction to this comparison was shock one of these is farrrr more naturalistic imo, and one of these actually makes this young lady look a little bit like an alien...

thanks for posting this Turboguard. anybody else running El Cap with CC? im in no rush to update lol but id love to hear some feedback on this from you guys also: whats up with metal? is that a thing where the devs have to write for it orr? im drinkin a tank 7 farmhouse ale from boulevard brewing rn its v good

omg not really funny tho

these are the exact cards im using w my rx10ii and i havent had any problems........ yet

an abstract point: never be afraid to say "Whats your budget?" just look em right in the eye, and say that, and smile next one who talks loses lol

i have a 17-55 2.8/is that i bought used in near perfect condition for $500; great lens, great value. resolving power is competitive with much more expensive canon glass. read a lot about dust issues with this lens, havent had any. would recommend

theres nothing "retro" inherent to the look of 5d3 raw video quite the contrary: it is a unique look which is decidedly contemporary

for me color trumps everything, and the DEEP rich color from 5d3 raw is unparalleled; ive never seen video from ANY camera that matches it in that regard – naturalistic yet amazingly beautiful thats awesome hmcindle that clip looks official. how did you find the reliability of ml on set? any issues to be aware of? assuming its not april fools day that is lol

this is a fun read full of great production info if youre ever low on fighting spirit in your art practice and you like BTTF, check it out FUN FACT: the DeLorean in Back to the Future had a speedometer that maxed out at 85mph, thanks to a 1979 law set by President Jimmy Carter's National Highway Safety Administration which sought to promote travel at safer speeds. as the concept of "88mph" for time travel had already been built into the script, the production team replaced the manufacturers speedometer with the digital readout that is so famous today NOT SO FUN FACT: THEY WERE SHOOTING WITH A DIFFERENT STAR. AND IT SUCKED. AND THEY SAW THAT. WISE!!!!!!! tough situation tho; gives me faith to think that AT LEAST IVE NEVER DONE THAT (yet) but rlly tho, who could play that role better than michael j fox? not eric stoltz the method actor thats for sure lol. but hindsight is always 20/20 anyway, never give up *cena towel*

yeah thanks for sharing this i love dso lenses on cX00 cameras then again i love dso lenses on all cameras lolol

RED's 'ugly' graphic design aesthetic has gotten really old. i just hope the 7th grader who's designing this stuff is well paid

if this camera is actually usable for less than $10k ill be amazed

yeah i figured it would be named after a wrestler

link to video ^ guys, this is a "multi-purpose camera" i wish there was a wrestler who called stuff noisy

thats awesome, great to hear. unlike cameras and lenses, one thing that you cant buy is talent, which you seem to have plenty of based on your original post~! im sure that your practice as a musician informs your video work in all kinds of ways, intangibles that i might not even understand...! if i could give you one piece of advice going forward, it would be this: avoid the rabbithole of technology research; its neverending shoot with your new camera. its great. id buy one today! cheers p.s. it is WAY too hot for my st bernard-great dane in san diego rn

"4k for all" Presenting The RED Tombstone Piledriver

Im not talking about anything that comes from post. im talking about camera output. more on that later just talkin about in camera color rn tho nothing could be further from the truth. i want a high level of color accuracy for reproducing sets, costuming, and prop elements (which were very expensive and time consuming to make). i want nature to look like nature, i dont want to have to avoid shooting something as common as a F------ BLUE SKY for any reason, i want people to look awesome, and healthy, like actual living creatures with blood running through their veins fyi im capable of being extremely critical of the alexa, everybodys favorite movie camera. im not a mark; i know what i want and im gonna keep bitching until i get it, thats my job as a consumer. after TONS of bitching from us all about slog2 on the a7s, heres slog3 on its successor –– no coincidence. anyway, i digress, just saying that youre a bit unclear on what im "looking for" these video reinforce my point: ive seen em, not impressed. at all. im not into retro luts or affected color grading, thats a fine option –– but i described above what i want from a digital video camera but then again –– some feature filmmakers are going to map all their colors to teal and orange in their edit, and for them this shit doesnt rlly matter too much. slog2 is great for black and white work ive made some beautiful stuff

and an rx10m2 as a slomo/b cam right??? lol smh regarding my comment: whether this implementation of slog3 proves to improve color vs slog2 dramatically within this 8 bit output remains to be seen; ill be watching carefully. ive read a lot about slog3, but have never been convinced by my eyes at all. i want to believe. show me~! /im agnostic at best about both the cameras you mentioned as a hybrid shooter. the aesthetic of sensor size not withstanding, these cameras have NOT blown away a gh4 yet for video imo. they will soon enough if sony keeps running their own models out of business with rapid updates, buttt.... its about priorities sony can barely write a press release. i work for a tech company *cough* that "gets" photography more than they do....... and im buying a note 5 imo theres some big ideas getting lost in the details

theres a lot of good things here in the a7s2. that being said my priorities for Things to Fix on the Original A7s, in order, are: • COLOR • rolling shutter * etc...

nice. this hits a lot of spots on the wishlist well well well... the plot thickens