JohnFelipo

...even shooting with a crop of the sensor? I see...my line of thinking is since they would develop it from the bottom up they might find a way to make it work, but truth be told it's just a huge wish and I really have no idea how doable it would be. Like I said, just an APS-C sensor with the same MFT mount would already be huge for me, I don't really need Full Frame but MFT sensors are a bit too small for my taste...

I was saying what if they make an adapter from the MFT mount to a new mount they make (for 35mm lenses), so that the MFT lenses could be used in a MFT crop mode (like the Super 35 crop mode on the Sony cameras) in a FF camera? A FF Panasonic would be a first so they can create an entirely new mount (like when Sony introduced the E-mount after they had the A-mount for a while), so they could also make an adapter to use MFT lenses on a 35mm camera but only while shooting in a crop mode.

Alright, gonna weigh in because I'm super psyched for a possible full frame GH5 even if it never comes to be: What if Panasonic introduced a new camera (could be GH5 or a completely new name) with a 33mp FF sensor for 8K video and 4K at 60p or maybe even 96p (who knows, 120p while we're just wishing for stuff?), and then there's an option to shoot with an MFT crop (similar to the Super 35 crop on the Sony A7RII) for 1:1 pixel mapping 4K video (and the HFR 4K would only be possible through this crop, obviously). There could even be a Super35 crop option with 5K or 6K. Then, they create a new line of FF lenses but also an adapter to use all their existing MFT lenses with the MFT crop mode (similar to the LA-E4 adaptor of Sony A-mount lenses to E-mount). That way people with existing MFT glass wont be shit out of luck and new users (like myself, if they released this DREAM of a camera!) who maybe were hesitant to get into the MFT world will now want to use Panasonic. Also it's still a super attractive camera to all MFT users since most people will want to keep shooting 4K with 1:1 pixel mapping (much better results and no weird artifacts) and with the bonus of being the ONLY mirrorless that could do HFR 4K, and 8K would just be one of those bonuses that most people will probably not want to shoot with at first (for the HUGE file sizes), but that will definitely impress clients. Is this something that would make sense? Existing Panasonic users (and MFT users) care to tell me what they think of this? Truth be told that's just a huge wish list for me, but I'd already be ecstatic if they release a GH4 with a APS-C sensor and same MFT mount (like the JVC camera) and hopefully 4K 60p and better lowlight...oh and V-log2! And this is suuuper unlikely, but can you imagine if they release an add on unit like that YAGH thing that could some how enable compressed RAW video to an external recorder? That would not only be extremely revolutionary, but would make that extremely expensive unit (it could even be more than the camera, honestly) worth it! Right?