AlexTrinder96

Would love some more info on the Samyang Anamorphics! Pricing, focal lengths etc... Cheers Andrew

The Mlut/cine IE helps with rating the camera at a different iso to what's it actually recording; so you can set the lut to show at 800 or 640 when you're actually recording at 2000. I also forgot to attach the Recommended Ire values from Sony themselves. It's can be helpful as a starting point if you don't monitor in rec709!

Great stuff from Philip

I'd recommend Alister Champman's blog, he goes into great depth on how to expose and use S-log! I think it is vital that when using S-log (more so than other log curves) that you use a waveform and lut to help expose. I personally found using an ei of 800, with one of Sony's M Luts helped prevent noise creeping in. (sony f5)

I think this is the best footage I have seen from the GH5/GH5s. Fujinon MK lenses

The 5 inch model should come in around £200 and will be able to load 3d LUTS. Looks very similar to another companies monitor 1080p, waveform,3d luts, focus tools etc...

I love that lens, is your copy also radioactive?

I'd suggest checking some of Olan Collardy's work out on Vimeo. He tends to use tiffen black pro mist and Hollywood black magic filters. They tend to creating blooming effects around highlights and raise the black levels; this obviously changes depending on the filter strength!

looks really nice, shame it's so expensive !

'JVC has announced two new models in their Connected cam range – the GY-HC500 and the GY-HC550 JVC’s Connected Cam series are designed specifically so users can live stream and FTP file transfer directly from the camera. JVC has really made a name for themselves with smart cameras that can be used for news, sports and event coverage' https://www.newsshooter.com/2018/09/11/jvc-gy-hc500-gc550/ Recording Codecs Apple ProRes 422, MPEG-4 AVC/H.264, MPEG-2* 4K UHD 60p/50p (Apple ProRes 422） 3840 × 2160, Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT, 10-bit 4K UHD 30p/25p/24p (H.264) 3840 × 2160, 4:2:2 10-bit / 4:2:0 8-bit 150Mbps/70Mbps (MOV) HD (H.264) 1920 × 1080/1280 × 720, 4:2:2 10-bit / 4:2:0 8-bit 50Mbps ～ 8Mbps (MOV/MP4) HD (MPEG-2 Long GOP)* 1920 × 1080/1440 × 1080/1280 × 720, 35Mbps /25Mbps (MOV/MXF) SD (H.264) 720 × 480/576, 8Mbps (MOV) Proxy (H.264) 960 × 540/480 × 270, 3 ～ 1.2Mbps（MOV） Streaming Specs: 1920 × 1080 (59.94p/50p) 20 ～ 8Mbps 1920 × 1080 (29.97p/25p) 20 ～ 3Mbps 1920 × 1080 (59.94i/50i) 20 ～ 3Mbps 1280 × 720 (59.94p/50p) 20 ～ 3Mbps 1280 × 720 (29.97p/25p) 8 ～ 1.5Mbps 720 × 480 (59.94i), 720 x 576 (50i) 8 ～ 0.3 Mbps 640 × 360 (59.94p/50p) 3/1.5Mbps 640 × 360 (29.97p/25p) 3 ～ 0.3Mbps Connections 3G-SDI (BNC × 1)、HDMI × 1、AV (Φ3.5mm) XLR × 2(MIC、+48V/LINE), φ3.5mm RCA × 1 USB（3.0） Ethernet RJ-45 ×1 LAN 2.4GHz/5GHz MIMO SSD

https://ymcinema.com/2018/09/10/cooke-optics-unveils-new-anamorphic-lenses-for-large-format-cameras/ wowzers!

looks a lot more subtle compared to the SLR Magic Anamorphot in my opinion. In a good way!

Dynamic Range looks good to be fair.

16 stops of dynamic range? If only!

It would groundbreaking for a monitor of this type and at this price point to reach 1000 nits. The more expensive small hd 702-oled only reaches 300 nits. That retails for over £1500.

Guess we'll see...300 nits would make sense compared to the small hd OLED.

They did the exact opposite of smallhd haha

ungraded version from Cinema5D

http://personal-view.com/talks/discussion/20330/feelworld-fw576-5.5-oled-monitor Looks like the 567 is 1280x720

Seems interesting! I own the andycine a6 which is the same as the feelword f6. For the money the monitor is great tho it does have a slight lag with some cameras in 4k. Wondering what the price will be? Around £300-£400 for the oleds?

Matthew Libatique?? NICE!

Not this again ?

I was talking more the '0.95' type lenses...