Matthew Hartman

I know one thing, your beard game is on point.

You have some really DEEEEEEP focus there, were you stopped down? The footage is looking really nice on my 2k 10bit BenQ. But man, that insane detail is both a blessing and a curse.

That's because they're images sent to me personally.

Awe...The great paradoxes of life as it were.

Those results are really stunning. But help me understand the workflow here. So if I set my NX1 to the 16-235 setting in camera, I do or don't use the additional technique with fast color corrector in Premiere? Slightly confused here.

I guess I don't really mix and match brands. If I ever shoot with multiple cameras I make sure they're the same brand. Davinci has really good color grading tools, particularly the qualifiers are really powerful. I would never try to color match footage in something like Premiere/Lumetri. Also, believe it or not scopes are sometimes misleading, or a certain conflicting color in the frame is playing an optical illusion with a color that may in fact be technically accurate. Trust your eye.

Am I off in saying I really don't care about a camera's particular color cast? I always grade my footage, always have. I started my career some 25 years ago in print as a graphic designer. I'm used to playing with color and I know color theory like the back of my hand. I just take care of it in post. Isn't that what you all do as well? THIS one I know the technical reason why we don't perceive vibrant colors as some cameras resolve. Atmosphere. Atmosphere diffuses how our eyes see protons, i.e. light, i.e color. I'm ready for my gold star now.

I generally agree, I have my sharpness in my NX1 set to -10 AND I use some Tiffen softening filters, which helps to a degree. Nothing bothers me worse than seeing over sharp edges and smudgy fill because of noise reduction. It's as if I blew up an image is PS past it's native resolution and then applied unsharp mask at 500%. It's just an over processed image. I agree with this. But I think the issue is far more than just the sharpening algorithm in these cameras. Something in the quality of the motion. It's subtle, but there. Andrew Reid alluded to it earlier, I think it's difficult to put in words. I'd probably would have had to built the image sensor to be able to but that's way past my pay grade. I almost see a slight "flickering" (and no I'm not referring to LED/shutter speed) with these sub-$3000 cameras, regardless of brand. Also, images tend to look very "thin" or almost graphical and 2D/flat. There's a quality of depth/dimension in cameras like Ari, RED, BMD, etc. (even the pocket cinema camera) that these sub-$3000 cams just do not resolve most of the time. This has nothing to do with sharpness. I want the God of knowledge and words to strike me right now!

But during that time Sony's offering couldn't even do internal 4k. I'm not sure what Samsung was exactly spooked about? I'm not saying you're wrong, I just didn't personally see Sony's offering as much as a threat in terms of specs. But, of course, you have to factor in brand recognition, and certainly Sony had it in spades over Samsung.

@anonim Couldn't resist...:)

I'm going to be honest, I actually can't explain it in technical terms. I just know it when I see it. Take a face for example. With my NX1, every freaking clogged pore, wrinkle and hair stubble is very detailed and pronounced along with of course the eye area. (Which is excellent) But when I see footage from an Alexa, RED, BMD, Canon (cinema) only the eyes are in crisp detail, everything else is somehow smoother or more "weighted". Skin looks thicker and there's generally a sense of more dimension in what the camera resolves. I also notice edges don't suffer from chromatic aberration, or edge fringing. Now, I'm not saying this isn't possible with a $3,000 camera. It is. I already know that through my own experiences. And obviously certain lens' have different characteristics, I just personally see more footage in this bracket [$3,000] where it looks "too sharp" or what some here have been calling "thin", 'video-y" "digital", etc. One of these days I'll be able to put it in better technical terms. Maybe someone here can help with that? @anomin "wow-emulation beautiness" I'm stealing this!

You're entitled to your thoughts and opinions. I'm actually quite enjoying your broken English.

Yeah, I have more affection for mini primes too. Do you not have a local rental house? I know you're not in the states so I don't know the logistics of your area. Those mounts not shipped yet would make me OCD. I'd be on the horn every day until they ship. $85 is not chump change.

