funkyou86

I had this issue as well, copied all my luts to AME's Lumetri/Creative folder, and it solved the problem.

Very nice! Here's mine with Canon 85mm and Lie709 Sigma 18-35:

Shot this last weekend. Mostly in to 150 fps. Some shots were overexposed, but you get the idea, it was very sunny and hot. Used a DEC lens regain, Sigma 18-35 and Canon 85mm, shot mostly handheld with stabiliser on. Two shots are twixtored. Straight from the camera the Rec709 is awesome, period. I added an osiris lut to pop some colors.

Available now for pre order @ CVP https://cvp.com/index.php?t=product/canon_eos_c200_ef_camcorder 7700 GBP.

Hey. I use Kingstone 256GB U3 cards (R90/W80), they work perfectly fine. Except that one time when my card died on the shooting day and lost all of my footages...

Yep and works like a charm. I am constantly recording 95 minute interviews to 256gb cards.

False color lut now available for GH5: https://luts.iwltbap.com/false-color-lut/ Benjamin did a great job, again!

The best GH5 review out there. Wolfcrow did a great job.

Some anamorphic goodness.

Kowa 1.5x is a dream lens. How do you find it against the Bolex?

Even the Metabones has a play in it. Jordy from Cinecom (YT channel) claimed that few weeks ago, and duct taped the mount as a fix. From personal experience I can recon Zhongyi - Mitakon Lens Turbo's, the IQ is great and comes in affordable price. However, mine had a really small play in it. It was a problem only when I was shooting anamorphic, otherwise, I loved it.

@HelsinkiZim I shot some 96fps with my gh4 and then twixtored it, it was absolutely usable, so I bet that you can do some great stuff with the 180fps. I shot some chicken last week, here's the footage. Probably not the best for twixtoring (the fence will cause some issues), but at least you'll get the idea how it looks. I shot in to Vlog, so not the greatest quality, artifacts, noise, etc. The link will expire within 12 hours: https://drive.google.com/open?id=0B58lJC1ZGzPZaHNualBHVnE1Ukk

Can't believe how overrated this lens is. My favourite retailer has posted some new stuff again, curious about thsi one: http://www.ebay.com/itm/Vintage-x2-Singlefocus-F1-4-Anamorphic-Lens-Anamorphot-warm-flares-1-/132162601288?hash=item1ec5814148:g:O8EAAOSwHMJYG7J8

You have no AF in slow mo mode, and I suppose you'll need slow mo on a paid gig. So what is this still ongoing AF discussion about? Most of the people complaining about AF never even truly used AF before. They just want the canon dual pixel and the A6500 AF technology in the GH5. It was written down thousand times in this forum, pick the right camera for the right job

Paid gigs = follow focus (and focus puller), family events = AF :D

or he shot AVCHD with the possible lowest bitrate . F.... clickbait videos, I hate them.

Backlight separates your subject from the background, makes it pop out, and the image won't look so flat. You can than mess with color temperatures, like lit your subject with warm (3500K) light, than give him a cool (6000K) backlight (on the hair for example). Les Claypool is out of this planet, absolutely favourite, thanks for sharing!

If they charge 150 bucks, I am okay with that :D

Filmriot just posted this yesterday: No real comparison between the GH5 and A7S, but Ryan states that even he has an A7SII, he's considering to buy a GH5.

@NewFilmMaker show us some footages instead of "rate my setup"

Curious about the price tag, also if it'll work with MFT lenses (like moondog does).

This footage got plenty of light. That is the key to cinematic image. I love the sharpness of the kowa on this video. Also, the colour wheels are tweaked in a very good way

For some reason I thought you used the Anamorphot, not the primes. Anyways, I think I am not the only on who would love to hear more about those lenses. How do you find gh5's anamorphic mode after shooting on pro cameras (like red, etc.)?

Wow, even if this is 8bit I LOVE the look and the feel! Also the blockbuster lut and the distortion on the corners! Some of the night shots are too exposed for my taste, but I can imagine the pain in the ass while filming it. What lenses have you used, also how did you light the interior shots? Cheers!

Just saw this video, looks fabulous. Kowa 8Z, 50mm, IBIS on.