kaylee

yeah youll have no problem doing that on a mac. none of that avchd bs. ive dealt w that in the past and i made sure to avoid it like the plague w this camera. files pop open w quicklook in your finder or in qt, audio and video work fine in fcpx. although....... i havent been saving those xml files are they something i need?? i was hoping that maybe if i ignored them theyd go away

100% lol. that being said, smartphone cameras are frickin awesome the camera i always have with me

after rereading this thread i had to laugh its a bit ironic that all the software we're talking about is made by ~the same company~ the people on this website are really smart i wish we could organize a PP 2015/Adobe feedback master thread that adobe would actually read because it would be great advice for them. its coming from smart users who often have a lot of design education and i say this as a creative cloud subscriber~! i pay $60 a month and i want my apps to overlap more

right! for me making a lut in lightroom or photoshop is a quick and easy way to make lumetri in premiere a lot more useful – i do both~! im p much just making luts to do gamut correction on my f------ bizarre slog2 footage, using that as an input lut in lumetri and having fun from there~! the real time playback in premiere w lumetri is why im trying to use it in the first place.... and bc of the the lightroom/acr simplicity that i am so familiar with regarding the op: BrorSvensson, premiere seems to be quite literally and figuratively the answer to your question as these guys have said; adobe has self consciously been adding more 'simple' color features in premiere, pushing its ultimate functionality more in the direction of speedgrade but with a bit of that lightroom easiness. im looking forward to a lumetri interface in the future that is even more like lightroom, w more power to adjust color like hue vs hue controls/etc. the weirdest thing to me about lumetri atm is the curves....... anybody else kno what im talking about here...??? the controls are... awkward. its sticky in a bad way and it just seems way too hard to drag the black and white points around.... i mean how many programs use curves lol? why cant that feel more like photoshop anyway, i fully support the continued evolution of a lumetri that is more like lightroom than speedgrade, a more acr-friendly slider interface, but considering PP 2015 is the first time lumetri has appeared i think its p cool

FANTASTIC thanks for the info guys!!! im gonna pick up a Note 5 this week

anybody know if cinema 4k would work on a note 5? my note 3 failed this test miserably lol (free camera2 api checker) https://play.google.com/store/apps/details?id=pl.vipek.camera2_compatibility_test

ctrt, i agree with the folks who think youd love a gh4. its a great camera

the gh4 had already earned my respect, but perhaps this confirms it and respect to all of you guys who do great work with this camera hell yeah

Awesome Gabor!!! What an impressive app amazing work!!!!!!! I was able to successfully download and install Cinema 4k on my Note 3 here in the US but when I launched the app it said "device not supported" or something to that effect. tried it a couple times. do you think it would work ok on a Note 5, as it shares camera features with the S6? v cool work!!!!!

these videos are makin me feel impressed and also kinda mad

wish this would work on my note 3, lame i can upgrade my phone anytime, planning on a note 4 or 5, is the Camera2 API the dealbreaker here? ill search it out summer holiday video was sicc!!! are you the developer nokker??

it wasnt meant to be a direct comparison, but i acknowledge that i was unclear to put a fine point on it, im just talking about their color science, which clearly bleeds over into, say, the 1dc, as andrew has written about at length. and i expect that mojo to trickle down to lower cost bodies in the future additionally, that color science is very much a part of "what raw gives you" unless i am profoundly mistaken

i did the exact same thing when the g6 came out. same experience, same reaction... i told myself that i was just brainwashed by canon raw color because im so used to it.... thats nonsense. this is the color i want https://vimeo.com/groups/magiclanterncanon5diii who can beat that? if you click thru the thumbnails of the videos in that group without even watching them you can STILL tell that the color is amazing~! i expect canon to eventually release a 5d4c type of "video centric" slr, and it wont be cheap ($4-$5k?), and ill buy it. ill just pull out my credit card. ive stopped fighting it

agree

lol agree. and theyre actually super affordable to rent, at least here in socal okay, THIS is what i am DYING to know about please oliver, if you would be so kind, how different would you say color behavior is on these two different cameras, compared to each other? and how so? i believe andrew has mentioned that dynamic range in slog2 is very similar between the two, but what are your thoughts on the color and how it differs? frankly im thinking about picking up a used a7s for cheap at the end of the year and im wondering how much the annoying/hard work im doing at the moment sussing out the best color i can with slog2 on my rx10m2 will translate over

its serious appalling

awesome!!!!! what a great review. andrew i love your writing style and this was filled with great information thats super useful to me and my new rx10m2 i have owned a few cameras over the years (anybody remember this?) and the rx10m2 represents many firsts for me its the first camera ive owned that i have ~any~ intention of shooting stills with that has a fixed lens, or a sensor smaller than +/- super35mm. if you wouldve told me three months ago that my next camera was going to have those characteristics i would have laughed but when i realized that this brand new “bridge” cam could be a [relatively] inexpensive point of entry to shooting slog2 to see how much i like using it, i said why not~! because im very interested in the performance of the a7rii, and the upcoming a7sii, but im also interested in all the alternatives for the varied advantages they may provide. anyway, some salient points which i personally appreciated: • rx100iv magfilter, how interesting~! good to kno • calling the 1080p the best youve used for the money is a big compliment! and your simile about a small sensor fs7 is just the thought i had when i first starting shooting 120fps with it!!…. its like a lil baby fs7 with a small sensor that i have with me~! no ones bringing an fs7 anywhere because its fun to carry around lol • thanks for underscoring the 240fps being so good. i havent shot above 120 yet due to fear of quality loss and lack of time to experiment, but ill be sure to use it soon~! awesome • re: low light, didnt know i could raise the iso for slog2 above 800 hadnt even tried ive been fighting with color in slog [a topic for another time, frowny face]. thanks for the heads up • agree the 4k isnt impressive per se, but its my first 4k camera so it is for me in all those ways lol. a world of possibilities. but yeah, the 1dc for example annihilates it in terms of resolving power. its like night and day • the continuous af in movie mode is so bizarrely awful that i couldnt figure out at first IF IT WAS ON OR NOT. when i realized it was i had to laugh such garbage. james may on lsd lol • "Too many 'cannot do this’ messages” ok i think you get my point that i liked this weblog entry (tbh reading it at work was the most fun ive had all day smfh). also im sorry that i didnt make posts complaining about the wait for the second part of this article; ill try to bitch more in the future

if youre going for this look id pick up a sony that shoots slog2+sgamut

im with you rich, this is awesome btw. i just provided that specific info because shooter had messaged me multiple times lol

its kaylee one word lol ok i checked: on my rx10m2 shutter goes down to 1/4sec for 24fps like rich said, BUT it only goes down to 1/120 in 120fps mode

hmmm. so its happening at different frame rates. could the memory card be an issue? i doubt it but idk. im using these http://www.amazon.com/Transcend-Speed-UHS-3-Memory-TS64GSDU3/dp/B00J3KA814 w no problems so far wth lame

steve, i downloaded your file and that is undoubtedly an appalling aberration. fwiw i havent come across anything like that with my rx10m2 shooting 120fps 100mbs, but thats the only mode besides 4k that ive spent some quality time shooting. id definitely be interested in knowing what the disconnect is here

wow thanks zak. i just started researching *variable* nds and i was looking into the slr magic for my rx10m2, do you think i would have any trouble using it with a 62-77mm step up ring? like i said ive just started investigating all this but ive already run into the weirdness of an "X" pattern at higher densities which can be exacerbated (?) by having the nd ~over~ another filter or whatever...... video was so helpful!!!!