I was thinking about this marketing move from Samsung and trying to place myself in some of the comments made here. But to be honest, Samsung said as much when they left the market. The official statement is that there is no money in mirrorless systems and the impetus was to instead focus on smartphones. Well...isn't that exactly what they're doing here? They are making the claim here that the NX line was the "old" venture, to be replaced by the new. This is exactly the narrative being portayed in this marketing video, at least that's what I'm reading. I'm sure in Samsung's perspective, 120 FPS in UHD 4K is better than 30 FPS in UHD 4K. They tend to make assertions about quality based on the spec sheet, and they are proud of their stuff. I think what they, Samsung fail to understand, or have no dedication to, is the veiwpoint of the prosumer here. Than again, the consumer trumps the prosumer in terms of profits by miles and miles. I have this running commentary in my head (I take medication) complete with British accents, that the NX1 was never meant to be a prosumer camera, at least where it concerns upper management. I think the more professional features were "snuck in" by the workshop elves as it where and management in passing and on the way to prison just said, "right, cheers". Oh, I don't freaking know.

You guys do know that this is currently the biggest 360/VR market right? I've worked with several grips, (hehehe) both guys and gals that have side gigs filming porn for this medium. It's just another form of escapism, not to mention quite lucrative. Given current political world affairs, I can't say I blame people for wanting to wank their chains a little. Better to squeeze a nut than a trigger.

1.) Rent a very expensive cine lens the size of a small canon, probably on a PL mount. The lens gives the image a personality or character. You are actually mostly looking for imperfection here. 2.) Good diffused lighting, staying away from extreme contrast ratios and harsh shadows with short falloffs, especially if you're shooting in 8/10 bit in camera. 3.) Camera settings. Go flat if you can't shoot RAW. Turn down or off internal sharpness and reduce contrast. Saturation can be left at default. 4.) Set a custom white balance using a white or 50% grey card. This will help you greatly in post get an accurate color balance. You should fair well with your Fuji. 5.) Subtle grading. Most ppl want to fill up their entire waveform chart and have deep contrast, but I think the sweet spot in emulating film is sitting 10-15% below 100 and 5-10% above zero. This is obviously subjective and contextual, and rightfully should be. Learn about qualifiers. 6.) Tiffen Pro Mist 1/4 (or silimar) helps reduce digital sharpness. Industry even uses them on $60k cameras. 7.) Aviod handheld with cameras that have bad rolling shutter and jitter. If you need that look add it in post with tracked camera shake presets. You'll spend much less time not having to fuss with warp stabilizer, which in practical terms is no magic pill. 8.) Movement/Composition/Line/Texture/Contrast ratios/Lighting/Visual Narrative/Sound/Musicality. Study up on these subjects. They will boost your production value x10 even on a Dora the Explorer Fisher Price camera. Swiper, no god damn swiping! Looking at your details and plight, I honestly don't see a strong case for you to upgrade either. You would be gaining minimal improvements over your current setup. I would instead invest any extra cash on other gear. I hate how these manufacturers make people feel like they MUST have the latest and greatest. If we thought of these cameras in terms of say a cresent wrench, would we "upgrade" so often? I have a question for everyone. How do you purchase your gear? Cash? Credit? If it's credit, is the upgrade honestly worth going into debt over? I spent considerable money on my current gear in the last couple years. Now that the spending frenzy is over I'm looking at all this gear and I'm in disbelief. The odd thing is I knew I was on a spending high at the time and I did it anyway. Spending money is a high and one can get addicted to it, even going into considerable dept. What's the saying, "The eyes are bigger than the stomach"?

There's a feature slated to be shot on the NX1 that's going to hit several festivals, with the hope and actual intent to bring some positive attention to the camera. Here's the guy's rig. I wish him well. Feel guilty? Corporations don't have feelings, and I seriously doubt the Samsung family does much emoting.

