Snowfun

Social Justice... Doesn’t that also involve tolerance and forgiveness? People make mistakes. Promoting a mob rule onslaught against someone in the name of social justice is hypocritical. And also leads to the type of unacceptable abusive social media attacks Andrew suffered as a result of the (possibly misunderstood) cat joke. It also implies a broader scope than focussing on one individual (irrespective of whether that is an individual accused of abuse or a friend who has been subject to abuse). At some level I suspect we all know both types of people. Social justice is ultimately about how we - as a society - move forward. Possibly of far more concern in a filmmaking context, are works such as referenced here: https://afroditefilms.com/deadlypopsy There can be little doubt that this objectification of people: the “stunning” (and stupid enough to get lost) females contrasting with the “millionaire” (successful and heroic) male surely only perpetuates social inequality, inequity and injustice? Who is speaking out? Or is this just an innocent little romp in the woods? Creative filmmaking (and “our” creative filmmaking forum) is about visual and emotional experimentation and artistic expression. Including using “naff” lenses - referencing the @gethin lensbaby thread. Not about apparent vendettas on one hand or films perpetuating misogynistic attitudes on the other. But I certainly do not claim to understand the background to this thread and I might be totally wrong!

Not sure that is the issue. It’s a question of how much heat a certain component(s) generates and, possibly more critically, how the software interprets that to initiate a shutdown. The latter could well be a combination of temperature, increase in temperature and time. Very little to do with the total heat generated by virtue of the camera’s power use.

How did you test whether the temperature reported by the Canon firmware is an accurate measure of the temperature of whatever component (or part thereof) it purports to measure? I’d be reluctant to rely on that reported temperature when making conclusions. It would be preferable to measure the temperature independently. But that notwithstanding, interesting stuff!

Yes, I live in Saariselka in Northern Finland (250km north of the arctic circle) over the winter. The downside of aurora filming in Finland is the lack of interesting scenery! The fjords and water of Norway offer so much more. A lovely part of the world! Enjoy - let’s hope we get decent activity and clear skies.

Where do you go to do this filming?

Although I’m not sure they need an excuse for deciding not to implement a feature a lot of people are happy without and thereby keeping the cost down.

Ignoring the absolute numbers for a moment the interesting thing is just how much RED overstate DR compared to the others quoted.

I’m going to buy a Komodo. So I can come on here and tell the amateur hybrid camera video makers all about my thick colour, GS (yes! yes! YES!) and other juicy comments designed to reinforce my self built pedestal... Or I might remain perfectly happy with my A7Siii at -30 degrees, iso 51k at midnight filming the Aurora in Sony thin colour whilst keeping my fingers warm by sticking them into the sensor (thereby ruining the final vestiges of what was terrible IBIS anyway). Choices. Choices.

The interesting thing about early Komodo footage is that it is likely to have been shot & processed by those who know what they’re doing. Once it’s out amongst the masses (and at the price it is cheap enough to be a consumer product) I’m sure we’ll see footage as bad as anything else. (Slightly tongue in cheek from a bitter “Jim promised a cinema module” Hydrogen buyer...) If things work out ok in 2021 Komodo will definitely be an option.

Was that your first ever selfie?

What do other external recorders (Blackmagic video assist) allow? Presumably 4k 10bit 422 is possible? I can’t decide whether to get a Ninja - the cost of the Anglebird SSD plus the reader is putting me off...

Phil Holland uses several REDs to get high resolution images. Over on reduser I’m sure he has described this and stitching process in some detail. Also: http://www.phfx.com/articles/Filming100MegapixelLargeFormatAerialsOverNewYork/

My error - I thought you meant PB was about to make shill comments. You are correct, the comments others will make will definitely fall into that category. The wider community needs the likes of PB to do this type of stuff. I think it’s entertaining, informative and useful. I wonder whether Sony will address the issues he raises?

Why the hostility towards PB? As far as I can tell (my camera won’t be delivered until September) he presents a reasonable and balanced opinion. And he states it is an opinion, that he was paid for the two short films and on no account should one buy an A7Siii based on his review.... He certainly isn’t a “shill”.

Miller Air. Great tripod.

I went with an A7Siii plus the 24mm 1.4 GM as my low light solution. Unlikely to replace my P4k for anything else. Delivery in September I think.

I ordered my A7Siii without watching a single review on YouTube. I feel I’ve missed out on the joy of the buying process. I did watch some paddle boarding on the Thames and daresay I’ll watch Bloom’s review once it is published. It (coupled with the GM 24mm f1.4) suits my limited needs almost perfectly.

Can one record to a Blackmagic video assist or is the external hdmi recording limited to the Prores raw Ninja?

I’ve been filming the aurora for years in real time. It’s the “in 10 bit” I’m excited about!!!

In light of recent offerings I think that qualifies as “exceeds expectations”... I’m excited by it. And will buy.

Isn’t that exactly what it is? It may well find itself in higher-end situations but it is still designed for and sold to a mass consumer market. Komodo is possibly the least mass-market visually.

Someone has discovered a use for the R5:

Is this in any way related to Sony’s Xperia Pro phone and it’s monitoring and 5G transmission abilities?

And that’s ok. Plenty of other options available for those looking for 24mp or whatever. Personally I’ve decided (unless it is significantly different to the leaks) to get it ASAP. It suits my needs (albeit not perfectly - but I accept that it wasn’t designed and built “for me”). Lovely rich footage at high iso is my niche. I’ll live with the questionable weather resistant build, the ergonomics and the lack of full size hdmi. Will get the 24 f/1.4 GM to keep it company (my first ever AF lens...) Credit card is ready!!! Might also pick up an A7ii for photo purposes...

Insta360? Great fun and ridiculously easy to use. Not sure about the current price however. And fails the mic test.