buggz

Really? A HUGE center post used on a tripod? That has to cause lots of unstable movement...

@Sage, does Vimeo and Youtube do something to change the colors? On my calibrated NEC PA272W, the Emotions II videos show a LOT of red, way too much so.

I am happy with my 256k V90 Adata card I got from Amazon.

Just have to say, I am STILL loving my GH5 in 6K anamorphic with my Kowa for B&H 2x rig!

I just saved $109.75 USD at LockCircle. Purchased a cage for my GH5. >>> http://www.4kshooters.net/2017/11/24/top-black-friday-deals-for-photo-and-video/ >>> LockCircle Black Friday Deals – use code: BFLC17 at the checkout page and discover your Black Friday discount! Offer available until November 24, 2017

Different cameras do different things. Sony cameras have the low light capability and that is one of their main calling cards. Another body, from someone it seems? I honestly don't know if RAW is being added to the GH5 or not. It would be great if it was though! Different cameras do different things. Sony cameras have the low light capability and that is one of their main calling cards. The GH5 is more "all around" in my opinion. Its a beast!

For me, something "simple", like outputting a signal via HDMI during internal recording 6k anamorphic mode would be great, I NEED a bigger screen for my tired old eyes...

I'd be VERY happy if somehow, output to HDMI was available during 6k recording. This would be great for focus assistance. Though, being a hobbiest, I can't afford another camera body. And as I don't seem to sell anything, but rather "collect" stuff, I have far too many already...

Or at least output a 1920/1080 signal while recording internally to be able to use an ext. monitor for better focusing. This would be great.

Hi Aaron, Thank you for this information! I wished it would at least output a 1920x1080 signal in this mode, would be very beneficial.

Has anyone tested this? What I am interested in is not recording, but that anything is even output via HDMI. I am needing a bright external monitor for critical focus when shooting 6K anamorphic, I LOVE this mode with my anamorphic rig, but the little internal display is not really good outside in the sun. I shoot HS marching band performances, BTW...

Are you selling and supporting these?

When you say stopped, do you mean, the camera stops recording, and you have to start it again? I don't see this happening with mine under 2.0 firmware. I shot outside the otherday, left it to record until the card filled up. I used an Atomos Video PowerStation for batteries, was wanting to test these as well... -rw-r--r-- 1 buggz None 103015799404 Oct 15 15:01 PANA7291.MP4 Duration: 1 h 10 min 59 s -rw-r--r-- 1 buggz None 103013830430 Oct 15 16:12 PANA7292.MP4 Duration: 1 h 10 min 59 s -rw-r--r-- 1 buggz None 45268160848 Oct 15 16:43 PANA7293.MP4 Duration: 31 min 11 s 2 hours 53 mins 9 s Seems the file rolls over, but the camera did not stop recording, that is, until the card was full. This was 6k anamorphic, not much movement outside that day, when you want the wind, etc, there is none. This is an Adata V90 256GB I got from Amazon. I would not even attempt to edit such a file size, you'd have to cut them using ffmpeg, or something else...

HDMI to support 6K anamorphic out, though, unlikely in my lifetime, sigh...

Hello, I love shooting in 6k anamorphic mode, the desqueeze works great! I shoot my niece's high-school band. Though, I would love to have an external monitor for better focus capability, especially in bright light. I don't think any monitor, nor recorder would be able to perform in this mode though? Are there any? It's due to the limitation of the HDMI signal, yes?

Hello, What is your favorite DVD authoring software? I'm on a PC and use Cyberlink Power Director 16. Can't really say it's my favorite, as I haven't tried any others, shrug, but it seems to work okay. Just wanting know others experiences. Thanks!

Hello everyone, I like the anamorphic view of 2X I am getting from my rig, Kowa for B&H 2X, with an EOS mount Minolta Rokkor PG 58mm/f1.2 and Metabones 0.64XL Speedbooster. I am performing the desqueeze via Resolve 12.5 Studio in the Color Panel, Sizing, Width: 2.667, and Zoom: 0.4989 Seems to work good. QUESTIONS: Is a 4K timeline better to use, than a 1920x1080P timeline? I was using a 1920/180P 24fps timeline in previous use, now trying a 4K timeline, and then outputting a 4K file for import to Power Director 16.0 to make the 1920/180P 24FPS DVD. Any suggestions or critique? Should I Resolve perform ALL of the rendering, or is PD16.0 okay to transcode with? I am also still playing with ffmpeg to perform transcoding. I'm an finding this is taking a LOT of time on my humble PC system.

Thank you sir! Works great!

Anyone notice the battery runs out really fast now? I was shooting 6k anamorphic, nect thing I know, battery is dead. I will have to monitor this...

Hi, do you know if this is using ffmpeg with a fancy wrapper? Or complete custom algorithm of their own? Genuinely interested, not trying to be goofy...

I'm interested in how these work for you. Please continue to let us know how well these work. Thanks!

The site speed is okay for me. Though, when you changed the style, there isn't an icon in Firefox like there used to be. I use a LOT of tabs, so it's no too easy to miss this tab.

What matte box rig is that? Looks nice, though, looks heavy. I'm wanting something, just don't know... >> Todd Matthews said: >> Looks like the same seller that sold me mine a few months ago (same "2001: A Space Odyssey" poster in the background). >> The range of focus on that is limiting, and there are no commercially-available diopters/rangefinders that size, >> so it's best to rehouse the glass. I used a bellows and mattebox for mine.

Hello, Simple transcode from GH5 "6K" 2X 4:3 anamorphic to 1920/1080 via ffmpeg: D:\ffmpeg-20170915-6743351-win64-static\bin\ffmpeg -threads 4 -i P1077005.MP4 -r 29.97 -metadata copyright="© buggz - 2017" -vf scale=1920/1080,setsar=1/1,setdar=2.6667/1,colormatrix=bt709:bt470bg -pix_fmt yuv420p -c:v libx264 -c:a copy P1077005-ffmpegHD.mp4 I note that the audio in a GH5 "6K" video file is lossy recorded format, while a normal 4K audio file not lossy format recorded.

This works perfectly: D:\ffmpeg-20170915-6743351-win64-static\bin\ffmpeg -i P1077005.MP4 -vf scale=1920/1080,setsar=1/1,setdar=2.6667/1,colormatrix=bt709:bt470bg -pix_fmt yuv420p -c:v libx264 P1077005-ffmpegHD.mp4 NOTES For other formats: A DCI 4K stream is compressed using JPEG2000, can have a bitrate of up to 250Mbps, and employs 12-bit 4:4:4 color depth. 4K=4096/2160 UHD=3840/2160 HD=1920/1080