Andrew is 100% correct here, I know this because I've done my own comparisons that match his assertion. You can clearly see more gradient values in the NX1 image. Although I dont think the NX1 pulls in 13-stops like Samsung claims, I think it certain conditions it comes close. Pragmatically I would say 10-12, which isnt necessarily "bad". You just have to really watch those highlights. That being said, what cripples these sub $3k cameras is that the way they look and capture motion just does'nt look very filmic. Which is not an issue if you're not after that. And obviously if you're a photographer you care less. Sometimes, under the right conditions footage from these systems can look filmic, especially if you know professional lighting, but it takes considerably more work to massage the image, whereas you flip on a BMD or RED and even shooting a cup of coffee looks like a filmic and dramatic affair. Am I off base here? There's "something" in the motion, it looks smoother or creamier, subjects look more "weighted". It's more than 24fps, color grading, shallow DOF and cine bars. My eyes have become acclimated/sensitive to spotting it right away. The Fugji's motion looks like Samsung, Panasonic, Sony, Olympus, Canon, Nikon, etc., in the same class. The differences are very small. Color and resolution (NX1 incrediably sharp) seems to be the biggest seperator here. Although, I would say I think Sony has a tiny tad bit less of this look. When someone can deliver that filmic experience under $3k out of the box, then I personally feel we have something magical on our hands. I feel like everything going forward is going to be "meh" until (or if) that happens for me. After watching some more examples of Kinefinity 4k and 6k footage it looks video-ish to me as well. Not that far from what my NX1 could capture to be completely candid. One property I notice with cinema cameras is they only resolve sharp detail where its needed, giving a nice eq balance to the image. Because they have more DR they capture more and smoother graduated "ambient occlusion". Sorry, I use 3D rendering terms to explain it for lack of a better way. If you do any 3D rendering, you know exactly what I'm talking about. Have I finally cracked?

Haha. Well according to statistics most of us are in that same pot on a slow boil with you. ? Dude, that was pretty mean spirited. Jonpais is very partial to facts and has been known to go to great lengths to back up his assertions. He throws them out there but if that doesn't interest you just disregard it. No need to get insulting. He's a real person with real thoughts and opinions. That being said, Jonpais, I think you should lay off of Mattiaus a little, he's a good guy with a big heart and contributes a lot to the online photographic and video community. This topic got out of hand a little. It's just a camera. Lets not lose our good sense over differences of opinion.

Canon (or any other) can't sell you the camera you don't buy.

Like Ironfilm said already it may not be ground breaking compared to the competition, but within Fuji you cannot denie that it is a groundbreaking step forward for Fuji. What it signals is that Fuji is to some degree listening to it's consumers and trust me, when any large tech company does that it's a huge achievement in and of itself as political as it is. This may not be the exact model for you, or me, or it may be. But try to see the bigger bird's eye view. More competition=lower prices and better products. (Theoretically) Who wins here? Always root for the small guy whether their product is A+ or not. It's a long game strategy. We drive the market with our wallets. I couldn't agree with you more on these factors. Although I wouldn't exactly call the GH5 much better in this area, nor my beloved NX1. A lot of JVC's images come to mind here as well. I'm wondering if the digital sharpening can be turned down or off in camera? It is downscaling from a 5k sensor, so it may be actual resolution and not post sharpening at all. What I see is edge fringing and that can have the appearance of edge sharpening. But I want to be clear and state I realize not everyone is after a filmic look. For video production, where the format calls for that video-type look, it's perfect. Good colors, crisp image. 200mbit h.264 seems like a crippled codec however, I think if they were going to go 8bit they should increase the data rate or go HEVC. But for those looking for an out-of-the-box experience/color I'm sure it delivers just fine. It's not an awful image, just not my cup of tea.

Guys, it's quite possible Samsung used a small shop to put together the video and some high executive signed off on it.

Guys, we're putting objects before friendships here. Lets just all take a step back.

I fully expect it will one day. At least, manufacturers seem to pour a lot of resources into trying. I always knew the NX1 was a slut. ?

As far as IQ in video I think the X-H1 is plenty suitable for weddings, music videos, short films, and corporate gigs, and isn't a huge leap in either direction comparing it to the IQ of other brands in the same price class like the GH5. Although I will say to my eye at least Sony tends to look a little more filmic. Before I get quartered for my own opinion, I judge cameras based off my own personal needs and desires. Though I do some photography, video is my main interest and criteria, and particulalry getting video to feel warmer and less digital. I'm seeing quite a bit of edge fringing in the examples of the X-H1's video, and that's a turn off to me personally, even on my NX1. Ultimately, I applaud camera manufacturers that signal progression. Fuji might not be able to offer me anything right now, but when they put their chips on the table, others follow suit. At the end of the day we all have varied take aways. If we didn't wrap up our indentities so tightly into the things we purchase, we'd have more comfortable butts when someone comes along and purchases something else. One does not have to justify their preferences. Sometimes we are attracted to certain things that words can't facillitate.