buggz

More GFX options would be great to have too, PLEASE!

Now, for more GFX speedboosters, please. Yeah, my Fringer works good. I have the first version BTW...

Hi Andrew, If you couldn't tell I'm an old stills shooter. I have soo many different systems, it's crazy, I don't sell or trade, I just keep buying, shrug. Anywho I really need to revisit these, as I haven't used my GFX50R in several months now. Earlier this year, got a great deal on a super low shot count Mamiya DM33 digital back and plate for my Mamiya RZ67. Been really diggin' that setup. Then I figured, I already have these M645 lenses, might as well get an M645 body to go with the digital back and lenses, no? So I have been using my Phase One DF+ and Mamiya DM33 digital back for several months now. Oh, and I got into video for my niece and family events, for me starting with the Panasonic GH4. My niece now uses that body, as I got the GH5 when released, and still use it today. I really have enjoyed learning all of the video stuff. Especially from helpful people here on EOSHD, I have learned a LOT, and still learning. Thanks to everyone here!

Just for information, not showing off, hopefully someone will find it useful? My brief run through of my old lenses on my GXF 50R, like discovering old lost treasure. I have tried my manual Mamiya 645 lenses on my GFX 50R via Mirex Tilt/Shift EF/M645 adapter, then another adapter for EF/GFX. Yes, a round about way, but it seems to works okay. I may get a simpler adapter in the future? - 120/4 macro works great. - 35/3.5 N works great. The 35/3.5 N focuses pretty dang close. - 80/1.9 N works great. - 55/2.8 N works great. - 145/4 Soft Focus works great. Quick test of Contax Yashica Ziess lens with a Canon EOS-EF adapter.via the TechArt Pro EF-GFX adapter, - 35/1.4 CYZ - very slight soft vignette, this lens is also amazing close focus on the 50R. I see this one is going to be another rediscovered treasure gem. Sure to be used often. - 35-70/3.4 Macro CYZ - Starts vignetting anything lower than 50mm. Progresses to total tunnel vision super hard at 35mm. However in macro mode, NO vignette, amazing, also amazing close focus in macro mode. - 100/2 CYZ - non macro model - imperceptible vignette, if any? M mount lenses: - Voigtlander Heliar 75mm f/1.8 works good, just some slight vignetting and dark corners that should be easily corrected. - Voigtlander Nokton Classic 40mm f/1.4 SC hard vignette in the corners, not much soft vignette, still usable. - Canon RF 50mm/0.95 converted to M mount, forgot the vignette. Via Fotodiox Minolta (SR/MC/MD) mount adapter. A quick test shows all my lenses are vignetting almost exactly the same. That's kinda strange, but cool, I'll take it! Not too bad, but definitely visible. - MC W Rokkor-X 28/2 - Zoom 35-70/3.5 - MD Rokkor-X 45/2 - MC Rokkor-PF 58/1.4 - MC Rokkor-PG 58/1.2 - MC Rokkor-PF 85/1.7 - MC Tele Rokkor-PF 100/2 - Minolta MC W Rokkor-HH 35/1.8 in Minolta SR mount, it vignettes the same as rest, slight, but noticeable.I I have two more adapted to Canon EOS-EF mount. 28/2 85/1.7 The Minolta EOS-EF mounted lenses seem to vignette slightly less than the native Minolta SR mount via Forodiox GFX adapter. Oh, and the Minolta 28/2 is super close focusing, I had forgotten about this. All of these works great. Canon FD/FL mounts, Fotodiox FD/GFX adapter... - FL 55/1.2 - heavier vignette than the Minoltas, which were slight but noticeable, still should be easily corrected. - FD 85/2.8 SF - slight vignette, similar to the Minoltas, maybe a touch more? - FD 500/4.5L - similar to the vignette of the FL 55 above. - Konica Hexanon 57/1.2 Using the GFX - LM adapter, then an LM - AR adapter. It seems to vignette more than the Minoltas, similar to the Canon FD 55/1.2 Canon EOS/EF AF lenses via Techart adapter. - 50mm/1.0 AF works, I have forgotten what the vignette was .. - 200mm/1.8 AF works, very slight vignette, I have forgotten? - Contax N 85/1.4 converted to EOS/EF mount, via Techart adapter, AF did *NOT* work, but manual focus works, can't remember vignette. - Faithfully submitted, Douglas C. Niedermeyer...

Just for information: I have used my manual Mamiya 645 manual focus lenses on my GFX 50R many times, via Mirex Tilt/Shift EF/M645 adapter, then another adapter for EF/GFX. Yes, a round about way, but it seems to works okay. I may get a simpler adapter in the future? - 120/4 macro works great. - 35/3.5 N works great. The 35/3.5 N focuses pretty dang close. - 80/1.9 N works great. - 55/2.8 N works great. - 145/4 Soft Focus works great. Wished I could afford a GFX100, but being a simple hobbyist, makes it hard...

That ban crap is crazy. Though, the medium format forum have civil people in it...

Andrew, Wow, I was going to reply to a thread on dpreview linking this thread for them to read, however they ban EOSHD links? I was actually trying to help them, however if they want to continue such highbrow stupidity...: My censored reply to a lot of confused dpreview thread entries below: >>> Re: GFX 100 may become a monster video camera .... FYI... Wow, this website bans EOSHD URL listing. Stupid and lame... There are a lot more GFX 100 threads in the EOSHD forum. I have actually learned a lot from the EOSHD site, as for the past many years shooting videos of my families life events.

I would be interested in this outcome, thanks!

Wow, really cool! Only thing I have close to MF video is my Fuji GFX50R, which isn't that great for movies. Though, I have not actually used it for movies. Wonder how it would upscale with the Topaz Video app... ?

A large and heavy "calibration instrument" is an R&D neccessity...

Hi Andrew, BTW, there is a Mitakon 85mm F1.2, and I think is available also in GFX mount. Not much info about it, reviews, etc. I always wanted to try one on my GFX 50R, never got to it....

Cool, I've only used mine in stills. Mine is converted to LM mount. I don't have any FF movie body options that would take this mount, as I don't count my GFX 50R movie capable, never tried it... Though, I STILL love my GH5 for the opengate anamorphic mode!

Then, I got the Macro #1 tube. Low window light, 110/2.8, ISO 50, 4 sec.:

I am digging my Mamiya RZ67 II Pro lately, as I recently got a Mamiya DM33 digital back with super low actuations, and low price. Then I found a low price on the back adapter. I couldn't pass it up. 110/2.8, ISO50 - on a super clousy day:

I am still using the following method, I think I got this information from dvxuser forum: "You can use HLG natively with Resolve for Rec 709 delivery: - In Project Settings, under Color Management, Change to Davinci Color Managed - Under Color Management select: -- Rec 2020 HLG ARIB STD-B67 for Input Color Space -- Rec 2020 HLG ARIB STD-B67 for Timeline Color Space -- Rec 709 HLG ARIB STD-B67 for Output Color Space"

You can't save these?

This. I seriously doubt the common person will be able to get any of these drugs. You can't even get isopropal alcohol...

For me, there STILL NEEDS to be some type of focus assist output via HDMI when shooting 6k anamprphic. DURING recording internally. I still don't know why this cannot be done.

What? No way, I'll take my GH5 for video over this everytime. I use anamorphic and 6k all the time. I don't see how this is an upgrade from my GH5. Though, I do have an X-T2 for stills, now maybe for that...

Anyone use these? https://timelapseplus.com/ I think I want one for upcoming beach vacation. This and the Syrup Mini Genie II in tilt and pan.

No 2020 plans really, all my gear still works great for my needs, Fuji X-T2, Panansonic GH5, Fuji GFX50R, Fuji X-E3, and the ol' Canon 5DMkII still works well, yadda yadda yadda... However, an excellent deal to get a very low shot count Mamiya DM33 digital back and adapter for my Mamiya RZ67 II Pro was presented, and I jumped. I am having lots of fun with it.

Wondering about the meanings of boost modes: boost AF - boost Res

All other bodies disable flash w/ electronic shutter. This one suppossedly allows flash at 1/30s or less. If this could be somehow increased to at least 1/125s, it would be good.

Question about stills flash. ONLY 1/30 or less is available for flash speeds. There isn't a mechanical shutter?

I don't know, I'd be willing to try these, IF they AF during recording. Would be good for sideline sports.